Is it bad to have pretend secrets?" "In a detective story it's all right. For entertainment. For make believe." "When are pretend secrets wrong?" "Whenever someone wants to learn." "What if they want to learn to write a make-believe story?" Do you ever consider your customers when you work on something? I mean, do you only follow your own instincts or do you imagine what might be tasteful or interesting to others I don't write detective fiction, but I imagine there is the basic form, genre, which is largely unconscious, and then there is the elaboration which is highly variable. Is that variation wholly determined by an uncompromising attitude on the part of the author or does he look over his shoulder so to speak and imagine how the audience will react, like an actor. Do you come up against this kind of consideration in your work?
Each title in the Rapid Reference series provides the reader with authoritative and accessible information from a clinical expert in the field, to assist with treatment decisions. Each title includes standard core content (epidemiology, management, therapy) combined with the additional information-such as FAQs and patient organizations-needed by the primary care practitioners to provide effective patient care. The books also include drug listings, clinical trials, information on future developments, and web site listings, to keep the reader up to speed with new developments and to extend their knowledge of the disease area. Titles in the series focus on chronic conditions seen most often in the primary care setting. With patients becoming better informed about the nature and management of their conditions, Rapid Reference is a timely new series that offers the primary care practitioners easy access to the best information for patient care and management. Expert information succinctly written for ease of use. Abundant use of bulleted lists and short tables, for quick access to comparative information. Presents evidence-based sources for practice where available, either through research or best-practice guidelines. Asked Questions chapter helps practitioners prepare for patient visits and provide better patient care. Drugs appendix lists available drugs, with contraindications and side effects. Useful addresses and websites appendix provide additional resources for both the physician and patient.
You Don't Have to Suffer From Headache Pain Headache is one of the most painful and disabling of common medical disorders. It is also one of the most treatable. Major advances in headache management offer new hope and help for chronic headache sufferers. Written by a leading headache specialist and a psychologist specializing in pain management, this comprehensive guide provides you with the latest, most up-to-date information on living headache free. -- How to pinpoint the type of headache you get, what triggers attacks, and how to end the pain -- How to eliminate hidden headache inducers at home and in the workplace -- How to identify common food allergies that can cause headaches -- How diet and exercise can help prevent recurrent headaches -- Five easy desk-side exercises to prevent tension headaches at the office -- The latest medical breakthroughs and biofeedback techniques -- A complete guide to headache medications and alternative treatments -- Plus: how to treat headache in children, when to seek medical help, and much more!
Is it bad to have pretend secrets?" "In a detective story it's all right. For entertainment. For make believe." "When are pretend secrets wrong?" "Whenever someone wants to learn." "What if they want to learn to write a make-believe story?" Do you ever consider your customers when you work on something? I mean, do you only follow your own instincts or do you imagine what might be tasteful or interesting to others I don't write detective fiction, but I imagine there is the basic form, genre, which is largely unconscious, and then there is the elaboration which is highly variable. Is that variation wholly determined by an uncompromising attitude on the part of the author or does he look over his shoulder so to speak and imagine how the audience will react, like an actor. Do you come up against this kind of consideration in your work?
This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
Neuromechanics of Human Movement, Sixth Edition, integrates knowledge from the fields of neurophysiology and biomechanics into a unified framework known as neuromechanics. This contemporary approach transcends traditional approaches that focus solely on mechanics and do not consider the role of the sensorimotor system in the control of human movement. Authored by Roger Enoka, a widely recognized and esteemed scholar in neuromechanics, this influential text makes complex information accessible to students of biomechanics, motor learning, and applied physiology. With more than 500 new references from contemporary research, this sixth edition provides a scientific foundation to the study of human movement, employing precise terms and definitions when discussing ideas. The end of the book includes an appendix that showcases both the base and derived units of the metric system, an appendix that features curve fitting and smoothing to help readers understand how to reduce noise in their data, an appendix on body segment properties, and an appendix that covers the motion at the major joints of the human body. The book also includes a glossary of key terms to help readers better understand the material. The text includes more than 50 practical learning examples, giving students the opportunity to work through a variety of problems and explore current research and applications. Content is visually reinforced with over 325 figures, including illustrations of the neuromechanics involved in sport and rehabilitation movements, to engage students. Significant content updates in the sixth edition present information relevant for both research and clinical environments, including more contemporary examples throughout the text. The latest edition includes new information on the following subjects: Wearables to track movement kinematics Characterization of gait disorders Technical advances in electromyography Interactions between muscle, tendon, bone, and joint Intermuscular reflex pathways Control of intentional actions Fatigue and fatigability Training protocols Motor recovery after nervous system injury To encourage a comprehensive learning experience, the text follows a logical progression in which each part builds on the material from the previous section. It begins with an introduction to the biomechanical terms commonly used to describe movement, focusing on the relationship between force and motion. Part II deals with the motor system and introduces essential concepts from neurophysiology required for understanding how movement is produced by the nervous system. Part III focuses on adaptability of the motor system, including the acute and chronic changes that can occur in response to deviations in an individual’s level of physical activity. The sixth edition of Neuromechanics of Human Movement provides a scientific basis for the study of human movement while continuing to expand current knowledge in the fields of biomechanics and neurophysiology. By integrating these fields in a unique framework, this text offers professionals and students both valuable clinical information and inspiration to deepen their study of human movement.
The most-trusted film critic in America." --USA Today Roger Ebert actually likes movies. It's a refreshing trait in a critic, and not as prevalent as you'd expect." --Mick LaSalle, San Francisco Chronicle America's favorite movie critic assesses the year's films from Brokeback Mountain to Wallace and Gromit: The Curse of the Were-Rabbit. Roger Ebert's Movie Yearbook 2007 is perfect for film aficionados the world over. Roger Ebert's Movie Yearbook 2007 includes every review by Ebert written in the 30 months from January 2004 through June 2006-about 650 in all. Also included in the Yearbook, which is about 65 percent new every year, are: * Interviews with newsmakers such as Philip Seymour Hoffman, Terrence Howard, Stephen Spielberg, Ang Lee, and Heath Ledger, Nicolas Cage, and more. * All the new questions and answers from his Questions for the Movie Answer Man columns. * Daily film festival coverage from Cannes, Toronto, Sundance, and Telluride. *Essays on film issues and tributes to actors and directors who died during the year.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.