All the charm, wonder, eccentricity and vigour of country life is here in these pages, and told with such engaging directness, detail and colour . . . Bliss' STEPHEN FRY 'A capacious work that contains multitudes . . . a work to amble through, seasonally, relishing the vivid dashes of colour and the precision and delicacy of the descriptions' THE SPECTATOR 'My favourite read of the year . . . warm, funny and moving' SUNDAY TIMES 'A writer whose pages you turn and then turn back immediately to re-read, relish and get by heart' SUSAN HILL, SUNDAY TELEGRAPH Ronald Blythe lived at the end of an overgrown farm track deep in the rolling countryside of the Stour Valley, on the border between Suffolk and Essex. His home was Bottengoms Farm, a sturdy yeoman's house once owned by the artist John Nash. From here, Blythe spent almost half a century observing the slow turn of the agricultural year, the church year and village life in a series of rich, lyrical rural diaries. Beginning with the arrival of snow on New Year's Day and ending with Christmas carols sung in the village church, Next to Nature invites us to witness a simple life richly lived. With gentle wit and keen observation Blythe meditates on his life and faith, on literature, art and history, and on our place in the landscape. It is a celebration of one of our greatest nature writers, and an unforgettable ode to the English countryside.
Woven from the words of the inhabitants of a small Suffolk village in the 1960s, Akenfield is a masterpiece of twentieth-century English literature, a scrupulously observed and deeply affecting portrait of a place and people and a now vanished way of life. Ronald Blythe’s wonderful book raises enduring questions about the relations between memory and modernity, nature and human nature, silence and speech.
Britain’s best loved rural writer chronicles the progress of the seasons in the Stour valley village where he has lived and worked among artists, writers, farmers and commuters. For all the changes in the contemporary countryside, timeless qualities remain and both are captured here with a poet’s understanding and imagination.
Long recognised as Britain’s greatest living rural writer, Ronald Blythe draws together literature, poetry, spirituality and memory which all merge to create an exquisite commentary on our times that is at once celebratory and elegiac. In this eleventh and final collection of his beloved 'Word from Wormingford', Ronald Blythe opens us our eyes to the small miracles that happen everywhere in ordinary life. With a poet’s deftness he gives us language with which to speak about the experiences that touch every life, but so often leave us speechless – life’s great joys and its incomprehensible sorrows. His writing awakens us to the colours and scents of the seasons and the weather, lets us listen to the myriad remembered conversations stored in his attic mind, evokes the smell of old books and all the memories they conjure up, and shows us how to be thankful for the inestimable blessing of simple routine.
With reverence and love, Britain's most admired rural writer chronicles daily life in a Stour valley village, finding beauty and significance in its sheer ordinariness as well as its many literary, artistic and historic associations.
The best portrait of rural life in England' Roger Deakin 'Exquisite' John Updike 'The finest contemporary writer on the English countryside' Observer Ronald Blythe's perceptive and vivid evocation of the rural Suffolk he had known since childhood was acclaimed as an instant classic when it was published in 1969. It reverberates with the voices of the village inhabitants, from the reminiscences of survivors of the Great War evoking days gone by, to the concerns of a younger generation of farm-workers and the fascinating and personal recollections of, among others, the local schoolteacher, doctor, blacksmith, saddler, district nurse and magistrate. Providing insights into the land, education, welfare, class, religion and death, Akenfield forms a unique document of a way of life that has, in many ways, disappeared.
Canterbury Press is proud to have acquired these backlist Ronald Blythe titles, consisting of illustrated collections of the authors regular weekly column on the back page of the Church Times where, with a poets eye, he observes the comings and goings of the rural world he sees from his ancient farmhouse in the South of England. Each volume was critically acclaimed on publication.
The View in Winter' is a timeless and moving study of the perplexities of living to a great age, as related by a wide range of men and women: miners, villagers, doctors, teachers, craftsmen, soldiers, priests, the widowed and long-retired. Their voices are set in the context of what literature, art, religion and medicine over the centuries have said about ageing. The result is an acclaimed and compelling reflection on an inevitable aspect of our human experience.
The Time by the Sea is about Ronald Blythe's life in Aldeburgh during the 1950s. He had originally come to the Suffolk coast as an aspiring young writer, but found himself drawn into Benjamin Britten's circle and began working for the Aldeburgh Festival. Although befriended by Imogen Holst and by E M Forster, part of him remained essentially solitary, alone in the landscape while surrounded by a stormy cultural sea. But this memoir gathers up many early experiences, sights and sounds: with Britten he explored ancient churches; with the botanist Denis Garrett he took delight in the marvellous shingle beaches and marshland plants; he worked alongside the celebrated photo-journalist Kurt Hutton. His muse was Christine Nash, wife of the artist John Nash. Published to coincide with the centenary of Britten's birth, this is a tale of music and painting, unforgettable words and fears. It describes the first steps of an East Anglian journey, an intimate appraisal of a vivid and memorable time.
From the time that John Constable made its waterways and rural landscapes famous, the Stour Valley in East Anglia has been a haunt for artists, writers, poets, musicians and gardeners. Ronald Blythe perpetuates this rich artistic heritage from an ancient farmhouse, with its three-acre naturalistic garden, that has been a gathering place for literary and artistic friends for almost seventy years. Stour Seasons is the tenth collection of his Word From Wormingford columns that have appeared on the back page of the Church Times for over 20 years. Britain’s greatest living rural writer observes in rich detail the gifts that each season of the year brings and in doing so, evokes a world of beauty, friendship and wonder at the simple pleasures that make everyday life the miracle that it is.
A Treasonable Growth was Ronald Blythe's was first book and only novel. It is set in Aldeburgh, Suffolk shortly before the Second World War. Ronald Blythe himself has described it as his 'Forsterian novel' and even admits to going for walks with E. M. Forster while working on the novel 'although I never mentioned it.' Freda Bellingham, the founder of Copdock School, ensnares the unsuspecting Richard Brand in order to save her ramshackle foundation. At twenty-four, Richard is that perilous mixture, gauche, good and uncommitted. He falls straight into the morass of Copdock School. The time is just before the Second World War and already the less daring British exiles in Italy are planning to return home. Among them is the celebrated novelist, Sir Paul Abott, the nephew of Freda Bellingham. He quits his Sicilian villa for Suffolk and, like his aunt, decides he must have new blood. He needs someone, 'call it an amanuensis,' someone 'more than a typist and less than a friend.' In full flight from Freda Bellingham and Sir Paul Abbott, Richard joins forces with Mary Crawford, a marriage dreamer. But lovers should be strangers first and uncommitted by too close a knowledge of each other. At this point the aged hunters of these perplexed lovers should have moved in for the kill, but even their egocentricity had to bow before the larger madness which was to shatter their little world.
Canterbury Press is proud to have acquired these backlist Ronald Blythe titles, consisting of illustrated collections of the authors regular weekly column on the back page of the Church Times where, with a poets eye, he observes the comings and goings of the rural world he sees from his ancient farmhouse in the South of England. Each volume was critically acclaimed on publication.
Ronald Blythe's career began in 1960 with the publication of A Treasonable Growth, a novel set in Suffolk and reissued in 2010 as a Faber Find. It was followed a year later by a collection of short stories, Immediate Possession, but from The Age of Illusion (1963) much of Blythe's considerable achievement has been non-fiction, most notably Akenfield, his Wormingford diary in the Church Times, his essays on John Clare and his Penguin editions of Hazlitt and Hardy.The publication of Aftermath celebrates Blythe's unique achievement. Over the last 50 years his gentle, eloquent voice has spoken to us of the countryside, and the literature it has inspired, latterly from his farmhouse hidden away down an ancient, rutted track on the Suffolk/Essex border.
These exquisite mini essays reflect on the natural landscape, the changing seasons, village life, art, poetry, the stories that ancient churches tell, the Christian year. They refresh ones vision of ones own daily routine and surroundings and can be read over and over again, like poetry.
Born and brought up in rural Suffolk, Ronald Blythe was fascinated by the rhythms of country life and the stories of the people he had known since childhood. In this perceptive and moving evocation of his home, the villagers speak candidly about their lives, from the reminiscences of survivors of the First World War to a younger generation of farm workers, as well as the personal recollections of a school teacher, blacksmith, saddler, bellringer and district nurse. Together they give us the voice of a village, and of a vanished rural England. Generations of inhabitants have helped shape the English countryside - but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land - as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man's relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).
Canterbury Press is proud to have acquired these backlist Ronald Blythe titles, consisting of illustrated collections of the authors regular weekly column on the back page of the Church Times where, with a poets eye, he observes the comings and goings of the rural world he sees from his ancient farmhouse in the South of England. Each volume was critically acclaimed on publication.
The year takes its shape from the seasons of nature and the feasts and festivals of the Christian year. Each informs and illuminates the other in this loving celebration of nature's gifts and neighbourly friendship. Literature, poetry, spirituality and memory all merge to create an exquisite series of stories of our times. For all the changes in the contemporary countryside, timeless qualities remain and both are captured here with a poet's understanding and imagination.
Ronald Blythe has spent his life among the artists and writers of his native Suffolk. His books, especially the bestselling "Akenfield", have given East Anglia a distinctive literary voice. This book accompanies Ronald through the lanes of Constable country, and observe him in his study following his early morning writing routine.
A new translation into modern American English directly from the original Russian manuscript. This edition contains an Afterword by the translator, a timeline of Tolstoy's life and works, and a glossary of philosophic terminology used throughout Tolstoy's literature and philosophy. Leo Tolstoy's "Death of Ivan Ilyich" is a profound and introspective novella that explores the existential crisis of its title character, Ivan Ilyich, in the face of mortality. His unflinching portrayal of the physical and spiritual path of the hero to death poses moving questions about the meaning of life, the pursuit of happiness, and the inescapability of death. Tolstoy exposes the human struggle to find meaning and authenticity in life through vivid characterization and compelling narrative. "Death of Ivan Ilyich" has had a lasting historical impact, contributing to philosophical and literary discussions about death and the human experience. It remains a timeless classic that continues to captivate readers with its profound insights into the human psyche and contemplation of life's most profound questions.
Clare records that it was 'a very old custom among villagers in summer time to stick a piece of greensward full of field flowers and place it as an ornament in their cottages which ornaments are called Midsummer Cushions.' This 'cottage custom'suggested the title to him for this collection. The texts of the poems are those which Clare himself wanted to publish in 1832, but for which he could not find a sufficient number of subscribers. Almost a third of the book's 391 poems were published for the first time when this collection first appeared in 1978. These poems, edited by Anne Tibble, a Yorkshire-born scholar and biographer of John Clare, finally cement the poet's long-deserved reputation as our foremost naturalist poet of the English countryside.
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