Rabbi Samson Raphael Hirsch (1808-1888) was one of those personalities without whom any presentation of the development of German Jewry would remain fragmentary. His name is inseparable with that of the secession movement, a new organizational form which severed all ties to the Jewish "Main Community" (Großgemeinde). Hirsch was so eloquent in expressing his ideas, which once again placed festivals and rituals at the center of Jewish life, that he not only influenced the young Gerschom Scholem, but also Franz Rosenzweig's work Star of Redemption.
In the middle of the night a taxi driver noticed a rumbling noise under his car during an empty ride. Whilst traveling down Fördestrasse, the taxi had caught a body on the road and dragged it along for almost twenty metres. The man on the street was already dead by that time. It was likely that another vehicle had run him over at the place where hitchhikers used to stand. For years, undesirable hitchhikers had been intimidated here with gestures and steering manoevers. Was it the brainless fascist skinheads again, who already before went on a manhunt in their car on the bicycle path towards the Olympic Centre? A 15-year-old pseudo-punk joins the Kiel punk scene and experiences a blatant and wired time, which culminated in the Hanover Chaos Days 1983. It is puzzling why he suddenly joined the new skinhead scene around the wicked ex-punks Gonnrad and the Konz brothers. What got him into it? When the teenager later realises that the first skins are taking on right-wing radical tendencies, he tries to break away from the scene, but that doesn't turn out to be that easy. Finally he pulls the ripcord after another incident, even if he would have liked to remain a skinhead – England-style and working-class just like in the beginning. He manages to get out after a brutal fight with Stidi, one of the chief skins. The price is high. His face is smashed and his reputation ruined. Many punks are resentful and can't forgive him for the excursion into the strange world of skinheads. Even for the skins it is not over and done with yet. There is massive trouble on both sides. It was the madness of the 80s, a time full of self-destructive punks, scolding old Nazis, marauding skinheads and streetclubs, aspiring young Nazis and overtaxed policemen at the Chaos Days. After a crime against a rocker, a disoriented skinhead ended up at a New Year's Eve party of ordinary people: I remember there was a lot of light in the flat. The bright light and the white wallpaper hurt in my eyes. In my booze state I scribbled something on the white wallpaper in the hallway: Oi! Oi! Oi!, the battle cry of the skinheads. But I was afraid that this could be brought back to us, and I painted a T before: Toi! Toi! Toi!
For over 2,000 years, banks have served to facilitate the exchange of money and to provide a variety of economic and financial services. During the most recent financial collapse and subsequent recession, beginning in 2008, banks have been vilified as perpetrators of the crisis, the public distrust compounded by massive public bailouts. Nevertheless, another form of banking has also emerged, with a focus on promoting economic sustainability, investing in community, providing opportunity for the disadvantaged, and supporting social, environmental, and ethical agendas. Social Banking and Social Finance traces the emergence of the “bank with a conscience” and proposes a new approach to banking in the wake of the economic crisis. Featuring innovations and initiatives in banking from Europe, Canada, and the United States, Roland Benedikter presents an alternative to traditional banking practices that are focused exclusively on profit maximization. He argues that social banking is not about changing the system, but about improving some of its core features by putting into use the "triple bottom line" principle of profit-people-planet. Important lessons can be learned by the success of social banks that may be useful for the greater task of improving the global financial system and avoiding economic crises in the future.
Rabbi Samson Raphael Hirsch (1808-1888) was one of those personalities without whom any presentation of the development of German Jewry would remain fragmentary. His name is inseparable with that of the secession movement, a new organizational form which severed all ties to the Jewish "Main Community" (Großgemeinde). Hirsch was so eloquent in expressing his ideas, which once again placed festivals and rituals at the center of Jewish life, that he not only influenced the young Gerschom Scholem, but also Franz Rosenzweig's work Star of Redemption.
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