As traced by Roger D. Sell, literary communication is a process of community-making. As long as literary authors and those responding to them respect each other’s human autonomy, literature flourishes as an enjoyable, though often challenging mode of interaction that is truly dialogical in spirit. This gives rise to author-respondent communities whose members represent existential commonalities blended together with historical differences. These heterogeneous literary communities have a larger social significance, in that they have long served as counterweights to the hegemonic tendencies of modernity, and more recently to postmodernity’s well-intentioned but restrictive politics of identity. In post-postmodern times, their ethos is increasingly one of pleasurable egalitarianism. The despondent anti-hedonism of the twentieth century intelligentsia can now seem rather dated. Some of the papers selected for this volume develop Sell’s ideas in mainly theoretical terms. But most of them offer detailed criticism of particular anglophone writers, ranging from Shakespeare, Ben Jonson and other poets and dramatists of the early modern period, through Wordsworth and Coleridge, to Dickens, Pinter, and Rushdie.
... profiles ... contain an overview of each colonel's military career, including his previous ranks and commands; his occupation and education; his dates of birth and death; his place of burial; and a list of sources for further reading. Where possible, a photograph accompanies each profile. The author has also provided a list of every infantry, militia, cavalry, and artillery regiment in each state, complete with a succession of its commanding officers."--Dust jacket flap.
As the twentieth century began, oil in Texas was easy to find, but the quantities were too small to attract industrial capital and production. Then, on January 10, 1901, the Spindletop gusher blew in. Over the next fifty years, oil transformed Texas, creating a booming economy that built cities, attracted out-of-state workers and companies, funded schools and universities, and generated wealth that raised the overall standard of living--even for blue-collar workers. No other twentieth-century development had a more profound effect upon the state. In this book, Roger M. Olien and Diana Davids Olien chronicle the explosive growth of the Texas oil industry from the first commercial production at Corsicana in the 1890s through the vital role of Texas oil in World War II. Using both archival records and oral histories, they follow the wildcatters and the gushers as the oil industry spread into almost every region of the state. The authors trace the development of many branches of the petroleum industry--pipelines, refining, petrochemicals, and natural gas. They also explore how overproduction and volatile prices led to increasing regulation and gave broad regulatory powers to the Texas Railroad Commission.
The Strange Liberalism of Alexis de Tocqueville places Tocqueville's political though in the context of his time and place, and shows why his ideas defy easy classification. Responding to the twentieth-century tendency to impose anachronistic political categories on Tocqueville, Roger Boesche reminds us that like Stendhal, Balzac, Hugo, Lamartine, Flaubert, and other writers of his generation, he was a nineteenth-century Frenchman reacting to contemporary French concerns, aspirations, and anxieties.
Tocqueville's Road Map is a long overdue addition to Tocqueville scholarship that will find an audience among scholars of political thought and history."--Jacket.
How should we read a text that does not exist, or present a play the manuscript of which is lost and the identity of whose author cannot be established for certain? Such is the enigma posed by Cardenio – a play performed in England for the first time in 1612 or 1613 and attributed forty years later to Shakespeare (and Fletcher). Its plot is that of a ‘novella’ inserted into Don Quixote, a work that circulated throughout the major countries of Europe, where it was translated and adapted for the theatre. In England, Cervantes’ novel was known and cited even before it was translated in 1612 and had inspired Cardenio. But there is more at stake in this enigma. This was a time when, thanks mainly to the invention of the printing press, there was a proliferation of discourses. There was often a reaction when it was feared that this proliferation would become excessive, and many writings were weeded out. Not all were destined to survive, in particular plays for the theatre, which, in many cases, were never published. This genre, situated at the bottom of the literary hierarchy, was well suited to the existence of ephemeral works. However, if an author became famous, the desire for an archive of his works prompted the invention of textual relics, the restoration of remainders ruined by the passing of time or, in order to fill in the gaps, in some cases, even the fabrication of forgeries. Such was the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonder about the status, in the past, of works today judged to be canonical. In this book the reader will rediscover the malleability of texts, transformed as they were by translations and adaptations, their migrations from one genre to another, and their changing meanings constructed by their various publics. Thanks to Roger Chartier’s forensic skills, fresh light is cast upon the mystery of a play lacking a text but not an author.
Founded in a working-class neighborhood in southeast Houston in 1941, Gold Star/SugarHill Recording Studios is a major independent studio that has produced a multitude of influential hit records in an astonishingly diverse range of genres. Its roster of recorded musicians includes Lightnin’ Hopkins, George Jones, Willie Nelson, Bobby “Blue” Bland, Junior Parker, Clifton Chenier, Sir Douglas Quintet, 13th Floor Elevators, Freddy Fender, Kinky Friedman, Ray Benson, Guy Clark, Lucinda Williams, Beyoncé and Destiny’s Child, and many, many more. In House of Hits, Andy Bradley and Roger Wood chronicle the fascinating history of Gold Star/SugarHill, telling a story that effectively covers the postwar popular music industry. They describe how Houston’s lack of zoning ordinances allowed founder Bill Quinn’s house studio to grow into a large studio complex, just as SugarHill’s willingness to transcend musical boundaries transformed it into of one of the most storied recording enterprises in America. The authors offer behind-the-scenes accounts of numerous hit recordings, spiced with anecdotes from studio insiders and musicians who recorded at SugarHill. Bradley and Wood also place significant emphasis on the role of technology in shaping the music and the evolution of the music business. They include in-depth biographies of regional stars and analysis of the various styles of music they represent, as well as a list of all of Gold Star/SugarHill’s recordings that made the Billboard charts and extensive selected historical discographies of the studio’s recordings.
The Harlequin Years presents a highly readable yet thorough examination of the Parisian music scene in the decade following World War I. Through Nichols's lively prose and in his accounts of institutional politics, reception histories, and behind-the-scenes debates, these places and personalities spring to life."—Susan McClary, author of Conventional Wisdom
This book, first published in 1983, is a major contribution to our understanding of how and why French rural peasant society became modernised by radical changes in the communications system – in particular, the coming of the railways. The author argues that complex changes in the transport systems, and their effects on agricultural market structures, finally brought traditional French rural civilisation to an end. With the extension of commercialisation, and the widening of horizons, new economic and social structures – and changed attitudes – rapidly came into being. Writing as an economic historian, the author has adopted an interdisciplinary approach to this study which incorporates economic, sociological, historical and geographical methods and data.
Well documented by public records, actual court reports, and newspaper accounts, this book is a true story of greed, ambition and murder in the first degree.
“Have you a soul in darkness? Or are you of the light as well... foolishly clinging to the shadows of divinity?” <> New Orleans. Hurricane Katrina has taken everything from them. Their homes, their futures, their very identities. Its people have learned first-hand about suffering. The looting and rioting may be over, the City That Care Forgot is limping its way back from the edge, but their lessons are far from over. Now, with the city fallen into shadow, the people almost without hope for redemption, something most unwelcome has chosen to walk amongst them. The press has dubbed it 'The Mangler.' A soulless serial killer with a penchant for quite literally tearing his victims apart. So far, he seems to be focusing his energies on some unholy crusade against the clergy. Four priests are already dead, killed within their own churches. And now, All Hallows' Eve approaches. What game is he playing while he feeds off of the suffering of New Orleans? One person thinks he knows. Police detective Johnathan Craye. The only question is: Can he stop it before it's too late?
This book offers foundations for a literary criticism which seeks to mediate between writers and readers belonging to different historical periods or social groupings. This makes it, among other things, a timely intervention in the postmodern culture wars, though the theory put forward will be of interest not only to students of literature and culture, but also to linguists. Sell describes communication in general as strongly interactive, as very much affected by the disparate situationalities of sending and receiving, yet as by no means completely determined by them. Seen this way, men and women are both social beings and individuals, capable of empathizing with sociohistorical formations which are alien to them, sometimes even to the extent of changing their own life-world. By treating literary activity as communicational in this same dynamic sense, Sell radically modifies the main paradigms of twentieth-century literary theory, casting much new light on questions of genre, interpretation, affect and ethics.
Showcasing impressive new work by some of the leading architects and interior designers serving health care institutions, this work is organised alphabetically by design firm.
The Archaeology of Iran from the Palaeolithic to the Archaemenid Empire is the first modern academic study to provide a synthetic, diachronic analysis of the archaeology and early history of all of Iran from the Palaeolithic period to the end of the Achaemenid Empire at 330 BC. Drawing on the authors’ deep experience and engagement in the world of Iranian archaeology, and in particular on Iran-based academic networks and collaborations, this book situates the archaeological evidence from Iran within a framework of issues and debates of relevance today. Such topics include human–environment interactions, climate change and societal fragility, the challenges of urban living, individual and social identity, gender roles and status, the development of technology and craft specialisation and the significance of early bureaucratic practices such as counting, writing and sealing within the context of evolving societal formations. Richly adorned with more than 500 illustrations, many of them in colour, and accompanied by a bibliography with more than 3000 entries, this book will be appreciated as a major research resource for anyone concerned to learn more about the role of ancient Iran in shaping the modern world.
An authoritative account of the life and work of Francis Poulenc, one of the most prolific and striking figures in twentieth-century classical music "An assured overview of Poulenc's life and work."--Alex Ross, New Yorker "Essential reading for anyone interested in the French musical culture of Poulenc's time. This is the biography the composer deserves."--Christopher Dingle, BBC Music Magazine, Named one of the Best Books on Classical Music in 2020 by BBC Music Magazine Francis Poulenc is a key figure in twentieth-century classical music, as well as an unorthodox and striking individual. Roger Nichols draws upon Poulenc's music and other primary sources to write an authoritative life of this great artist. Although associated with five other French composers in what came to be called "Les Six", Poulenc was very much sui generis in personality and in his music, where he excelled over a wide repertoire--opera, songs, ballet scores, chamber works, piano pieces, sacred and secular choral works, orchestral works and concertos. This book fully covers this wide range, while also describing the vicissitudes of Poulenc's life and the many important relationships he had with major figures such as Satie, Ravel, Stravinsky, Diaghilev, Cocteau and others.
Roger goes back 200 years to unearth the deep roots of this anti-Americanism and trace its changing nature, from the belittling, as Buffon did, of the "savage American" to France's resigned dependency on America for goods and commerce and finally to the fear of America's global domination in light of France's thwarted imperial ambitions. Roger sees French anti-Americanism as barely acquainted with actual fact; rather, anti-Americanism is a cultural pillar for the French, America an idea that the country and its culture have long defined themselves against."--BOOK JACKET.
Often called the Newton of France, Pierre Simon Laplace has been called the greatest scientist of the late 18th and early 19th centuries. In this compact biography, Hahn illuminates the man in his historical setting. This book reflects a lifetime of thinking and research on a singularly important figure in the annals of Enlightenment science.
Supplemental Instruction is a program designed to support students in their learning process. The program consists of advanced students supervising new students, where the purpose is to improve students' performance and reduce the risk of interruption of studies. Supplemental Instruction was established almost 50 years ago and is used today in universities around the world. This book is about the role, use and place of digital technologies in supplemental Instruction, which includes why we need Supplemental Instruction, teacher’s integration of technology experience with lecture capture and more. The book is aimed at anyone who is concerned about study quality in higher education. The contributors are researchers and lecturers at various universities from several countries. This book is the first of a trilogy on Supplemental Instruction, where the themes for the other books are " Student Learning Processes" and “Organization and Leadership”. The editors of the trilogy are Abbas Strømmen-Bakhtiar, Roger Helde and Elisabeth Suzen, all three Associate Professors at Nord University, Norway.
Based upon a wide range of historical and literary sources, An Apprenticeship in Arms is a scholarly study of the military experiences of peers and gentlemen from the British Isles who volunteered to fight in the religious and dynastic wars of mainland Europe, as well as the ordinary men who were impressed to serve in the ranks from the time of the English intervention in the Dutch war of independence in 1585 to the death of the soldier-king William III in 1702. This apprenticeship in arms exposed these men to the technological innovations of the military revolution, laid the foundations for a fledgling professional officer class based upon merit and established a fund of military expertise. This remilitarization of aristocratic culture and society was completed by 1640, and provided numerous experienced military officers for the various armies of the civil wars and, subsequently, for the embryonic British army after William III invaded and conquered the British Isles and committed the Three Kingdoms to the armed struggle against Louis XIV during the Nine Years War. Conflicts between amateur aristocrats and so-called 'soldiers of fortune' led to continuing debates about the relative merits of standing armies and a select militia; the individual pursuit of honour and glory by such amateurs also obscured the more rational military and political objectives of the modern state, subverted military discipline, and delayed the process of the professionalization of the officer corps of the British army.
ROGER F. GREAVES grew up in the Los Angeles area. During his more than five decades involved with the business community, government and the military he has come in contact with many unique personalities. He chronicles some of them in the Swifty novels. Roger is a graduate of California State University, Long Beach. He is an air force veteran, a private pilot and a compulsive story teller. Roger and his wife Erika reside with their two Westies Scottsdale, Arizona. They are active in business, political and community affairs in Arizona and California.
Loyal Gunners uniquely encapsulates the experience of Canadian militia gunners and their units into a single compelling narrative that centres on the artillery units of New Brunswick. The story of those units is a profoundly Canadian story: one of dedication and sacrifice in service of great guns and of Canada. The 3rd Field Regiment (The Loyal Company), Royal Canadian Artillery, is Canada’s oldest artillery unit, dating to the founding of the Loyal Company in Saint John in 1793. Since its centennial in 1893, 3rd Field—in various permutations of medium, coastal, and anti-aircraft artillery—has formed the core of New Brunswick’s militia artillery, and it has endured into the twenty-first century as the last remaining artillery unit in the province. This book is the first modern assessment of the development of Canadian heavy artillery in the Great War, the first look at the development of artillery in general in both world wars, and the first exploration of the development and operational deployment of anti-tank artillery in the Second World War. It also tells a universal story of survival as it chronicles the fortunes of New Brunswick militia units through the darkest days of the Cold War, when conventional armed forces were entirely out of favour. In 1950 New Brunswick had four and a half regiments of artillery; by 1970 it had one—3rd Field. Loyal Gunners traces the rise and fall of artillery batteries in New Brunswick as the nature of modern war evolved. From the Great War to Afghanistan it provides the most comprehensive account to date of Canada’s gunners.
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