A blues musician is blasted into a parallel world in a novel that’s “a houserockin’ good time” cowritten by the New York Times–bestselling author (Booklist). Slim’s a Texas bluesman of a certain age, down on his luck and just about broke—but hey, that’s what the blues are all about. He loves his music: “Not the popular blues, homogenized, synthesized, and zombilized; but the real down-home gut-bucket blues.” Then one day the music loves him back. In a single hot burst of lightning that comes straight up out of the ground, Slim finds himself in Tejas. It’s a little bit magic and a whole lot different, but the blues are the same. And the blues—manifest here in the form of a maple-necked, pearl-gray Fender Stratocaster with blue-chrome pickups, aka the Gutbucket—need him and need him bad. The Strat’s fallen into the hands of T-Bone Pickens and his Vipers, who want to suck up all its power and turn it to evil. Slim’s off and running on the Gutbucket Quest, with the help of his new mentor, rhythm guitarist Progress T. Hornsby, and a purely unstoppable blues singer named Nadine.
Under the weight of a combination of forces, many of the older paradigms of learning are being questioned in our time. Among the updated research that elicits such critique is that which deals directly with effective pedagogy, clearly illustrating the enhanced effects on learning when it is dealt with as a holistic developmental enterprise rather than one concerned solely with content, technique and measurable outcomes. This research includes volumes of empirical evidence and conceptual analysis from across the globe that point to the inextricability of values as lying at the heart of those forms of good practice pedagogy that support and facilitate the species of student achievement that truly does transform the life chances of students. This research indicates that the combination of values rich learning environments and values discourse (that is, the holism of implicit and explicit pedagogy) has potential for positive influence on learning outcomes, most markedly for those deemed likely to fail without such pedagogical intervention. Values Pedagogy and Student Achievement - Contemporary Research Evidence uncovers, explores and appraises those volumes of evidence and analysis, illustrating their pertinence to student achievement, the vexed issue that lies at the heart of all for which education stands.
Known as two of the best pistol fighters of their day, Ben Thompson and King Fisher have remained an enigma in the chronicles of the American West. While other gunfighters have achieved infamy through the stories told in pulp magazines and newspapers of the day these two men were largely ignored. Both were credited with killing a string of men during their lifetime and the mere mention of their names was usually enough to sober up a drunken opponent or cause a sober man to contemplate his own epitaph. The Texas Pistoleers tells their story in vivid detail and relates the historically accurate account of their deaths in a mystery shrouded ambush in a San Antonio saloon on a chilly March night in 1884.
A blues musician is blasted into a parallel world in a novel that’s “a houserockin’ good time” cowritten by the New York Times–bestselling author (Booklist). Slim’s a Texas bluesman of a certain age, down on his luck and just about broke—but hey, that’s what the blues are all about. He loves his music: “Not the popular blues, homogenized, synthesized, and zombilized; but the real down-home gut-bucket blues.” Then one day the music loves him back. In a single hot burst of lightning that comes straight up out of the ground, Slim finds himself in Tejas. It’s a little bit magic and a whole lot different, but the blues are the same. And the blues—manifest here in the form of a maple-necked, pearl-gray Fender Stratocaster with blue-chrome pickups, aka the Gutbucket—need him and need him bad. The Strat’s fallen into the hands of T-Bone Pickens and his Vipers, who want to suck up all its power and turn it to evil. Slim’s off and running on the Gutbucket Quest, with the help of his new mentor, rhythm guitarist Progress T. Hornsby, and a purely unstoppable blues singer named Nadine.
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