Organized around the idea that "you can't know what a magnetic field is like unless you're inside of it, " Ron Loewinsohn's first novel opens from the disturbing perspective of a burglar in the midst of a robbery and travels through the thoughts and experiences (both real and imaginary) of a group of characters whose lives are connected both coincidentally and intimately. All of the characters have a common desire to imagine and invent rather horrifying stories about the lives of people around them. As the novel develops, certain phrasings and images recur improbably, drawing the reader into a subtle linguistic game that calls into question the nature of authorship, the ways we inhabit and invade each other's lives, and the shape of fiction itself.
This book examines the achievements of William Carlos Williams in the context of the transcendentalism of Ralph Waldo Emerson, Henry David Thorgau and Walt Whitman. The author develops a narrative of sensibilities to enrich the understanding of transcendentalism.
Organized around the idea that "you can't know what a magnetic field is like unless you're inside of it, " Ron Loewinsohn's first novel opens from the disturbing perspective of a burglar in the midst of a robbery and travels through the thoughts and experiences (both real and imaginary) of a group of characters whose lives are connected both coincidentally and intimately. All of the characters have a common desire to imagine and invent rather horrifying stories about the lives of people around them. As the novel develops, certain phrasings and images recur improbably, drawing the reader into a subtle linguistic game that calls into question the nature of authorship, the ways we inhabit and invade each other's lives, and the shape of fiction itself.
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