A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.
Piano Music for Four Hands is a novel about music and love set against three generations of French history. At its center is a charming but melancholy pianist named Michel Mailhoc. Having survived a series of bungled love affairs and professional disappointments, he retreats to his family house in the Pyrenees. The bright spot in his life is his grandniece Emma, who becomes his prizewinning student. Struggling with his fervent desire for her success and the fear of losing her, Michel sends Emma into the world of international musical stardom that he has renounced for himself. The Mailhoc family saga, stretching from World War I to the turbulent 1960s, is full of sorrow, but the underlying melody remains tender and humorous. From the first sentence we feel curiously at home in Roger Grenier's intimate, precise, and musical writing.
The Harlequin Years presents a highly readable yet thorough examination of the Parisian music scene in the decade following World War I. Through Nichols's lively prose and in his accounts of institutional politics, reception histories, and behind-the-scenes debates, these places and personalities spring to life."—Susan McClary, author of Conventional Wisdom
Les écoulements avec réactions chimiques peuvent intervenir dans des domaines variés tels que la combustion, le génie des procédés, l’aéronautique, l’environnement atmosphérique et aquatique. Les exemples d’application choisis dans ce volume portent principalement sur les mélanges réactifs homogènes susceptibles d’intervenir dans les propulseurs, en génie des procédés et en combustion : - propagation du son et écoulements monodimensionnels non diffusifs dans les tuyères pouvant comporter des déséquilibres des modes internes d’énergie des molécules ; - réacteurs chimiques idéaux, stabilisation de leurs points de fonctionnement stationnaires dans le cas homogène à mélange parfait et instruments classiques d’analyse expérimentale et théorique tels les bilans de population, la distribution des temps de séjour et celle des âges ; - flammes laminaires et turbulentes en séparant bien celles qui sont prémélangées de celles qui ne le sont pas et qui ne relèvent pas des mêmes mécanismes, mais qui interviennent conjointement dans le cas des flammes triples. Écoulements et réactions chimiques 2 apporte également des précisions sur l’analyse dimensionnelle, la thermodynamique statistique avec couplage entre modes internes d’énergie et réactions chimiques, l’apparition et la dissipation de la turbulence fluide ainsi que son traitement statistique, les bifurcations, les flammes en milieu confiné et de diffusion.
Flows with chemical reactions can occur in various fields such as combustion, process engineering, aeronautics, the atmospheric environment and aquatics. The examples of application chosen in this book mainly concern homogeneous reactive mixtures that can occur in propellers within the fields of process engineering and combustion: – propagation of sound and monodimensional flows in nozzles, which may include disequilibria of the internal modes of the energy of molecules; – ideal chemical reactors, stabilization of their steady operation points in the homogeneous case of a perfect mixture and classical instruments of experimental and theoretical analysis such as population balances, and the distribution of residence and passage times; – laminar and turbulent flames, separating those which are premixed from those which are not and which do not exhibit the same mechanisms, but which also occur in the case of triple flames. Flows and Chemical Reactions in Homogeneous Mixtures provides information on dimensional analysis, statistical thermodynamics with coupling between internal modes and chemical reactions, the apparition and damping of fluid turbulence as well as its statistical processing, bifurcations, flames in a confined medium and diffusion. Contents 1. Flows in Nozzles. 2. Chemical Reactors. 3. Laminar and Turbulent Flames. Appendix 1. Dimensionless Numbers, Similarity. Appendix 2. Thermodynamic Functions. Appendix 3. Concepts of Turbulence. Appendix 4. Thermodynamic functions for a mixture in disequilibrium. Appendix 5. Notion of bifurcation. Appendix 6. Confined flame. Appendix 7. Limits of Validity of the First-order Expansions for Diffusion Flames.
The first edition of The Arts in Medical Education outlined the principles and methods for using arts resources in teaching aspects of the medical curriculum. The second edition has been expanded with new chapters, which enliven and enhance the teaching of some of the more challenging areas of medical practice. The book includes many colour illustrations, photographs, poems and literary extracts. It is invaluable to healthcare educators and medical professionals with teaching responsibilities, offering information, structure and inspiration. 'There is considerable art in the practice of medicine. This book represents a practical tool to stimulate educators and learners to consider new approaches to medical education that reflect changing societal needs and practice patterns by introducing the visual and literary arts to medical education; to embrace the art of medicine. Medical schools around the world are exploring the influence of the visual arts on physician practice and understanding the nature of healing as well as suffering. We hope you will find this book an important tool in your exploration of the power and influence of the arts in medicine.'ere is considerable art in the practice of medicine. This book represents a practical tool to stimulate educators and learners to consider new approaches to medical education that reflect changingsocietal needs and practice patterns by introducing the visual and literary arts to medical education; to embrace the art of medicine. Medical schools around the world are exploring the influence of the visual arts on physician practice and understanding the nature of healing as well as suffering. We hope you will find this book an important tool in your exploration of the power and influence of the arts in medicine.
Atmospheric chemistry is central to understanding global changes ? ozone depletion, appearance of the polar ozone holes, and compositional changes which worsen the greenhouse effect. Because of its importance, work is progressing on many fronts.This volume emphasizes the troposhere and stratosphere and has chapters on gas phase, condensed phase, and heterogeneous chemistry. Present progress is emphasized, and important future directions are also described.This book fills a need not satisfied by any others and will be popular for some years to come. It informs students and newcomers to the field of the many facets of atmospheric chemistry and can be used as a text for advanced students. It is also a valuable desk reference summarizing activities by quite a number of the most active research groups.Chapter 18 by Kolb et al. on heterogeneous chemistry is especially noteworthy because it represents a unique joint effort by several groups working on a very timely subject; they describe a conceptual framework and establish conventions which will be standard in future papers on this subject.
This book traces the unique attraction Scotland has had for the great eighteenth- and nineteenth-century composers. It is not about Scottish composers, but rather about the music that for two centuries was written and performed outside Scotland by musicians of other countries who had Scotland in mind. Hitherto far more has been known about this attraction in Germany and France than in Britain, but Roger Fiske here puts this right and shows how nearly all the major composers from Purcell to Brahms were affected - most notably Schubert, Mendelssohn and Bruch, but also Haydn, Beethoven, Chopin and Schumann. In particular, Dr Fiske describes the travels of Mendelssohn and Chopin in more detail than has been attempted before. There are two major influences to be found in this enthusiasm for Scotland. The first is Scotch song, a generic term commonly used in eighteenth-century England for a type of popular song. The second is Scottish literature, especially Macpherson's Ossian and the writings of Sir Walter Scott and Robert Burns: Scotland influenced continental literature as well as inspiring some fine music.
Piano Music for Four Hands is a novel about music and love set against three generations of French history. At its center is a charming but melancholy pianist named Michel Mailhoc. Having survived a series of bungled love affairs and professional disappointments, he retreats to his family house in the Pyrenees. The bright spot in his life is his grandniece Emma, who becomes his prizewinning student. Struggling with his fervent desire for her success and the fear of losing her, Michel sends Emma into the world of international musical stardom that he has renounced for himself. The Mailhoc family saga, stretching from World War I to the turbulent 1960s, is full of sorrow, but the underlying melody remains tender and humorous. From the first sentence we feel curiously at home in Roger Grenier's intimate, precise, and musical writing.
Synoptic and Dynamic Climatology provides the first comprehensive account of the dynamical behaviour and mechanisms of the global climate system and its components, together with a modern survey of synoptic-scale weather systems in the tropics and extratropics, and of the methods and applications of synoptic climate classification. It is unrivalled in the scope and detail of its contents. The work is thoroughly up to date, with extensive bibliographies by chapter. It is illustrated with nearly 300 figures and plates. *Part 1 provides an introduction to the global climate system and the space-time scales of weather and climate processes, followed by a chapter on climate data and their analysis *Part 2 describes and explains the characteristics of the general circulation of the global atmosphere and includes the nature and causes of global teleconnection patterns *Part 3 discusses synoptic weather systems in the extratropics and tropics and satellite-based climatologies of synoptic features. It also describes the applications of synoptic climatology and summarises current climatic research and its directions.
An authoritative account of the life and work of Francis Poulenc, one of the most prolific and striking figures in twentieth-century classical music "An assured overview of Poulenc's life and work."--Alex Ross, New Yorker "Essential reading for anyone interested in the French musical culture of Poulenc's time. This is the biography the composer deserves."--Christopher Dingle, BBC Music Magazine, Named one of the Best Books on Classical Music in 2020 by BBC Music Magazine Francis Poulenc is a key figure in twentieth-century classical music, as well as an unorthodox and striking individual. Roger Nichols draws upon Poulenc's music and other primary sources to write an authoritative life of this great artist. Although associated with five other French composers in what came to be called "Les Six", Poulenc was very much sui generis in personality and in his music, where he excelled over a wide repertoire--opera, songs, ballet scores, chamber works, piano pieces, sacred and secular choral works, orchestral works and concertos. This book fully covers this wide range, while also describing the vicissitudes of Poulenc's life and the many important relationships he had with major figures such as Satie, Ravel, Stravinsky, Diaghilev, Cocteau and others.
IB Music Revision Guide 2nd Edition analyses the prescribed works for IB Diploma Programme music through to 2019 – broken down into individual segments on the elements of music. This guide provides a comprehensive overview of musical styles and cultures and contains revision tips and advice on examination techniques that will help readers prepare for the IB Listening Paper. This edition contains methods for writing answers to practice questions and a comprehensive glossary of key terms.
Roger Mathew Grant is Assistant Professor of Music at Wesleyan University. A recent graduate of the University of Pennsylvania (PhD 2010) his research focuses on the relationships between eighteenth-century music theory, Enlightenment aesthetics, and early modern science. His journal articles have appeared in Music Theory Spectrum, Eighteenth-Century Music, and the Journal of Music Theory. A former Junior Fellow of the University of Michigan's Society of Fellows, he was the fourth musicologist ever to hold a fellowship in the forty-year history of the Society.
The Versatile Clarinet gives a wide-ranging look at the clarinet and the music that has been played on it. The book offers a brief survey of the types of music that have been played on the instrument, key players, and issues facing clarinetists as they seek to expand the instrument's repertory and recognition. The topics covered include everything from playing early and historic clarinets; jazz clarinet technique; contemporary and avant-garde music; klezmer clarinet; and the history of clarinet recording. The book will appeal to clarinetists, music historians, musical instrument scholars, and general readers interested in the development of this important instrument.
Before radio and sound movies, early 20th century performers and lecturers traveled the nation providing entertainment and education to Americans thirsty for culture. These "chautauquas" brought politicians, activists, scholars, musical ensembles and theatrical productions to remote communities. A conduit for global perspectives and progressive ideas, these gatherings introduced issues like equal suffrage, prohibition and pure food laws to rural America. This book explores an overlooked yet influential movement in U.S. history, capturing the vagaries of speakers' and performers' lives on the road and their reception by audiences. Excerpts from lectures and plays portray a vibrant circuit that in a single summer drew 20 million in more than 9,000 towns.
From Goethe to Gundolf: Essays on German Literature and Culture is a collection of Roger Paulin’s groundbreaking essays, spanning the last forty years. The work represents his major research interests of Romanticism and the reception of Shakespeare in Germany, but also explores a broader range of themes, from poetry and the public memorialization of poets to fairy stories - all meticulously researched, yet highly accessible. As a comprehensive examination of German literary history in the period 1700-1900, the collection not only includes accounts of the lives and work of Goethe, Schiller, the Schlegels, and Gundolf (amongst others), serving to nuance our understanding of these figures in history, but also considers diverse (and often underexplored) topics, from academic freedom to the rise of travel literature. The essays have been reformulated, corrected, and updated to add references to recent works. However, the core foundations of the originals remain, and just as when they were first published, the value of these essays – to researchers, students, and all those who are interested in German literary history – cannot be overstated.
Born in 1916, Henri Dutilleux is one of France‘s leading composers, enjoying an international reputation for his beautifully crafted works. This is the first translation into English of a series of interviews between Dutilleux and the French writer and journalist Claude Glayman which took place in 1996. Dutilleux discusses aspects of his life including his early training at the Paris Conservatoire, the German occupation of France and the time that he spent in the United States. The interviews reveal much about his music and his approach to composition, as well as the influences on his musical style. Originally published by Actes Sud in 1997, this English edition is the work of translator Roger Nichols, one of the UK‘s leading specialists on French music.
’He plays the piano well,’ wrote the society hostess Mme de Saint-Marceaux in her diary on 18 March 1927. ’His compositions are not devoid of talent but he’s not a genius, and I’m afraid he thinks he is.’ Intelligent though the lady was, she got this one spectacularly wrong. Poulenc has in fact outpaced his colleagues in Les Six by many a mile, as singers and instrumentalists all over the world will attest, and while he would never have accepted the title of ’genius’, preferring ’artisan’, a genius is increasingly what he appears to have been. Part of the answer lay in always being his own man, and this independence of spirit shows through in his writings and interviews just as brightly as in his music, whether it’s boasting that he’d be happy never to hear The Mastersingers ever again, pointing out that what critics condemn as the ’formlessness’ of French music is one of its delights, voicing his outrage at attempts to ’finish’ the Unfinished Symphony, writing ’in praise of banality’ - or remembering the affair of Debussy’s hat. And in every case, his intelligence, humour and generosity of spirit help explain why he was so widely and deeply loved. This volume comprises selected articles from Francis Poulenc: J’écris ce qui me chante (Fayard, 2011) edited by Nicholas Southon. Many of these articles and interviews have not been available in English before and Roger Nichols's translation, capturing the very essence of Poulenc’s lively writing style, makes more widely accessible this significant contribution to Poulenc scholarship.
Now available in paperback, this is perhaps the first comprehensive account of the nature and significance of music from the perspective of modern philosophy, and the only treatment of the subject which is properly illustrated with music examples. The book starts from the metaphysics of sound, distinguishes sound from tone, analyses rhythm, melody, and harmony, and develops a novel account of music, as the intentional object of an imaginative perception. The argument explores the various dimensions of musical organization and musical meaning, and shows exactly how and why music is an expressive medium. The Aesthetics of Music explains and criticizes many fashionable theories in the philosophy and theory of music, and mounts a case for the moral significance of music, its place in our culture, and the need for taste and discrimination in both performer and listener. The various schools of musical analysis are subjected to a critical examination, and recent criticism of tonality, as the foundation of musical order, are rehearsed and rejected. Scruton defends the objectivity of aesthetic values, lays down principles of criticism, and ends with an energetic critique of modern popular music.
Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing." —Klaus Phillips, Hollins University Unsettling Scores: German Film, Music, and Ideology examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 80s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syberberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers.
The ‘IB Music Revision Guide 3rd Edition’ includes analyses of all the prescribed works of the International Baccalaureate Diploma Programme music course through to 2021. It also includes a comprehensive overview of all the musical styles and cultures that are examined during the course, practice questions and answers that allow students to check their knowledge, as well as a glossary to help ensure key terms are understood. There are also revision tips and advice on exam technique that will help students prepare for the IB listening exam with confidence. Suitable for Standard and Higher Level.
There are abundant resource in the field of special education for professionals and parents of children with special needs. However, it can be a daunting task to navigate through this sea of organizations, Web sites, books, and other resources in order to find exactly what you need. Save time and take the guesswork out of your search for information and materials by turning to this definitive guide. Practical and easy to use, this ready-reference is borne out of extensive research and numerous interviews with parents and professionals to ensure selection of only the highest-caliber and most sought-after resources. Covering everything from federal agencies and professional organizations to IEP information and lesson plans, and providing extensive resources for all 50 states, The Big Book of Special Education Resources is the most comprehensive collection of its kind. The book includes: • Contact information for and descriptions of dozens of clearinghouses and national disability organizations • Thousands of pertinent toll-free numbers and Web sites for all areas of special education • Reputable books, videos, and journals on specific topics in special education • State-by-state directory of agencies, disability-specific organizations, and parent groups • Additional Comprehensive resource sections covering behavior issues, IDEA and IEP navigation, reputable sources of teaching strategies and materials, and more Save yourself hours of hassle and frustration by picking up The Big Book of Special Education Resources, Second Edition, and putting the most up-to-date and reputable resources in every area of special education right at your fingertips.
“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
The ‘IB Music Revision Guide’ includes analyses of all the prescribed works of the International Baccalaureate Diploma Programme music course through 2016. It also includes a comprehensive overview of all the musical styles and cultures that are examined during the course, practice questions and answers that allow students to check their knowledge, as well as a glossary to help ensure key terms are understood. There are also revision tips and advice on exam technique that will help students prepare for the IB listening exam with confidence. Suitable for Standard and Higher Level.
This book challenges a longstanding and deeply ingrained belief in Shakespearean studies that The Tempest--long supposed to be Shakespeare's last play--was not written until 1611. In the course of investigating this proposition, which has not received the critical inquiry it deserves, a number of subsidiary and closely related interpretative puzzles come sharply into focus. These include the play's sources of New World imagery; its festival symbolism and structure; its relationship to William Strachey's True Reportory account of the 1609 Bermuda wreck of the Sea Venture (not published until 1625)--and the tangled history of how and why scholars have for so long misunderstood these matters. Publication of some preliminary elements of the authors' arguments in leading Shakespearean journals (starting in 2007) ignited a controversy that became part of the critical history. This book presents the case in full for the first time.
Examines five central issues of second-language acquisition: transfer, staged development, cross-learner systematicity, incompleteness and variability.
This is the first biography of the historian Karl Lamprecht, whose theories of historical method unleashed a bitter controversy, which colored the writing of history in Germany well into the twentieth century.
An A-Z listing of drugs by generic name. Each monograph summarizes the known and/or possible effects of the drug on the fetus. It also summarizes the known/possible passage of the drug into the human breast milk. A careful and exhaustive summarization of the world literature as it relates to drugs in pregnancy and lacation. Each monograph contains six parts: generic US name, Pharmacologic class, Risk factor, Fetal risk summary, Breast feeding summary, References
This new biography of Maurice Ravel (1875–1937), by one of the leading scholars of nineteenth- and twentieth-century French music, is based on a wealth of written and oral evidence, some newly translated and some derived from interviews with the composer’s friends and associates. As well as describing the circumstances in which Ravel composed, the book explores new evidence to present radical views of the composer’s background and upbringing, his notorious failure in the Prix de Rome, his incisive and often combative character, his sexual preferences, and his long final illness. It also contains the most detailed account so far published of his hugely successful American tour of 1928. The world of Maurice Ravel—including friendships (and some fallings-out) with Debussy, Faur�, Diaghilev, Gershwin, and Toscanini—is deftly uncovered in this sensitive portrait.
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