Poignant monuments to sacrifice, and often significant works of art, war memorials have never been a more valued part of our townscapes. This is the first proper introduction to this fascinating subject.
Britain’s churchyards are among its most historic, peaceful and magical places. They are also among its most overlooked. This book will open readers eyes to the treasures to be found up and down the land.
Understanding how culture affects the ways we communicate—how we tell jokes, greet, ask questions, hedge, apologize, compliment, and so much more. We can learn to speak other languages, but do we truly understand what we are saying? How much detail should we offer when someone asks how we are? How close should we stand to our conversational partners? Is an invitation genuine or just pro forma? So much of communication depends on culture and context. In Getting Through, Roger Kreuz and Richard Roberts offer a guide to understanding and being understood in different cultures. Drawing on research from psychology, linguistics, sociology, and other fields, as well as personal experience, anecdotes, and popular culture, Kreuz and Roberts describe cross-cultural communication in terms of pragmatics—exploring how language is used and not just what words mean. Sometimes this is easy to figure out. If someone hisses “I'm fine!” though clenched teeth, we can assume that she's not really fine. But sometimes the context, cultural or otherwise, is more nuanced. For example, a visitor from another country might be taken aback when an American offers a complaint (“Cold out today!”) as a greeting. And should you apologize the same way in Tokyo as you would in Toledo? Kreuz and Roberts help us navigate such subtleties. It's a fascinating way to think about human interaction, but it's not purely academic: The more we understand one another, the better we can communicate, and the better we can communicate, the more we can avoid conflict.
The human history of depicting birds dates to as many as 40,000 years ago, when Paleolithic artists took to cave walls to capture winged and other beasts. But the art form has reached its peak in the last four hundred years. In The Art of the Bird, devout birder and ornithologist Roger J. Lederer celebrates this heyday of avian illustration in forty artists’ profiles, beginning with the work of Flemish painter Frans Snyders in the early 1600s and continuing through to contemporary artists like Elizabeth Butterworth, famed for her portraits of macaws. Stretching its wings across time, taxa, geography, and artistic style—from the celebrated realism of American conservation icon John James Audubon, to Elizabeth Gould’s nineteenth-century renderings of museum specimens from the Himalayas, to Swedish artist and ornithologist Lars Jonsson’s ethereal watercolors—this book is feathered with art and artists as diverse and beautiful as their subjects. A soaring exploration of our fascination with the avian form, The Art of the Bird is a testament to the ways in which the intense observation inherent in both art and science reveals the mysteries of the natural world.
The power of an anthropological approach to long-term history lies in its unique ability to combine diverse evidence, from archaeological artifacts to ethnographic texts and comparative word lists. In this innovative book, Kirch and Green explicitly develop the theoretical underpinnings, as well as the particular methods, for such a historical anthropology. Drawing upon and integrating the approaches of archaeology, comparative ethnography, and historical linguistics, they advance a phylogenetic model for cultural diversification, and apply a triangulation method for historical reconstruction. They illustrate their approach through meticulous application to the history of the Polynesian cultures, and for the first time reconstruct in extensive detail the Ancestral Polynesian culture that flourished in the Polynesian homeland - Hawaiki - some 2,500 years ago. Of great significance for Oceanic studies, Kirch and Green's book will be essential reading for any anthropologist, prehistorian, linguist, or cultural historian concerned with the theory and method of long-term history.
In the twentieth century, literature was under threat. Not only was there the challenge of new forms of oral and visual culture. Even literary education and literary criticism could sometimes actually distance novels, poems and plays from their potential audience. This is the trend which Roger D. Sell now seeks to reverse. Arguing that literature can still be a significant and democratic channel of human interactivity, he sees the most helpful role of teachers and critics as one of mediation. Through their own example they can encourage readers to empathize with otherness, to recognize the historical achievement of significant acts of writing, and to respond to literary authors’ own faith in communication itself. By way of illustration, he offers major re-assessments of five canonical figures (Vaughan, Fielding, Dickens, T.S. Eliot, and Frost), and of two fascinating twentieth-century writers who were somewhat misunderstood (the novelist William Gerhardie and the poet Andrew Young).
In December 1917, nine months after the disintegration of the Russian monarchy, the army officer corps, one of the dynasty’s prime pillars, finally fell—a collapse that, in light of World War I and the Bolshevik Revolution, historians often treat as inevitable. The Imperial Russian Army in Peace, War, and Revolution, 1856–1917 contests this assumption. By expanding our view of the Imperial Russian Army to include the experience of the enlisted ranks, Roger R. Reese reveals that the soldier’s revolt in 1917 was more social revolution than anti-war movement—and a revolution based on social distinctions within the officer corps as well as between the ranks. Reese’s account begins in the aftermath of the Crimean War, when the emancipation of the serfs and consequent introduction of universal military service altered the composition of the officer corps as well as the relationship between officers and soldiers. More catalyst than cause, World War I exacerbated a pervasive discontent among soldiers at their ill treatment by officers, a condition that reached all the way back to the founding of the Russian army by Peter I. It was the officers’ refusal to change their behavior toward the soldiers and each other over a fifty-year period, Reese argues, capped by their attack on the Provisional Government in 1917, that fatally weakened the officer corps in advance of the Bolshevik seizure of power. As he details the evolution of Russian Imperial Army over that period, Reese explains its concrete workings—from the conscription and discipline of soldiers to the recruitment and education of officers to the operation of unit economies, honor courts, and wartime reserves. Marshaling newly available materials, his book corrects distortions in both Soviet and Western views of the events of 1917 and adds welcome nuance and depth to our understanding of a critical turning point in Russian history.
Now, nearly forty years after its original translation into English, Roger Asselineau's complete and magisterial biography of Walt Whitman will remind readers of the complex weave of traditions in Whitman scholarship. It is startling to recognize how much of our current understanding of Whitman was already articulated by Asselineau nearly half a century ago. Throughout its eight hundred pages, The Evolution of Walt Whitman speaks with authority on a vast range of topics that define both Whitman the man and Whitman the mythical personage. Remarkably, most of these discussions remain fresh and relevant, and that is in part because they have been so influential. In particular, The Evolution of Walt Whitman inaugurated the study of Leaves of Grass as a lifelong work in progress, and it marked the end of the habit of talking about Leaves as if it were a single unified book. Asselineau saw Whitman's poetry “not as a body of static data but as a constantly changing continuum whose evolution must be carefully observed.” Throughout Evolution, Asselineau placed himself in the role of the observer, analyzing Whitman's development with a kind of scientific detachment. But behind this objective persona burned the soul of a risk taker who was willing to rewrite Whitman studies by bravely proposing what was then a controversial biographical source for Whitman's art—his homosexual desires. The Evolution of Walt Whitman is a reminder that extraordinary works of criticism never exist in and of themselves. In this expanded edition, Roger Asselineau has provided a new essay summarizing his own continuing journey with Whitman. A foreword by Ed Folsom, editor of the Walt Whitman Quarterly, regards Evolution as the genesis of contemporary Whitman studies.
This book reflects on how people over time have viewed the abandoned Roman city of Wroxeter in Shropshire. It responds to three main artistic outputs: poetry, images and texts. It explores what locals and visitors thought of the site over time, and considers how access to the site has altered, impacting on who visits and what is understood.
This book describes the processes through which rates for energy consumption are derived, ranging from initial analyses of the supply and demand parameters to the final forms and levels of end-use consumer prices. The author argues against aggressive accounting procedures, and suggests criteria for choosing firm's position on pending public policy issues. A handbook on energy formulae for non-professionals is included in the book. The author is adjunct professor at the University of Portland.
With the invasion of Ukraine, Vladimir Putin’s Russia seems to have stepped out of time, reverting to an imperial era of conquest and expansion. But as Roger Reese points out in this comprehensive new history, Russia’s way of war has changed little from one century to the next, one regime to another, from the army of the tsar to the army of today. Russia’s Army reveals how the Imperial Russian Army and its successors, the Soviet Army and the army of the Russian Federation, confronted the state’s foreign policy challenges—projecting power and defending the empire—and the domestic challenge of containing internal unrest generated by nationalism, competing ethnic and religious identities, and political discontent. These twin challenges, in turn, drove defense policy and the planning and conduct of war. From the beginning of the nineteenth century, the development of the army was driven by shifts in the European balance of power and changes in global diplomacy, politics, economics, and society. Reese identifies themes that weave their way through this military history: the adoption of a strategy to maintain a defensive posture in the West, an offensive strategy in the Balkans, and an expansionist policy in the East; maintenance of a large standing army; and a consistent unease about the army’s and non-Russian minorities’ loyalty to the state. These themes, he shows, have emerged in times of peace and war, as heads of state have made operational and strategic military decisions while managing civil-military relations—from the times of tsarist Russia through the collapse of the Soviet empire, when Putin sought to restore authoritarian rule and hegemony over the former Soviet states of the USSR. A comprehensive account of the history of the Russian army from 1801 to 2022, Reese’s is the first book to link Russian military history across three distinct eras and to situate this history within the context of military strategy and doctrine, as reflected in specific campaigns, issues of manning and maintaining an army, and relations between army and society, at home and in the “near abroad.”
Criminology is a textbook with a new approach, both student-focused and research-engaged. Written for today's students, it provides the framework of knowledge core to exploring, understanding, and explaining crime. The goal is simple and bold - to help the next generation of criminologists to be switched-on, excited, and critical.
This 1986 book reconstructs elements of mid-nineteenth-century rural landscapes and farming systems by analyzing the tithe surveys of the early Victorian Age.
This engaging volume discusses sectionalism, industrialism, and literary regionalism; slave narratives and race relations; the life and works of Mark Twain; urban writers and internationalism; regionalism; and naturalism, determinism, and social reform.
Poignant monuments to sacrifice, and often significant works of art, war memorials have never been a more valued part of our townscapes. This is the first proper introduction to this fascinating subject.
When America wants to know movies, it turns to Roger Ebert, the only film critic to be awarded the Pulitzer Prize for criticism.Roger Ebert's Movie Yearbook 2002 presents all of Ebert's reviews from January 1999 to mid-June 2001. This annual volume-required reading for film fans-also contains all of his interviews and essays for the year, the biweekly "Questions for the Movie Answer Man," his daily notebooks from major film festivals, plus a list of all movies and star ratings ever appearing in an edition of this annual collection.
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