Discover the satisfaction of making your own durable, economical, and environmentally friendly timber frame structures. Covering all aspects of timber frame construction, this practical guide is filled with easy-to-understand instructions, clear illustrations, and helpful photographs. With expert advice on selecting appropriate timber, necessary tools, safety considerations, joinery techniques, assembly, and raising, Jack Sobon and Roger Schroeder encourage beginners by offering complete plans for a small toolshed. Turn your dream of a timber frame house into a reality.
Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) and on the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage is Honorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.
Welcome to Connor, My Hometown is a novel about a small town in Ohio and, more importantly, its various people, their lives, loves, failures and successes, and their interactions with one another. It employs a device, first seen in Thornton Wilder's Our Town, whereas, in that play, the stage manager would talk to the audience several times throughout the play. In this case, the town's editor of the Connor Gazette speaks to the reader. He himself is one of the strongest characters in the novel, and his love of the town and its people becomes readily apparent. There is romance. Jenna, owner of the Chit Chat Cafe, which is the public gathering place for many of the town's locals, meets Brian, an engineer and contract specialist from Sedwick Electronics, and they fall in love and get married. Both of them are in their mid-thirties. Pastor Barry Yoder and his wife, Sherry, are among the most beloved of the town's inhabitants, and they minister to the people. They come alongside a couple who have separated and help restore the lost love from their marriage. Jim and Bessie Benson are loved by everyone. He owns the town's Marathon gas station, and Bessie makes the best pies in the town, but she finds out she has cancer, and the whole town comes together and prays for her. There is Miss Ruth Hennessey, principal of Marshall Middle School, who is a no-nonsense woman on the outside but has a heart of gold on the inside. There's Jim Morrison, general contractor, and Randy Colthirst, the town's dentist. All three hang out nearly every weekday at the Chit Chat café, and their interactions and banter make for some lively discussions. And that's what makes the Chit Chat Cafe seem more like a home than a restaurant. There are many more memorable characters, including the mayor, police chief, fire chief, other pastors. You will grow to love the town and its people. The editor, who used to be a columnist for a major Chicago newspaper for twenty years, brings it all together. I would love to live in Connor myself!
Perhaps no topic is more heated, and the sources more tendentious, than that of Civil War prisons and the treatment of prisoners of war (POWs). Partisans of each side, then and now, have vilified the other for maltreatment of their POWs, while seeking to excuse their own distressing record of prisoner of war camp mismanagement, brutality, and incompetence. It is only recently that historians have turned their attention to this contentious topic in an attempt to sort the wheat of truth from the chaff of partisan rancor. Roger Pickenpaugh has previously studied a Union prison camp in careful detail (Camp Chase) and now turns his attention to the Union record in its entirety, to investigate variations between camps and overall prison policy and to determine as nearly as possible what actually happened in the admittedly over-crowded, under-supplied, and poorly-administered camps. He also attempts to determine what conditions resulted from conscious government policy or were the product of local officials and situations. A companion to Pickenpaugh's Captives in Blue.
First Published in 1997. The authors’ purpose in this book is to dissect developments in improvisation in the arts since 1945, with a particular emphasis on process and technique. The approach is analytical and theoretical but is also relevant to practitioners and their audience. Their key argument is that improvisation has been of great importance and value in the contemporary arts, particularly because of its potential to develop new forms (often by breaking definitions).
This book is about Americans not of Japanese ancestry, who served as Japanese language officers in World War II. Covering the period 1940-1945, it describes their selection, training, and service in the Navy and Marine Corps during the war and their contributions to maintenance of good relations between America and Japan thereafter. It argues that their service as “code breakers” and combat interpreters hastened victory and that their cross-cultural experience and linguistic knowledge facilitated the successful dismantling of the Japanese Empire and the peaceful occupation of Japan. The book shows how the war changed relations between the Navy and academia, transformed the lives of these 1200 men and women, and set onetime enemies on course to enduring friendship. Its purpose is twofold: to reveal an exciting and hitherto unknown aspect of the Pacific War and to demonstrate the enduring importance of linguistic and cross-cultural knowledge within America’s armed forces in war and peace alike.The book is meant for the general reader interested in World War II, as well as academic specialists and other persons particularly interested in that conflict. It will also appeal to readers with an interest in America’s intelligence establishment and to those interested in Japan and its relations with the United States. This history tells and exciting and previously unknown story of men and women whose brains and devotion to duty enabled them to learn an extraordinarily difficult language and use it in combat and ashore to hasten Japan’s defeat and transformation from enemy to friend of America.
Enhanced and Expanded with all the contents of Dreams & Visions Volume one PLUS... New Unpublished Dreams & Visions from Roger's personal files. Never before published personal commentary by Roger K. Young on many of the dreams. The full contents of "To Your Tents O' Israel" to complete the presentation of the "Tent City" concept. PURPOSE of Dreams and Visions (from Roger) The purpose and intent of this book is actually very simple. It is to perhaps convince a few more people to follow the living Prophet a little more closely, and to prepare themselves and their families for the events which lie in the (near?) future by preparing Spiritually (getting temple recommends and using them often), Physically (obtain a minimum one year supply of food, clothing, shelter and other necessities), and Mentally. And as part of this preparation to perhaps come to understand some of the events that they will likely have to pass through. Elder Oaks recently in the April 2004 General Conference encouraged all members of the Church throughout the world to "accelerate our own preparation and try to influence the preparation of those around us." This is a small effort to comply with that counsel. Chapter 1, WHY? Chapter 2, NOBODY KNOWS Chapter 3, DREAMS AND VISIONS Chapter 4, EARLY CHURCH VISIONS & PROPHECIES 180 YEARS AGO Chapter 5, DREAMS & VISIONS FROM 80-100 YEARS AGO Chapter 6, DREAMS & VISIONS FROM 30-60 YEARS AGO Chapter 7, RECENT DREAMS & VISIONS Chapter 8, SUMMARY & CONCLUSION WHY IS IT that over the last few years our beloved living prophet, President Hinckley, along with members of the Quorum of the Twelve and other General Authorities have continued emphasizing the nearness of the last days along with spiritual and physical preparation for those events?
Amelia Cheryl Monet, a thirty year old New Orleans entrepreneur had successfully turned an abandoned warehouse in the Big Easy into Movas Jazz Caf, the hottest chill-out lounge in the South. That is until August 29, 2005, when Hurricane Katrina destroyed not only the physical structures of the city, but many long-held dreams. Determined to keep her club alive amidst the mass exodus of business from New Orleans, Amelia thought the solutions to her problems would be within the musical incantations of a mysterious stranger. Enter London Zao Thomas, a wealthy womanizing jazz man from Chicago. Whose charismatic charm and good looks were accented by his mastery of the guitar. His talents would seemingly be the spark needed to not only revitalize Amelias Caf, but her life as well. London would eventually end up taking Amelia on a journey of love and pain that would turn out to be more destructive than any hurricane could ever be.
Universally recognised as by far the most authoritative work ever published on the subject, The Birds of Africa is a superb multi-contributor reference work, with encyclopaedic species texts, stunning paintings of all species and numerous subspecies, informative line drawings, detailed range maps, and extensive bibliographies. Each volume contains an Introduction that brings the reader up to date with the latest developments in African ornithology, including the evolution and biogeography of African birds. Diagnoses of the families and genera, often with superspecies maps, are followed by the comprehensive species accounts themselves. These include descriptions of range and status, field characters, voice, general habits, food, and breeding habits. Full bibliographies, acoustic references, and indexes complete this scholarly work of reference. This eighth and final volume covers the Malagasy region which comprises Madagascar and the various islands and archipelagos of the Indian Ocean including the Seychelles, the Comoros, Mauritius and Réunion. Every resident and migrant species is covered in full detail, comparable to other volumes in the series, and with a colour map for each species. Vagrants are treated in less detail. All species are illustrated on a beautiful series of 64 colour plates, with original artwork from John Gale and Brian Small. This is a major work of reference on the birds of the region and will remain the standard text for many years to come.
This book, first published in 2005, provides students and practising glaciologists with the tools they need to understand modern glaciology. Relatively simple concepts are introduced first, followed by mathematically more sophisticated chapters. A knowledge of basic calculus is assumed, but important concepts of physical processes are developed from elementary principles. Emphasis is placed on connections between modern research in glaciology and the origin of features of glacial landscapes. Student exercises are included. This new edition builds on the successful first edition: it has been completely updated, and important new sections and whole chapters have been added. Principles of Glacier Mechanics is designed to be used as a primary textbook in upper division and graduate courses in glaciology, and can be used as either a primary or supplementary text in courses in glacial geology. Practising glacial geologists and glaciologists will also find it useful as a reference book.
The second of four volumes comprising a biographical dictionary of state house speakers from 1911 to 1994, this book covers speakers from Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, North Dakota, Ohio, South Dakota, and Wisconsin. Entries provide basic biographical and career information on more than 1,400 speakers. The book opens with an analytical introduction and includes useful statistical appendixes. The four volumes, covering state speakers in the West, Midwest, Northeast, and South, are designed to complement Charles R. Ritter's and Jon L. Wakelyn's book American Legislative Leaders, 1850-1910 (1989).
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