Railroads altered the landscape of the United States. Within a few decades of the invention of the locomotive, railways stretched from coast to coast, enabling people and goods to travel far greater distances than ever before, completely altering our concept of time and space. And while railroads may seem like an old technology, they continue to be an essential means of transporting both good and people, and new technologies are making the railroads an increasingly relevant resource for the 21st century. This volume in the Greenwood Technographies series tells the life story of all aspects of railroad technology—everything from the structure of the track to communications to what powers the locomotive.
Australian Books and Authors in the American Marketplace 1840s–1940s explores how Australian writers and their works were present in the United States before the mid twentieth century to a much greater degree than previously acknowledged. Drawing on fresh archival research and combining the approaches of literary criticism, print culture studies and book history, David Carter and Roger Osborne demonstrate that Australian writing was transnational long before the contemporary period. In mapping Australian literature’s connections to British and US markets, their research challenges established understandings of national, imperial and world literatures. Carter and Osborne examine how Australian authors, editors and publishers engaged productively with their American counterparts, and how American readers and reviewers responded to Australian works. They consider the role played by British publishers and agents in taking Australian writing to America, and how the international circulation of new literary genres created new opportunities for novelists to move between markets. Some of these writers, such as Christina Stead and Patrick White, remain household names; others who once enjoyed international fame, such as Dale Collins and Alice Grant Rosman, have been largely forgotten. The story of their books in America reveals how culture, commerce and copyright law interacted to create both opportunities and obstacles for Australian writers.
A popular crowd-pleaser in the late 16th and mid-17th century, the dramatic jig was a short, comic, bawdy musical-drama which included elements of dance, slapstick and disguise. With a cast of ageing cuckolds and young head-strong wives, knavish clowns, roaring soldiers and country bumpkins, jigs often followed as afterpieces at London’s playhouses, and were performed at fairs, in villages and in private houses. Troublesome to the authorities, they drew the crowds by offering a lively antidote to more sober theatrical fare. This performance edition presents for the first time nine examples of English dramatic jigs from the late sixteenth century through to the Restoration; the scripts are re-united as far as possible with their original tunes. It gives a comprehensive history, discusses sources, plots, instrumentation and dancing, and offers practical information on staging jigs today. Includes: Transcriptions of the original texts Contextual notes: plot synopses and discussion of sources, themes and audience reception Musical notation for each tune, with suggestions for underlay and chords, and notes on instrumention and style Appendix of dance instructions and reconstructions
Jane Austen's England was littered with remnants of medieval religion. From her schooling in the gatehouse of Reading Abbey to her visits to cousins at Stoneleigh Abbey, Austen faced constant reminders of the wrenching religious upheaval that reordered the English landscape just 250 years before her birth. Drawing attention to the medieval churches and abbeys that appear frequently in her novels, Moore argues that Austen's interest in and representation of these spaces align her with a long tradition of nostalgia for the monasteries that had anchored English life for centuries until the Reformation. Converted monasteries serve as homes for the Tilneys in Northanger Abbey and Mr. Knightley in Emma, and the ruins of the 'Abbeyland' have a prominent place in Sense and Sensibility. However, these and other formerly sacred spaces are not merely picturesque backgrounds, but tangible reminders of the past whose alteration is a source of regret and disappointment. Moore uncovers a pattern of critique and commentary throughout Austen's works, but he focuses in particular on Northanger Abbey, Mansfield Park, and Sanditon. His juxtaposition of Austen's novels with sixteenth- and seventeenth-century texts rarely acknowledged as relevant to her fiction enlarges our understanding of Austen as a commentator on historical and religious events and places her firmly in the long national conversation about the meaning and consequences of the Reformation.
“Immigration is now front-page news, and to grasp the background of current issues this is the book to read.” —David Reimers, author of Unwanted Strangers: American Identity and the Turn Against Immigration As renowned historian Roger Daniels shows in this brilliant new work, America’s inconsistent, often illogical, and always cumbersome immigration policy has profoundly affected our recent past. The federal government’s efforts to pick and choose among the multitude of immigrants seeking to enter the United States began with the Chinese Exclusion Act of 1882. Conceived in ignorance and falsely presented to the public, it had undreamt of consequences, and this pattern has been rarely deviated from since. Immigration policy in Daniels’ skilled hands shows Americans at their best and worst, from the nativist violence that forced Theodore Roosevelt’s 1907 “gentlemen’s agreement” with Japan to the generous refugee policies adopted after World War Two and throughout the Cold War. And in a conclusion drawn from today’s headlines, Daniels makes clear how far ignorance, partisan politics, and unintended consequences have overtaken immigration policy. Irreverent, deeply informed, and authoritative, Guarding the Golden Door presents an unforgettable interpretation of modern American history. “Engaging and lively.” —Publishers Weekly “As Americans continue to debate immigration in a world divided by international terrorism, few books offer a fuller context for the key issues.” —Booklist “A powerful and provocative argument about why the United States has remained an immigrant country—and why it should stay one for its own benefit.” —Eric Rauchway, author of Murdering McKinley
This inaugural lecture discusses the complex relationship between Irish migration to Britain in the nineteenth century and the incidence of crime in the British cities in which the migrants settled. In particular, indications of changes following the period after the Great Famine, when migration from Ireland was at its peak, are examined, using evidence from a number of British cities; and possible explanations for the differences between the reality of Irish criminality and British perceptions of it are reported and analysed.
It is a formidable, indeed a damning indictment and Wilkes presents the result of his detective work with journalistic panache' P. D. JAMES, Times Literary Supplement 'Roger Wilkes's seminal book lays out the facts . . . one of the great unsolved murders of the century' CRAIG TAYLOR, Guardian 'I call it the impossible murder because Wallace couldn't have done it. And neither could anyone else. The Wallace case is unbeatable, it will always be unbeatable' RAYMOND CHANDLER Who really killed Julia Wallace? The final verdict. Ever since that terrible night in January 1931, when the body of Julia Wallace was found in her Liverpool home, her head crushed by violent blows, the identity of her killer has remained a mystery. Her husband, William, was accused, tried, convicted and sentenced to hang for murder, but he was then acquitted in a sensational appeal court judgement. Yet the police refused to reopen their investigation. So who did kill Julia? When Roger Wilkes started researching a dramatised radio documentary for Liverpool's Radio City, he uncovered new evidence which suggested a disturbing story - a crucial witness ignored by the police, even a suggestion of a deliberate cover-up. Finally, he provides compelling evidence as to the identify of the real killer.
In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British imagination across the centuries, and how it has impacted on popular culture. Tutankhamen was not the first curse story to emerge in British popular culture. This book uncovers the 'true' stories of two extraordinary Victorian gentlemen widely believed at the time to have been cursed by the artefacts they brought home from Egypt in the nineteenth century. These are weird and wonderful stories that weave together a cast of famous writers, painters, feted soldiers, lowly smugglers, respected men of science, disreputable society dames, and spooky spiritualists. Focusing on tales of the curse myth, Roger Luckhurst leads us through Victorian museums, international exhibitions, private collections, the battlefields of Egypt and Sudan, and the writings of figures like Arthur Conan Doyle, Rider Haggard and Algernon Blackwood. Written in an open and accessible style, this volume is the product of over ten years research in London's most curious archives. It explores how we became fascinated with Egypt and how this fascination was fuelled by myth, mystery, and rumour. Moreover, it provides a new and startling path through the cultural history of Victorian England and its colonial possessions.
First published in 1983, English Literature in History, 1780-1830 is an original and provocative study of the literature of the Romantic period with an introduction by Raymond Williams. Roger Sales concentrates his analysis on two related themes. The first, the politics of pastoral, analyses the use of this genre by both established writers and poets who were enormously popular in their time, but who are now less well known. The author argues that all literary treatments of rural society in this period make political statements, particularly when they displace or disguise the economic facts of life. His second theme, the theatre of politics, introduces the reader to some of the main political events of the period, and demonstrates how their form and presentation can illuminate some of the literature of the period. This book will be of interest to students and teachers of English literature.
Long ago, when the teenage Roger Zotti was living in New Haven, he was knocked unconscious in the first round by a "friend" who knew how to box and punch. After he regained consciousness, it dawned on him that its less painful writing about boxing. The Proper Pugilist, a compilation of essays about the sweet science, is a sure bet to inform and entertain the reader.
This book surveys the most significant published materials relating to William Byrd. It presents a collection of all-new original essays covering everything from feminist to postcolonial readings of his play as well as source queries and analysis of historical performances of the play.
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847–1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval’s vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval’s drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
The Kaurna people lived peacefully and productively along the River Torrens, or Karrawirra Parri, for millennia. This book describes their way of life and their displacement by the first generation of European settlers. The outstanding achievement of the settlers on the upper Torrens was the contribution they made to the development of horticulture. They transitioned from grains and livestock to producing huge quantities of melons and an impressive diversity of fruits, vines and vegetables. Roger Irvine details the lives of these settler families, including notables such as Charles Campbell who gave his name to 'Campbell Town', Joseph Ind whose property 'Little Paradise' provided a name for another suburb, and A.J. Murray who chose 'Athelstone' as the name of his farm, for reasons now difficult to trace. The inhabitants of the upper Torrens have witnessed many changes, including both setbacks and successes. Colonial Settlers on the River Torrens reflects on an area that has had many incarnations, and the river that continues to flow through it.
The Birder’s Bible" for more than 60 years, Roger Tory Peterson’s classic Field Guide to Western Birds includes all species found in North America west of the 100th meridian and north of Mexico. Featuring the unique Peterson Identification System, Western Birds contains 165 full-color paintings that show more than 1,000 birds from 700 species. Summer and winter ranges, breeding grounds, and other special range data are shown on easy-to-read range maps.
We Are But Women sets the history of Irish women in the context of the broad sweep of Irish history, dealing even-handedly with the diverse traditions of unionism and nationalism. Through an examination of exemplar individuals and organisations, the book traces the growth of Irish awareness of such `women's issues' as emancipation, divorce and abortion. Above all, it acknowledges the key role played by women in finding a solution to the Irish Question.
We only have one go at life. There is no second chance - this is all we get. 'Tell Me Why' is an exciting journey from the second world war to the 21st century.
Relates the quest of two very different geniuses in the 1830s, totally ignorant of each other's work, to solve the ancient puzzle of capturing the world around them, describing how they invented two dramatically different photographic processes.
Aleister Crowley (1875-1947) - mystic, writer, poet, astrologer, sexual revolutionary, painter, mountain climber and social critic - has a terrifying reputation. The contemporary press labelled him the 'wickedest man in the world', while he called himself the 'great beast'. Crowley dabbled in the occult, supported Germany in the First World War, was addicted to opiates, and many who associated with him died tragically in mysterious circumstances. Working from the starting point that behind the demonic reputation there stood a human being, and that beyond the self-proclaimed black magician there was a man hungry for publicity and fame, Roger Hutchinson lifts the smokescreen of mythology to reveal a truly astonishing figure. Why did this curious product of the Plymouth Brethren found the first 'hippy commune' in Sicily? What led this Cambridge graduate to be celebrated 20 years after his death on the cover of The Beatles' Sergeant Pepper's Lonely Hearts Club Band album? Why did Mussolini expel him from Italy? Why did a British magazine label him 'the man we'd like to hang'? Roger Hutchinson reveals the real Crowley: warts, wickedness, talent, courage, cowardice and all.
This eight-volume, reset edition in two parts collects rare primary sources on Victorian science, literature and culture. The sources cover both scientific writing that has an aesthetic component – what might be called 'the literature of science' – and more overtly literary texts that deal with scientific matters.
A collection of essays focused largely on the 19th century when alternative medicine as opposed to orthodox medicine was not accepted as "professional". Historians in this book explore the dissent which arose in various local and national contexts.
A bibliography of poetry composed in what is now the United States of America and printed in the form of books or pamphlets before 1821"--Provided by publisher.
Our society is shaped by our media - now more than at any time in history. They play a crucial role in culture, commerce and politics alike. The Ascent of Media is the first book to look at the new digital era in the context of all that has gone before, and to build on the past to describe the media landscape of the future. Roger Parry takes us on a journey from the earliest written story - the Legend of Gilgamesh etched on clay tablets - to the Gutenberg press, and from the theatres of Athens to satellite TV and the coming semantic web. Tracing 3000 years of history, he shows how today's media have been shaped by the interaction of politics, economics and technology. He explains why Britain has the public service BBC whilst America developed the private broadcasting networks ABC, CBS, FOX and NBC. He profiles the people and organizations that have created the media world and reveals the often surprising stories behind such ubiquitous items as the keyboard, telephone dial and tabloid. The book shows that issues of today such as a sensationalist press, piracy, monopoly, walled gardens and balancing advertising and subscription revenue have all happened before. Each upheaval in the media world - the development of moveable type printing in the 1450s; the telegraph network in the 1850s; radio broadcasting in the 1920s; and digital distribution in the 2000s - created huge fortunes, challenged authority and raised fundamental issues of copyright, privacy and censorship. Traditional media then adapt, evolve and go on to thrive in the face of competition. The convergence of the internet, mobile phones and tablet computers is now transforming our culture. Established media giants are struggling, while new firms like Google and Apple are thriving. The superabundance of media, with increasing amounts generated by consumers themselves, means that media professionals are becoming curators as much as creators of content. The Ascent of Media traces the story of media from clay tablets to tabloids to the tablet computer. It relates how we got where we are and, based on the experience of history, where we are likely to go next.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Voyageur Classics is a series of special new versions of Canadian classics, with added material and special introductions by noted experts. This bundle contains some of the greatest Canadian fiction, including influential literature from Quebec (Maria Chapdelaine, The Town Below), a collection of the best of the legendary Pauline Johnson, Peregrine Acland’s gripping Great War novel All Else is Folly, a classic tale of Irish immigration (The Yellow Briar), and great novels from the renowned Hugh Garner (The Storm Below) and Wyndham Lewis (Self Condemned). Any reader with an interest not only in Canadian literature, but in great fiction in general, will find this collection of great works an essential addition to their collection. Includes All Else Is Folly Pauline Johnson The Town Below Self Condemned Storm Below The Yellow Briar Maria Chapdelaine
Provides an account of England which is an analysis of its institutions and culture, and a celebration of its virtues. This book covers aspects of the English inheritance, informed by a philosophical vision. It shows that there is such a country as England, that it has a distinct personality and endows its residents with a distinct moral ideal.
The Culture Cultis an acerbic critique of that longing widespread in society today to ?retreat from civilization.? From Rousseau and the Noble Savage to modern defenders of ethnicity such as Isaiah Berlin and Karl Polanyi, a prominent intellectual tradition has over-romanticized the virtues of tribal life. In contrast, another tradition, represented by Karl Popper, Michael Polanyi, and Ernest Gellner, defends modern values and civil society. The Culture Cult discusses both sides of this divide between "culture" and "civilization," and between "closed" and "open" societies. The romantic insistence on the superiority of the primitive is increasingly grounded in a fictionalized picture of the past-a picture often created with the aid of well-meaning but misguided anthropologists. Such idealizations work to the detriment of the very people they are meant to help, for they isolate minorities from such undeniable benefits of modern society as literacy and health care, and discourage them from participating in modern life. Few will find comfort in The Culture Cult, but many will recognize a valuable criticism of currently popular social politics.
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