Canadian and Australian economic geographers provide a comparative analysis of the economies of the two countries as both nations attempt to redefine their roles in a rapidly changing world.
In The Long March, Roger Kimball shows how the ''cultural revolution'' of the 1960s and 70s took hold in America, lodging in our hearts and minds, and in our innermost assumptions about what counts as the good life. Kimball believes that the counterculture transformed high culture as well as our everyday life in terms of attitudes toward self and country, sex and drugs, and manners and morality. Believing that this dramatic change ''cannot be understood apart from the seductive personalities who articulated its goals,'' he intersperses his argument with incisive portraits of the life and thought of Allen Ginsberg, Norman Mailer, Timothy Leary, Susan Sontag, Eldridge Cleaver and other ''cultural revolutionaries'' who made their mark.For all that has been written about the counterculture, until now there has not been a chronicle of how this revolutionary movement succeeded and how its ideas helped provoke todays ''culture wars.'' The Long March fills this gap with a compelling and well-informed narrative that is sure to provoke discussion and debate.
The Versatile Clarinet gives a wide-ranging look at the clarinet and the music that has been played on it. The book offers a brief survey of the types of music that have been played on the instrument, key players, and issues facing clarinetists as they seek to expand the instrument's repertory and recognition. The topics covered include everything from playing early and historic clarinets; jazz clarinet technique; contemporary and avant-garde music; klezmer clarinet; and the history of clarinet recording. The book will appeal to clarinetists, music historians, musical instrument scholars, and general readers interested in the development of this important instrument.
Now available in paperback, this is perhaps the first comprehensive account of the nature and significance of music from the perspective of modern philosophy, and the only treatment of the subject which is properly illustrated with music examples. The book starts from the metaphysics of sound, distinguishes sound from tone, analyses rhythm, melody, and harmony, and develops a novel account of music, as the intentional object of an imaginative perception. The argument explores the various dimensions of musical organization and musical meaning, and shows exactly how and why music is an expressive medium. The Aesthetics of Music explains and criticizes many fashionable theories in the philosophy and theory of music, and mounts a case for the moral significance of music, its place in our culture, and the need for taste and discrimination in both performer and listener. The various schools of musical analysis are subjected to a critical examination, and recent criticism of tonality, as the foundation of musical order, are rehearsed and rejected. Scruton defends the objectivity of aesthetic values, lays down principles of criticism, and ends with an energetic critique of modern popular music.
Las Vegas—the name evokes images of divorce and dice, gangsters and glitz. But beneath it all is a sordid history that is much more insidious and far-reaching than ever imagined. The Money and the Power is the most comprehensive look yet at Las Vegas and its breadth of influence. Based on five years of intensive research and interviewing, Sally Denton and Roger Morris reveal the city’s historic network of links to Wall Street, international drug traffickers, and the CIA. In doing so, they expose the disturbing connections amongst politicians, businessmen, and the criminals that harness these illegal activities. Through this lucid and gripping indictment of Las Vegas, Morris and Denton uncover a national ethic of exploitation, violence, and greed, and provide a provocative reinterpretation of twentieth-century American history. Now this neon maelstrom of ruthlessness and greed stands to not as an aberrant “sin city,” but as a natural outgrowth of the corruption and worship of money that have come to permeate American life.
Universally recognised as by far the most authoritative work ever published on the subject, The Birds of Africa is a superb multi-contributor reference work, with encyclopaedic species texts, stunning paintings of all species and numerous subspecies, informative line drawings, detailed range maps, and extensive bibliographies. Each volume contains an Introduction that brings the reader up to date with the latest developments in African ornithology, including the evolution and biogeography of African birds. Diagnoses of the families and genera, often with superspecies maps, are followed by the comprehensive species accounts themselves. These include descriptions of range and status, field characters, voice, general habits, food, and breeding habits. Full bibliographies, acoustic references, and indexes complete this scholarly work of reference. This eighth and final volume covers the Malagasy region which comprises Madagascar and the various islands and archipelagos of the Indian Ocean including the Seychelles, the Comoros, Mauritius and Réunion. Every resident and migrant species is covered in full detail, comparable to other volumes in the series, and with a colour map for each species. Vagrants are treated in less detail. All species are illustrated on a beautiful series of 64 colour plates, with original artwork from John Gale and Brian Small. This is a major work of reference on the birds of the region and will remain the standard text for many years to come.
This book offers a broad-ranging account of contemporary American culture, the complex network of symbols, practices, and beliefs at the heart of our society. Lundin explores the historical background of some of our "postmodern" culture's central beliefs and considers their crucial ethical and theological implications.
A collection of letters from a cross-section of Japanese citizens to a leading Japanese newspaper, relating their experiences and thoughts of the Pacific War.
The Burren is one of those rare and magical places where geology, glacial history, botany, zoology and millennia of cultural history have converged to create a unique landscape of extraordinary natural history interest. It is without equal to any other area in Ireland or Britain.
Roger Shuff holds that the influence of the Brethren movement on wider evangelical life in England in the twentieth century is often underrated. This book records and accounts for the fact that Brethren reached the peak of their strength at the time when evangelicalism was at its lowest ebb, immediately before World War II. However, the movement then moved into persistent decline as evangelicalism regained ground in the postwar period. Accompanying this downward trend has been a sharp accentuation of the contrast between Brethren congregations who engage constructively with the non-Brethren scene and, at the other end of the spectrum, the isolationist group commonly referred to as Exclusive Brethren. Besides being the first scholarly study of Brethrenism in England for nearly forty years, the book will find a wider audience among present and former adherents of the Brethren movement in its various guises. It also offers useful insights for Christian leaders and other professionals who find themselves with pastoral care for people upon whom their encounter with the Brethren has had a profound psychological impact.
It is a formidable, indeed a damning indictment and Wilkes presents the result of his detective work with journalistic panache' P. D. JAMES, Times Literary Supplement 'Roger Wilkes's seminal book lays out the facts . . . one of the great unsolved murders of the century' CRAIG TAYLOR, Guardian 'I call it the impossible murder because Wallace couldn't have done it. And neither could anyone else. The Wallace case is unbeatable, it will always be unbeatable' RAYMOND CHANDLER Who really killed Julia Wallace? The final verdict. Ever since that terrible night in January 1931, when the body of Julia Wallace was found in her Liverpool home, her head crushed by violent blows, the identity of her killer has remained a mystery. Her husband, William, was accused, tried, convicted and sentenced to hang for murder, but he was then acquitted in a sensational appeal court judgement. Yet the police refused to reopen their investigation. So who did kill Julia? When Roger Wilkes started researching a dramatised radio documentary for Liverpool's Radio City, he uncovered new evidence which suggested a disturbing story - a crucial witness ignored by the police, even a suggestion of a deliberate cover-up. Finally, he provides compelling evidence as to the identify of the real killer.
Although children's theatre has been a part of American culture from early times, historians have not always included it in the documentation of our theatrical heritage. Sometimes more the product of the educator and the social worker than the producer or the theatre artist, theatre with and for young people has been neglected in traditional theatre history studies; yet as early as 1792 Charles Stearns began creating his plays and dialogues for school children. The traditions and success of eighteenth-century school drama inspired social workers to explore similar activities in their playground and settlement house work, and at the end of the nineteenth and the beginning of the twentieth century, professional producers began experimenting more vigorously with the commercial possibilities of children as audience. This book is a collection of essays by leading authorities in the field on various aspects of the historical development of children's theatre in the United States. The discussions focus on the marked differences that have occurred from group to group and examine the ways in which children's theatre began to find definition, as theorists and writers such as Winifred Ward and Charlotte Chorpenning strove to articulate the differences between the child as participant in creative drama and the child as audience member. The introduction provides a review of early concepts and the evolution of present-day thought, and the essays illuminate facets of the rich and varied history of American theatre with and for children. This trailblazing study will serve as the beginning of a fuller understanding of the field and a challenge to others to document the missing pieces.
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