A Living Sacrifice focuses on the inherent relationship between eschatology and the liturgy in light of Ratzinger’s insistence upon the primacy of logos over ethos. When logos is subordinated to ethos, the human person becomes subjected to a materialist ontology that leads to an ethos that is concerned above all by utility and progress, which affects one’s approach to understanding the liturgy and eschatology. How a person celebrates the liturgy becomes subject to the individual whim of one person or a group of people. Eschatology is reduced to addressing the temporal needs of a society guided by a narrow conception of hope or political theology. If the human person wants to understand his authentic sacramental logos, then he must first turn to Christ the incarnate Logos, who reveals to him that he is created for a loving relationship with God and others. The primacy of logos is the central hermeneutical key to understanding the unique vision of Ratzinger’s Christocentric liturgical theology and eschatology. This is coupled with a study of Ratzinger’s spiritual Christology with a focus on how it influences his theology of liturgy and eschatology through the notions of participation and communion in Christ’s sacrificial love. Finally, A Living Sacrifice examines Ratzinger’s theology of hope, charity, and beauty, as well as his understanding of active participation in relationship to the eschatological and cosmic characteristics of the sacred liturgy.
A Living Sacrifice focuses on the inherent relationship between eschatology and the liturgy in light of Ratzinger’s insistence upon the primacy of logos over ethos. When logos is subordinated to ethos, the human person becomes subjected to a materialist ontology that leads to an ethos that is concerned above all by utility and progress, which affects one’s approach to understanding the liturgy and eschatology. How a person celebrates the liturgy becomes subject to the individual whim of one person or a group of people. Eschatology is reduced to addressing the temporal needs of a society guided by a narrow conception of hope or political theology. If the human person wants to understand his authentic sacramental logos, then he must first turn to Christ the incarnate Logos, who reveals to him that he is created for a loving relationship with God and others. The primacy of logos is the central hermeneutical key to understanding the unique vision of Ratzinger’s Christocentric liturgical theology and eschatology. This is coupled with a study of Ratzinger’s spiritual Christology with a focus on how it influences his theology of liturgy and eschatology through the notions of participation and communion in Christ’s sacrificial love. Finally, A Living Sacrifice examines Ratzinger’s theology of hope, charity, and beauty, as well as his understanding of active participation in relationship to the eschatological and cosmic characteristics of the sacred liturgy.
Professor Pennock launches an encyclopedic study that evaluates and ultimately synthesizes a variety of democratic theories. After defining democracy and examining the basic tensions both within and between liberty and equality, and individualism and collectivism, the author sets forth two typologies of operational democratic theories, one related to power, the other related to motivation. In succeeding chapters, he analyzes a series of problems with which any operating democracy must contend, and then measures—on the basis of empirical work done in this area—the adequacy of the various theories in dealing with these problems. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
How ideas in complexity can be used to develop more effective public policy Complexity science—made possible by modern analytical and computational advances—is changing the way we think about social systems and social theory. Unfortunately, economists' policy models have not kept up and are stuck in either a market fundamentalist or government control narrative. While these standard narratives are useful in some cases, they are damaging in others, directing thinking away from creative, innovative policy solutions. Complexity and the Art of Public Policy outlines a new, more flexible policy narrative, which envisions society as a complex evolving system that is uncontrollable but can be influenced. David Colander and Roland Kupers describe how economists and society became locked into the current policy framework, and lay out fresh alternatives for framing policy questions. Offering original solutions to stubborn problems, the complexity narrative builds on broader philosophical traditions, such as those in the work of John Stuart Mill, to suggest initiatives that the authors call "activist laissez-faire" policies. Colander and Kupers develop innovative bottom-up solutions that, through new institutional structures such as for-benefit corporations, channel individuals’ social instincts into solving societal problems, making profits a tool for change rather than a goal. They argue that a central role for government in this complexity framework is to foster an ecostructure within which diverse forms of social entrepreneurship can emerge and blossom.
Winner of the 2014 Isaac and Tamara Deutscher Memorial Prize. In the Vale of Tears brings to a culmination the project for a renewed and enlivened debate over the interaction between Marxism and religion. It does so by offering the author's own response to that tradition. It simultaneously draws upon the rich insights of a significant number of Western Marxists and strikes out on its own. Thus, it argues for the crucial role of political myth on the Left; explores the political ambivalence at the heart of Christianity; challenges the bent among many on the Left to favour the unexpected rupture of kairós as a key to revolution; is highly suspicious of the ideological and class alignments of ethics; offers a thorough reassessment of the role of fetishism in the Marxist tradition; and broaches the question of death, unavoidable for any Marxist engagement with religion. While the book is the conclusion to the five-volume series, The Criticism of Heaven and Earth, it also stands alone as a distinct intervention in some burning issues of our time.
Research Paper (postgraduate) from the year 2017 in the subject Engineering - Mechanical Engineering, University of the Witwatersrand, language: English, abstract: A combined 3D linear and circular interpolation principle is developed on the basis of the 3D linear and circular interpolation principles. The task was to choose and design a creative item to be machined using CNC machining, which then required to write a code using CNC language. Prior to the machining process, we did a Computer Aided Design (CAD) drawing of the workpiece. The drawing was further modified with the final model drawn using Auto Desk Inventor. We used foam for our model and a 31 diameter end mill tool. The main problem that was experienced was the cutting time; the model took longer to be complete. The cutting time was affected by the complexity of the design, chosen tool size and the cutting technique. Besides, we learnt from the demonstration that the shorter the constructed code the more robust it is, using a bigger tool is more efficient in terms of saving energy and time, and that if the code is correct the CNC machine model becomes identical to that of the product Design.
Project Report from the year 2017 in the subject Computer Science - Programming, , language: English, abstract: This report covers the work that was carried out by a group of researchers on CNC (Computer Numerical Control) programming and machining. The task was to choose and design a creative item to be machined using CNC machining, which then required to write a code using CNC language. Prior to the machining process, we did a Computer Aided Design (CAD) drawing of the Mercedes Benz logo. The logo was further modified with the final model drawn using Auto Desk Inventor. We used foam for our model and a 10 diameter end mill tool. The main problem that was experienced was the cutting time; the model took longer to be complete. The cutting time was affected by the complexity of the design, chosen tool size and the cutting technique. We learnt from the demonstration that the shorter the constructed code the more robust it is, using a bigger tool is more efficient in terms of saving energy and time, and that if the code is correct the CNC machine model becomes identical to that of the product Design.
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