In the last thirty years, the Upper Texas Coast has become a "must go" destination for birders around the globe. This book will serve as an essential companion to the customary field guide and pair of binoculars for all visitors to Houston, High Island, Galveston, Freeport, or any of the area's other exciting birding spots. It also places the birdlife of the region, a seven-county area with a larger bird list than forty-three states, into historical and ecological contexts. Authors Eubanks, Behrstock, and Weeks--all recognized authorities on the migrant and resident birds of this region--present a thorough introduction to the area's history, physiography, and avifauna. Then, in generous discussions of bird families and species, they synthesize years of records, tracking the comings and goings of more than 480 birds and incorporating their own lifetimes of experience to create an "ornithological mosaic" of lasting significance.
The Art of Suicide is a history of the visual representation of suicide from the ancient world to its decriminalization in the 20th century. After looking at instances of voluntary death in ancient Greece, Ron Brown discusses the contrast between the extraordinary absence of such events in early Christianity and the proliferation of images of biblical suicides in the late medieval era. He emphasizes how differing attitudes to suicide in the early modern world slowly merged, and pays particular attention to the one-time chasm between so-called heroic suicide and self-destruction as a "crying crime". Brown tracks the changes surrounding the perception of suicide into the pivotal Romantic era, with its notions of the "man of feeling", ready to hurl himself into the abyss over a woman or an unfinishable poem. After the First World War, the meaning of death and attitudes towards suicide changed radically, and in time this led to its decriminalization. The 20th century in fact witnessed a growing ambivalence towards suicidal acts, which today are widely regarded either as expressions of a death-wish or as cries for help. Brown concludes with Warhol's picture of Marilyn Monroe and the videos taken by the notorious Dr Kevorkian.
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