In the 1970s Roger Keen was a young art student, heavily under the influence of surrealism, the Beat movement and the wisdom of the East - in particular Taoism and Zen Buddhism. Into the mix came LSD, cannabis, magic mushrooms and other drugs, which were seen as enablers in the pursuit of creativity and higher knowledge, fuelling a 'Quest for the Ultimate' that pushed out the boundaries of experience to extremes. This memoir examines those 'psychonautic adventures' in fascinating detail, and along the way also tells a more familiar story of youthful excess and exuberance, all set against a colourful background of hippy student life in the West Country, the South of England and London. There are glimpses of the Stonehenge Festival in its heyday and visits to exotic locations in Greece and Spain. In the tradition of Thomas De Quincey's Confessions of an English Opium Eater, Aldous Huxley's The Doors of Perception and Hunter S. Thompson's Fear and Loathing in Las Vegas, The Mad Artist not only explores a fascination with drugs, but also the awesome and sometimes frightening inner metaphysical landscapes through which the user journeys.
The Adventures of Don Roberto is a book of action, mystery, friendship and fun. Roberto is a gringo who meets Chapo, the son of a Mexican migrant worker, when his uncle brings Chapo's family from Mexico to work his cotton fields in West Texas. At the tender age of seven, Robert takes the Spanish version of his name. In his mind, the only thing he lacks to be a real Mexican is a Green Card. The boys are friends for life, and the story revolves around their antics when they are young and their adventures, together and separately on both sides of the border, as they become men. Roberto accidentally discovers an international drug smuggling operation and drags a reluctant Chapo into the middle of it. Things get serious when Chapo has to choose between the lives of his wife and children or the life of his friend.
This Short Cut is all about getting up and running with Adobe Flex 2; a perfect title would be "(Almost) Everything You've Ever Wanted to Know about Flex 2 But Were Afraid to Ask." It consists of conversational instruction, along with demonstrative examples, in order to give developers an efficient grounding in how to get their arms around using Flex 2. Especially helpful for those coming from the Flex/AS/Flash universe, but also designed for those coming from Java, .Net, and elsewhere. Six small sections cover: Quick background on Flex 2 What's new in ActionScript 3.0 How to use Flex right out of the box (so to speak) "Making It Look Good": Design and UI issues Extending Flex Little-known features and capabilities Roger Braunstein is a developer and designer living in Brooklyn. He's obsessed with beautiful code, motion design, graphics programming, and video games. He also cultivates an interest in cooking, photography, biking, and 8-bit music. One day he hopes to have a real website at www.partlyhuman.com.
A collection of greatest film reviews from a critic who “understands how to pop the hood of a movie and tell us how it runs” (Steven Spielberg). Pulitzer Prize–winning film critic Roger Ebert wrote movie reviews for the Chicago Sun-Times for over forty years. His wide knowledge, keen judgment, and sharp sense of humor made him America’s most celebrated film critic—the only one to have a star dedicated to him on the Hollywood Walk of Fame. His hit TV show, At the Movies, made ‘‘two thumbs up’’ a coveted hallmark in the industry. From The Godfather to GoodFellas, from Cries and Whispers to Crash, the reviews in Awake in the Dark span some of the most exceptional periods in film history, from the dramatic rise of rebel Hollywood and the heyday of the auteur, to the triumph of blockbuster films such as Star Wars and Raiders of the Lost Ark, to the indie revolution. The extraordinary interviews included capture Ebert engaging with such influential directors as Martin Scorsese, Steven Spielberg, Woody Allen, Robert Altman, Werner Herzog, and Ingmar Bergman, as well respected actors as diverse as Robert Mitchum, James Stewart, Warren Beatty, and Meryl Streep. Also gathered here are some of his most admired esssays, among them a moving appreciation of John Cassavetes and a loving tribute to the virtues of black-and-white films. A treasure trove for film buffs, Awake in the Dark is a compulsively readable chronicle of film since the late 1960s. “[Ebert] has a keen understanding of the way [movies] work.” —Martin Scorsese “[Ebert’s] criticism shows a nearly unequalled grasp of film history and technique.” —A.O. Scott, New York Times
From the Preface:On the frontier, says conventional wisdom, a structured society did not exist and social control was largely absent; law enforcement and the criminal justice system had limited, if any, influence; and danger--both from man and from the elements--was ever present. This view of the frontier is projected by motion pictures, television, popular literature, and most scholarly histories. But was the frontier really all that violent? What was the nature of the violence that did occur? Were frontier towns more violent that cities in the East? Has America inherited a violent way of life from the frontier? Was the frontier more violent than the United States is today? This book attempts to answer these questions and others about violence and lawlessness on the frontier and do so in a new way. Whereas most authors have drawn their conclusions about frontier violence from the exploits of a few notorious badmen and outlaws and from some of the more famous incidents and conflicts, I have chosen to focus on two towns that I think were typical of the frontier--the mining frontier specifically--and to investigate all forms of violence and lawlessness that occurred in and around those towns.
New Zealand has to rebuild the majority of its second-largest city after a devastating series of earthquakes – a unique challenge for a developed country in the twenty-first century. The 2010-2011 earthquakes fundamentally disrupted the conventions by which the people of Christchurch lived. The exhausting and exhilarating mix of distress, uncertainty, creativity, opportunities, divergent opinions and competing priorities generates an inevitable question: how do we know if the right decisions are being made? Once in Lifetime: City-building after Disaster in Christchurch offers the first substantial critique of the Government’s recovery plan, presents alternative approaches to city-building andarchives a vital and extraordinary time. It features photo and written essays from journalists, economists, designers, academics, politicians, artists, publicans and more. Once in a Lifetime presents a range of national and international perspectives on city-building and post-disaster urban recovery.
First Published in 1997. The authors’ purpose in this book is to dissect developments in improvisation in the arts since 1945, with a particular emphasis on process and technique. The approach is analytical and theoretical but is also relevant to practitioners and their audience. Their key argument is that improvisation has been of great importance and value in the contemporary arts, particularly because of its potential to develop new forms (often by breaking definitions).
The subject of this book by one of the Church of England's most respected Anglo-Catholic priests could hardly be more central. The rekindling of devotion to Mary has been one of the many gifts of the Catholic movement to the Church of England, and there are few better exponents of it than Roger Greenacre. He was keen to foster a greater appreciation of Mary among Anglicans, as part of a renewed emphasis on the Church of England's catholic identity and relationship with the wider Church. He traces the way that Mary has been perceived throughout Anglican history, from patterns of Marian devotion in the Middle Ages to her portrayal in today's liturgical texts, and examines her role in ecumenical dialogue. In a selection of homilies he presents Mary to an Anglican and ecumenical audience. The book opens with a biographical account of Roger Greenacre's life and work by his literary executor, Colin Podmore.
Roger Schank is outraged. He has had it with the stupid, lazy, greedy, cynical, and uninformed forces setting outrageous education policy, wrecking childhood, and preparing students for a world that will never exist. His keen intellect, courage, and razor-sharp wit cuts away several layers of conventional wisdom; causing readers to confront their own prejudices and school-distorted notions of learning. No sacred cow is off limit - even some species you never considered. The short essays in this book will make you mad, sad, argue with your friends, and take action. Most of all, Education Outrage is funny as hell. Dr. Roger Schank is an expert learner and expert on learning. His professional accomplishments could fill several lifetimes. Schank is a distinguished university professor, mathematician, linguist, computer scientist, artificial intelligence pioneer, entrepreneur, TV host, software developer, author, parent, grandparent, and softball player.
A detailed study of Old English, taking as its point of departure the 'standard theory' of generative phonology as developed by Chomsky and Halle. Dr Lass and Dr Anderson set out all the main phonological processes of Old English and against their larger historical background (including subsequent developments in the history of English). They propose many fresh solutions to long-standing problems in the history and structure of Old English. The result is an extensive and sophisticated treatment of this subject. An important theory is examined against a well-studied body of linguistic knowledge, and is partly validated and partly revised. The book will be important for all linguistics and historians of English and Indo-European.
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