The theology of sacred or clerical orders of the Latin Church in the high and later Middle Ages developed from an amalgam of texts written from late patristic antiquity through to the early 12th century. Such texts, many studied and edited here, include letters, tracts, sermons, liturgical commentaries, ordination instructions, and canon law pieces. Within these texts multiple topics might be considered, such as the Old and New Testament origins of each of the clerical grades, their number and hierarchical ranking, the duties, dress and moral conduct of a cleric, and ordination ritual. Particularly striking are the multiple duties assigned each grade and their modification in various parts of the Western Church. Many of these texts found their way not only into more formal theological treatments of sacred orders, but also into ordination rites. Probably the most public and visible duty of a cleric was his function as a eucharistic officer, and one essay in this collection deals with perhaps the most famous early medieval depiction of this clerical ritual on the ivory covers of the 9th-century Drogo Sacramentary.
In these essays, Roger Parker brings a series of valuable insights to bear on Verdian analysis and criticism, and does so in a way that responds both to an opera-goer's love of musical drama and to a scholar's concern for recent critical trends. As he writes at one point: "opera challenges us by means of its brash impurity, its loose ends and excess of meaning, its superfluity of narrative secrets." Verdi's works, many of which underwent drastic revisions over the years and which sometimes bore marks of an unusual collaboration between composer and librettist, illustrate in particular why it can sometimes be misleading to assign fixed meanings to an opera. Parker instead explores works like Rigoletto, Il trovatore, La forza del destino, and Falstaff from a variety of angles, and addresses such contentious topics as the composer's involvement with Italian politics, the possibilities of an "authentic" staging of his work, and the advantages and pitfalls of analyzing his operas according to terms that his contemporaries might have understood. Parker takes into account many of the interdisciplinary influences currently engaging musicologists, in particular narrative and feminist theory. But he also demonstrates that close attention to the documentary evidence--especially that offered by autograph scores--can stimulate equal interpretive activity. This book serves as a model of research and critical thinking about opera, while nevertheless retaining a deep respect for opera's continuing power to touch generations of listeners.
This is the leading international professional reference text that also serves as a bench book, describing all aspects of the pathology of brain tumours - genetics, molecular biology, epidemiology, morphology, immunohistochemistry, diagnostic criteria and prognosis. Beautifully illustrated in colour throughout and comprehensively referenced, Russell & Rubinstein is regarded as the ultimate source for key information. For this seventh edition, the book returns to a single, clearly organised volume, and basic sciences are once again fully integrated within sections devoted to individual tumour entities. Entirely revised and updated throughout by a wide range of internationally revered authorities, the content reflects the latest tumour classification and grading while neuroradiologic correlation via state of the art neuroimaging techniques continues to be emphasised in all diagnostic entities. The offering is completed by a companion CD-ROM, providing quick and easy access to all the images from the book, retrievable by figure number, chapter title and keyword searches.
For medical students, generalists, and specialists alike, Netter's Obstetrics & Gynecology, 4th Edition, provides superbly illustrated, up-to-date information on the conditions and problems most often encountered in OB/GYN practice. Classic Netter images are paired with concise, evidence-based descriptions of common diseases, conditions, diagnostics, treatments, and protocols. Large, clear illustrations and short, to-the-point text provide quick, authoritative access to expert medical thinking—perfect for gaining knowledge of this complex field, for everyday clinical practice, or for staff and patient education. - Features concise, exquisitely illustrated coverage of Anatomy and Embryology, Gynecology and Women's Health, and Obstetrics. - Contains more than 300 exquisite Netter images, as well as new, recent paintings by Carlos Machado, that provide a quick and memorable overview of each disease or condition. - Includes eleven new chapters, including Sexuality and Gender Dysphoria, Alcohol Abuse in Women, Anal Incontinence, Cardiovascular Disease in Women, Genitourinary Syndrome of Menopause, Hereditary Cancer Syndromes, External Cephalic Version, and more.
This book surveys the most significant published materials relating to William Byrd. It presents a collection of all-new original essays covering everything from feminist to postcolonial readings of his play as well as source queries and analysis of historical performances of the play.
Kurtz's analysis the development of the Kenyan novel in English emphasizes the historical contingencies affecting the production of literature in Kenya, and how succeeding generations have drawn from and expanded the thematic repertoire established by the 'first generation' of works in the 1960s.He explores the relationship between the novel and the city, and how obsessions and fears about the urbanization have been expressed and represented through different generations of Kenyan writers. Kurtz has also put together the first annotated bibliography of all the anglophone Kenyan novels that have appeared since Ngugi wa Thiong'o wrote Weep Not, Child.Ngugi's Weep Not, Child made an immediate impact on its publication in 1964. Since then hundreds of novels by Kenyans have been published. This is a comprehensive introduction to the postcolonial novel in English. Three broad areas are identified: -- the first generation of the sixties -- the 'golden age' of the seventies -- and the years after Kenyatta in the 80s and 90sA unifying feature is an uneasy but marked emphasis on the city-particularly Nairobi. The city is used by novelists as both the site and the symbol for a range of obsessions and fears about postcolonial society. There is particular emphasis on the changing ways in which the city has been portrayed since Ngugi's first novel, the relation of popular literature to the city, the portrayal of women in the city and the special status of Meja Mwangi's urban novels.
THE FIRST OF THREE SLIM VOLUMES Roger L'Estrange, staunch royalist, author and pamphleteer, one-time inmate of Newgate Prison, one-time exile, one-time Member of Parliament, takes up the teaching of the Roman Stoic philosopher Seneca, rearranging and paraphrasing the original Latin to shape a unique and engaging work of his own. Stoic philosophy guides us through all hazards, and arms us against all difficulties. Those who develop a good character in accordance with Stoic principles learn to live well and face adversities and setbacks with an unshakable equanimity. This slim volume is the first of three parts of Roger L'Estrange's Seneca of a Happy Life, being itself an extract from a much larger whole, Seneca's Morals, first published in 1678.
Georges-Louis Buffon, an eighteenth-century French scientist, was the first to promote the widespread idea that nature in the New World was deficient; in America, which he had never visited, dogs don't bark, birds don't sing, and—by extension—humans are weaker, less intelligent, and less potent. Thomas Jefferson, infuriated by these claims, brought a seven-foot-tall carcass of a moose from America to the entry hall of his Parisian hotel, but the five-foot-tall Buffon remained unimpressed and refused to change his views on America's inferiority. Buffon, as Philippe Roger demonstrates here, was just one of the first in a long line of Frenchmen who have built a history of anti-Americanism in that country, a progressive history that is alternately ludicrous and trenchant. The American Enemy is Roger's bestselling and widely acclaimed history of French anti-Americanism, presented here in English translation for the first time. With elegance and good humor, Roger goes back 200 years to unearth the deep roots of this anti-Americanism and trace its changing nature, from the belittling, as Buffon did, of the "savage American" to France's resigned dependency on America for goods and commerce and finally to the fear of America's global domination in light of France's thwarted imperial ambitions. Roger sees French anti-Americanism as barely acquainted with actual fact; rather, anti-Americanism is a cultural pillar for the French, America an idea that the country and its culture have long defined themselves against. Sharon Bowman's fine translation of this magisterial work brings French anti-Americanism into the broad light of day, offering fascinating reading for Americans who care about our image abroad and how it came about. “Mr. Roger almost single-handedly creates a new field of study, tracing the nuances and imagery of anti-Americanism in France over 250 years. He shows that far from being a specific reaction to recent American policies, it has been knit into the very substance of French intellectual and cultural life. . . . His book stuns with its accumulated detail and analysis.”—Edward Rothstein, New York Times “A brilliant and exhaustive guide to the history of French Ameriphobia.”—Simon Schama, New Yorker
The sixth book in the Versability series which takes the enjoyment of verse that you may have had with nursery rhymes, jingles and songs, and puts it into a dictionary of common nouns. Then it takes these common nouns and groups them into categories rather than alphabetical order and defines them in the context of verse. Finally a RHYME TIME challenge is added on each page to encourage repetition and a family or friendly game. Enjoy!
Christianity Made in India: From Apostle Thomas to Mother Teresa discusses the indigenization of Christianity in the Indian context. It is set in the larger context of the exceptional growth of the church in the non-Western world during the twentieth century, which has been characterized by a diversity of localized cultural expressions. It recognizes that the center of Christian influence numerically and theologically is shifting southward to Africa, Latin America, and Asia. It affirms the reality that wherever the gospel goes, it takes root in the local culture.
This book contains essays devoted to the medieval art and architecture of Limerick in the Munster province of South-West Ireland. It underpins the degree to which Irish craftsmen and builders engaged with the rest of Europe, and the nature of their relationship with English practice.
A reappraisal of Napoleon the man. Roger Williams' biographical study shows how medical evidence can be used as historical data to refine our view of the past. For an accurate picture, he examines the medical evidence of the case, the emperor's psychological make-up, and the external pressures on him: the Crimean and Franco-Prussian wars, government reforms, the competence of his advisers, the political finagling of the empress, the assumptions and reactions of foreign governments. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) and on the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage is Honorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.
For the first time, the remarkable story that inspired Robert Louis Stevenson's "Kidnapped." Award-winning author Ekrich recounts an extraordinary family drama of betrayal and loss--but also of resilience, survival, and redemption.
The shorter pieces reproduced here are drawn chiefly from the author’s large output of review articles and reviews of the last fifteen years. Though there is some shared subject matter with R.C. Richardson’s new collection on Social History, Local History and Historiography (Cambridge Scholars Publishing, 2011), this volume significantly enlarges the range of the other in addressing, for example, issues relating to politics and political thinking, London, gendered worlds, servants and servant-keeping, the writing of diaries, and early modern reading habits. Many of the essays have a pronounced historiographical dimension, and a number of them focus on the period of the English Revolution. The two final essays – on ‘Epic Historiography’ and ‘Historians, History Brokers and English Historical Culture’ – extend the coverage to modern times. General readers, not just specialists, will find this book a helpful and accessibly written guide to the subjects under review.
Life on the land is a study in contrasts: shadow and light, abundance and blight, the transcendent moment eroded by the persistence of time. And it's against this backdrop, in the shearing sheds of Eureka Station, across the sweeping hills and lagoons of the Isabel district and the fleeting camaraderie of the Five Alls pub, that men play out their fates, conduct their affairs and hope for the best. WHEN COLTS RAN, written in Roger McDonald's inimitably rich and piercingly observant style, charts the ebb and flow of human fortune, and our fraught desire to leave an indelible mark on society and those closest to us. It shows how loyalties shape us in the most unexpected ways. It's the story of how men 'strike at beauty' as they fall to the earth.
Stimulating and masterly study examines the evolution of the great mass of fiction surrounding the Arthurian legend in Western literature — from Geoffrey of Monmouth's History of the Kings of Britain and the collection of Welsh tales known as The Mabinogion, to Chrétien de Troyes' Arthurian stories, the Parzival of Wolfram von Eschenbach, and such English masterpieces as Sir Gawain and the Green Knight and Le Morte d'Arthur. Painstakingly researched and brimming with scholarly insight, this highly readable and entertaining work will be a favorite with general audiences as well as scholars and students of the Arthurian legend.
The author remembers eight people who shaped his identity as a father, writer, and friend, from Jackie Robinson and Robert Frost to his athletic scholar son, who died at the age of twenty-three.
The Third Book of the SuperPower Series “SuperPower The Ability to Fly or to Become Invisible: The Golden Eagle has Yielded” begins at the memorial service for the Steele brothers. The Martin twins and their paramours pay their respects to their adversaries who died in front of them on their way to a life-time incarceration. Encountering the treachery and blatant lies from the Steele family, Myrena Gorgona a SuperPower SuperModel forms a new feminine SuperPower organization she calls the “Lemnian Deeds Federation.” She opposes the two male dominated, operated SuperPower groups: the DODGE (Department of Defense Genetically Engineered) Initiative and the ‘Golden Eagle’ Organization. The Lemnian Deeds welcomes all SuperPowered individuals and non-SuperPower females as the non-SuperPower males survive as domesticated servants. -How does the DODGE Initiative and their adversary the ‘Golden Eagle’ Organization deal with Myrena Georgia and her new ‘Lemnian Deeds’ Federation?’ -Follow the new recruits of the ‘Lemnian Deeds’ Federation having new SuperPower abilities and experiences. -Does the old adage “the enemy of my enemy is my friend” hold true?
Thomas Jefferson advocated a republic of small farmers--free and independent yeomen. And yet as president he presided over a massive expansion of the slaveholding plantation system, particularly with the Louisiana Purchase, squeezing the yeomanry to the fringes and to less desirable farmland. Now Roger G. Kennedy conducts an eye-opening examination of the gap between Jefferson's stated aspirations and what actually happened. Kennedy reveals how the Louisiana Purchase had a major impact on land use and the growth of slavery. He examines the great financial interests (such as the powerful land companies that speculated in new territories and the British textile interests) that beat down slavery's many opponents in the South itself (Native Americans, African Americans, Appalachian farmers, and conscientious opponents of slavery). He describes how slaveholders' cash crops--first tobacco, then cotton--sickened the soil and how the planters moved from one desolated tract to the next. Soon the dominant culture of the entire region--from Maryland to Florida, from Carolina to Texas--was that of owners and slaves producing staple crops for international markets. The earth itself was impoverished, in many places beyond redemption. None of this, Kennedy argues, was inevitable. He focuses on the character, ideas, and ambitions of Thomas Jefferson to show how he and other Southerners struggled with the moral dilemmas presented by the presence of Indian farmers on land they coveted, by the enslavement of their workforce, by the betrayal of their stated hopes, and by the manifest damage being done to the earth itself. Jefferson emerges as a tragic figure in a tragic period. Mr. Jefferson's Lost Cause was a CHOICE Outstanding Academic Title for 2003.
Approaching his thirtieth birthday, Vergil Tynan closely identifies with Sisyphus, doomed to eternally push a boulder up a mountain, only to begin anew when he reaches the top. Sisyphus's plight seems to sum up his own existence as a low-level employee at a large insurance company. Vergil's only comforts--sex with wild, electrifying Regina and scuba diving with his buddy Nick--aren't enough to relieve his growing angst, which he nourishes with compulsive readings of Albert Camus' "The Myth of Sisyphus," When Regina announces that she is pregnant, further discord follows as the couple argues about the baby's religious upbringing. The intractable positions taken by Regina (Jewish) and Vergil (Catholic) strain an already volatile relationship. Through it all, Vergil is haunted by the question posed by Camus: "Does The Absurd dictate death?
Welcome to Connor, My Hometown is a novel about a small town in Ohio and, more importantly, its various people, their lives, loves, failures and successes, and their interactions with one another. It employs a device, first seen in Thornton Wilder's Our Town, whereas, in that play, the stage manager would talk to the audience several times throughout the play. In this case, the town's editor of the Connor Gazette speaks to the reader. He himself is one of the strongest characters in the novel, and his love of the town and its people becomes readily apparent. There is romance. Jenna, owner of the Chit Chat Cafe, which is the public gathering place for many of the town's locals, meets Brian, an engineer and contract specialist from Sedwick Electronics, and they fall in love and get married. Both of them are in their mid-thirties. Pastor Barry Yoder and his wife, Sherry, are among the most beloved of the town's inhabitants, and they minister to the people. They come alongside a couple who have separated and help restore the lost love from their marriage. Jim and Bessie Benson are loved by everyone. He owns the town's Marathon gas station, and Bessie makes the best pies in the town, but she finds out she has cancer, and the whole town comes together and prays for her. There is Miss Ruth Hennessey, principal of Marshall Middle School, who is a no-nonsense woman on the outside but has a heart of gold on the inside. There's Jim Morrison, general contractor, and Randy Colthirst, the town's dentist. All three hang out nearly every weekday at the Chit Chat café, and their interactions and banter make for some lively discussions. And that's what makes the Chit Chat Cafe seem more like a home than a restaurant. There are many more memorable characters, including the mayor, police chief, fire chief, other pastors. You will grow to love the town and its people. The editor, who used to be a columnist for a major Chicago newspaper for twenty years, brings it all together. I would love to live in Connor myself!
In 1925, MGM produced a screen version of Lew Wallace's best-selling novel, Ben-Hur: A Tale of the Christ, which became a classic of silent cinema. Nearly 25 years later, the biblical epic was remade by William Wyler and received an unprecedented 11 Academy Awards, including one for Miklós Rózsa's music. Indeed, the score for Ben-Hur is one of the greatest achievements in Hollywood film music. In this book, Roger Hickman focuses on the confluence of traditions, trends, and innovations that shaped Rózsa's score. Hickman provides an overview of Rózsa's music into the 1960s, looks at the composer's musical influences and the development of his distinctive style, and examines how Rózsa applied these compositional techniques to film scoring. The author then explores the Ben-Hur phenomenon and traces the development of the story and its musical traditions from the original novel into the 21st century. Hickman also examines the conventions of epic films and ties these influences together with a detailed analysis of the score. Miklós Rózsa's Ben-Hur pays tribute to not only one of the great film scores but also to one of Hollywood's most influential composers.
As a 'road warrior' Roger has a wealth of culinary experience. Here are the benefits of years in the kitchen. He says, 'I work with intuition and what I have to hand; I've learned to trust the taste buds in my head. So trust me.' There is no truth in the rumour that he plans a late late late career change to become a celebrity cook.
The Inner Bluegrass Region of Kentucky is a shining jewel of geography—synonymous in the minds of many with the state of Kentucky. It is unique in many respects: the character of its land, its native vegetation, and its indigenous animal life. The way of life developed by its human inhabitants over the past two hundred years, especially its focus on the Thoroughbred horse, is also unique. The interaction of these two forces—natural and human—is the focus for this important work. The book includes color plates of representative plant and animal species and typical habitats. The annotated lists of 474 animal and nearly 1,200 plant species describe habitat, frequency, and distribution. Bluegrass Land and Life is a book that will delight all who share an interest in the Bluegrass region's past and present and a concern for its future.
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