“[Ron Rosenbaum] is one of the most original journalists and writers of our time.” –David Remnick In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare’s enchantment and illumination–the astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience–deeper into the mind of Shakespeare. Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather–as an embattled faction of textual scholars now argues–a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive–and sometimes even explicitly sexual. At an academic “Pleasure Seminar” in Bermuda, for instance, he examines one scholar’s quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook–perhaps the most influential Shakespearean director of the past century–disclose his quest for a “secret play” hidden within the Bard’s comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare’s language has been lost–and how to restore it. Rosenbaum’s hilarious inside account of “the Great Shakespeare ‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates the iconic struggle to define what is and isn’t “Shakespearean.” And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare’s work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time.
Resurrected corpses, voodoo conjuring, black magic (and blacker science)...these are all well known to cause zombie breakouts. Here are classic and modern tales, full of thrills and chills and the living dead...tales of zombies! These stories don't (well, mostly don't!) go for the gross-out. Great writing, lots of atmosphere and suspense (and the occasional laugh) -- if you want more than just extreme horror and gross-out scares, this is the zombie collection for you! Included are: SYMPATHY FOR ZOMBIES, by John Gregory Betancourt LARGER THAN LIFE, by Lawrence Watt-Evans PLAGUE PIT, by Sydney J. Bounds COOL AIR, by H.P. Lovecraft THE LAST BEST FRIEND, by C.J. Henderson UNDER THE SHADOW OF JONAH, by Jack Dann ZOMBIES ON BROADWAY, by Jack Dolphin SOME NOTES ON THE "ZOMBI," by Lafcadio Hearn THE HOLLOW MAN, by Thomas Burke OUTSIDE THE BOX, by John Haggerty WHILE ZOMBIES WALKED, by Thorp McClusky THE CORPSE MASTER, by Seabury Quinn WHAT THE MOON BRINGS, by George T. Wetzel NIGHTFALL ON THE DEAD SEA, by Ray Faraday Nelson BUB AND THE ZOMB BOYS, by A. R. Morlan THE MENTAL GANGSTER, by John Russell Fearn THE DIGGING AT PISTOL KEY, by Carl Jacobi CRIME AND AUTHORITY, by C.J. Henderson DEAD MEN WORKING IN THE CANE FIELDS, by William Seabrook HERBERT WEST: REANIMATOR, by H.P. Lovecraft I WALTZED WITH A ZOMBIE, by Ron Goulart BLACK CANAAN, by Robert E. Howard If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 260+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
Detective Terry Lane is a standout cop--as tough as Eliot Ness of "The Untouchables"--who thought hed seen it all...until now. But hes never seen a murder spree like this. The evidence is clear: the killers have not emerged from the underside of the city, but from six feet under it--the walking dead. And if Lane doesnt think outside the box...he could end up inside one, buried alive. ""A fun tale from zombie land that will have a chill rolling down your spine." "--SFsite.com* An International Book Awards Winner
Humanitys history is soaked with blood, sweat, and tears, as it seeks a solution to its great dilemmalost Love for it seeks a solution apart from God who IS love
One of the great pulp writers, with colorful prose, lively action writing, exotic locales and well-constructed plots." —Ellery Queen "A hero of the classic adventure mold...tough and rugged, and has a strong sense of honor." —The Strand “What I am writing is really psychological fantasies, on the order of L. Ron Hubbard’s" —Phillip K. Dick "Suspenseful murder mystery...highly recommended." —Midwest Book Review This Collection includes: International Book Awards Winner: Dead Men Kill, Publisher's Weekly Award Winner: Spy Killer, International Book Awards Finalist: Hurricane as well as False Cargo, Cargo of Coffins, Killer's Law, The Carnival of Death, Mouthpiece, Brass Keys to Murder and The Chee-Chalker and more—16 short stories in all. For a sense of the mystery ahead, here is a glimpse of 5 stories in the collection: DEAD MEN KILL: As a police detective, he wants to know who’s behind the murders that have been targeting the wealthy of his city. He runs into something out of an apocalyptic horror. Something which cannot be reasoned with, something which cannot be bought, something which has no remorse about ending it’s victim’s lives. And adds the victims to the ranks of the killers as zombies... SPY KILLER: Falsely accused and under the gun, Reid jumps ship and vanishes into Shanghai—only to get caught in a web of intrigue, betrayal and murder. In a world where nothing is what it seems and everything is for sale, he’s soon out of his depth, drawn into a spy game in which the winner takes all...and the loser takes a knife to the back. CARNIVAL OF DEATH: Detective Clark is deep undercover at Shreve's Mammoth Carnival, when he discovers first one and then another headless body. While others believe the gruesome murders are solved after four tribal headhunters working for the show suddenly disappear, Bob Clark suspects someone else is the real killer. When he finds himself seized by the very same headhunters, Clark sincerely hopes his hunch is right, since the point of a very sharp knife is aimed at his neck! FALSE CARGO: Going undercover and posing as ruthless killer Spike O’Brien, Investigator Calloway quickly discovers that on the ship nothing is what it seems, and no one can be trusted. With so much insurance money at stake, and the whole crew apparently in on the scam, this could end up being a voyage to the bottom of the sea... Especially when the real Spike O'Brien arrives. BRASS KEYS TO MURDER: Accused of murdering his father, Steve Craig must discover the truth before being caught by the police or the real murderers. He follows a trail of smoke and mirrors and sudden violence to the Brass Keys to Murder. With them, Steve will seek to unlock the terrible truth behind his father’s death...and an astonishing secret that will change his life—and that of the woman he loves—forever. When writing mysteries, Hubbard immersed himself in the salient subject matter—studying both forensic science and criminal investigation. He interviewed a wide spectrum of law enforcement officials, federal investigators and even served as a Special Officer with the Los Angeles Police Department creating an authentic foundation for his detective fiction. So while his readers might remain in the dark until the final revelation, enjoying every twist and turn along the way, writing a mystery was never a mystery to Hubbard himself.
Dr. Vincent Di Maio and veteran crime writer Ron Franscell guide us behind the morgue doors to tell a ... life story through the cases that have made Di Maio famous--from the exhumation of assassin Lee Harvey Oswald to the complex issues in the shooting of Florida teenager Trayvon Martin. Beginning with his street-smart Italian origins in Brooklyn, the book spans 40 years of work and more than 9,000 autopsies, and Di Maio's eventual rise into the pantheon of forensic scientists"--
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