It was a sunny Saturday lunchtime in June 1944. Most of the inhabitants of a sleepy village situated in the 'Free Zone' of war-ravaged France were sitting down to a leisurely meal. Without warning, an attachment of Das Reich soldiers (the elite force of the Nazi's Waffen-SS division) arrived. Hours later, 642 defenceless people had been massacred; their homes were smouldering ruins. From these embers emerged life-affirming stories of survival as individuals defied machine-guns, snipers, explosives and burning buildings to escape the clutches of the deadly Wolf's Hook (the Das Reich emblem). Wolf's Hook is a factionalised account of the Das Reich attack on a hillside village. It recaptures the essence of what happened that day, using four first-person narrative strands: a waiter, a young boy, an SS soldier and a grandmother. Through their eyes we see the terrifying day unravel. Not suitable for readers under 12.
At the vanguard of a 1960s cultural revolution, The Avengers was both critically acclaimed and commercially popular. As Britain's imperial power crumbled away, the television series began to colonise the globe. Critic Rodney Marshall is the son of Avengers script writer Roger Marshall. He has written and/or edited nine books on the series. Avengerland: A Critical Guide brings the main chapters from these previous volumes under one cover. In addition to a number of general essays, the guide explores fifty of the filmed episodes in depth, analysing the show from monochrome film through 'Glorious Technicolor' to its reincarnation as The New Avengers. Avengerland is an indispensable guide for fans of this iconic show.
Subversive Champagne re-examines the 1960s cult television series, The Avengers, through a close analysis of 25 filmed episodes. The book examines how The Avengers - during the classic Emma Peel era (1964-1967) - was continually shifting the boundaries of audience expectation, defying both genre classification and viewers' traditional desire for kitchen sink drama. Subversive Champagne centres on eighteen episodes from the monochrome Peel Season 4 - widely acknowledged as the artistic pinnacle of the series. It is in this era - caught between video-tape and colour film - that The Avengers was undergoing arguably its most profound stylistic and thematic transitions, from mild eccentricity to something genuinely experimental. The author extends his journey into the exhilarating but 'uneven' colour Season 5, adding chapters on seven more episodes, thus allowing us to explore the entire Emma Peel era. Entertaining froth or groundbreaking art? Rediscover the most iconic show in television history.
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. At the crossroads between the Cathy Gale-era stricture of video tape and the glossy, surreal, comic-strip world of 'glorious Technicolor', the monochrome filmed Emma Peel season represents the artistic pinnacle of a show which was exported around the world and remains the only British television drama to be networked at 'primetime' in the USA. Bright Horizons draws on the knowledge of a broad range of experts and fans of The Avengers - including scriptwriter Roger Marshall - offering critical explorations of all twenty-six 'mini-films' which made up Season 4, the collective peak of an extraordinary television series.
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. The creation of The New Avengers, in 1976, saw John Steed re-emerge, alongside two younger co-leads: sophisticated action girl Purdey and Gambit, a 'hard man' with a soft centre. The cultural context had changed - including the technology, music, fashions, cars, fighting styles and television drama itself - but Avengerland was able to re-establish itself. Nazi invaders, a third wave of cybernauts, Hitchcockian killer birds, a sleeping city, giant rat, a deadly health spa, a skyscraper with a destructive mind...The 1970s series is, paradoxically, both new yet also part of the rich, innovative Avengers history. Avengerland Regained draws on the knowledge of a broad range of experts and fans as it explores the final vintage of The Avengers.
Lew Grade's pioneering ITC company created a production line of quirky new drama series for British Independent Television in the 1960s, fulfilling a vision of providing entertaining, colour film series for a global market. In the first of a proposed series of critical guides, Avengers expert Rodney Marshall and television historian Matthew Lee explore ITC's Man in a Suitcase. Their book offers new, inventive readings of all thirty episodes. Man in a Suitcase is a product of its mid-1960s context, exploring themes such as Cold War espionage and Swinging Sixties playgirls, yet most of the stories also have a timeless feel to them: political corruption, blackmail, murder, missing persons or money, art theft. Despite the private detective/bounty hunter formula, there are welcome elements of playfulness, quirkiness, surrealism and a healthy abundance of social and political critique. Man in a Suitcase cannot be simplistically labelled as 'light entertainment' given the dark subject matter and its treatment.
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. The arrival of Tara King and Mother saw The Avengers shaken and stirred, as writers and directors playfully engaged with a variety of film and television genres. Steed and Tara face increasingly odd adventures and dangers: killer clowns, a giant nose, love drugs, deadly board games, duplicate Steeds, Victorian fog, an underground 'paradise', and vengeful Home Counties cowboys. Anticlockwise draws on the knowledge of a broad range of experts and fans of The Avengers as it explores the surreal, unpredictable, psychedelic world of Tara King. "The Avengers challenged audiences to enjoy art beyond the ordinary." (Matthew Lee) "The Avengers is a wonderful example of avoiding the tyranny of common sense." (Robert Fuest)
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. The monochrome filmed Emma Peel season had established a cult following for a series which became an intrinsic part of the 'Swinging Sixties'. Backed by US dollars, the show was now filmed 'in color' and Avengerland becomes stranger and more playful than ever: Steed is shrunk to the size of a desk pad, forced to evade a machine-gun-toting nanny; Emma Peel is tortured in a medieval ducking stool and turned into a living cybernaut. Mrs. Peel, We're Needed draws on the knowledge of a broad range of experts and fans of The Avengers as it explores the wonderfully mad Technicolor world of Emma Peel.
2014 edition, now covering 26 episodes. "We highly recommend Subversive Champagne. It isn't every day that a book comes along that says something new about The Avengers and makes you approach the series from a fresh perspective, but this is one of those books that is both thought provoking and enjoyable. It's written by Rodney Marshall, son of Avengers writer Roger Marshall, and you really should buy it!" (The Avengers Declassified)Subversive Champagne re-examines the 1960s cult television series, The Avengers, through a close analysis of 1 video tape episode and 25 filmed episodes. The book examines how The Avengers - during the classic Emma Peel era (1964-1967) - was continually shifting the boundaries of audience expectation, defying both genre classification and viewers' traditional desire for closure and simplicity.Subversive Champagne centres on 18 episodes from the monochrome Peel Season 4 - widely acknowledged as the artistic pinnacle of the series. It is in this era - caught between video-tape and colour film - that The Avengers was undergoing arguably its most profound stylistic and thematic transitions, from mild eccentricity to something genuinely experimental.The author extends his journey into the exhilarating but 'uneven' colour Season 5, adding chapters on 7 more episodes, thus allowing us to explore the entire Emma Peel era. Entertaining froth or groundbreaking art?Rediscover the most iconic show in television history.Episodes featured: Season 3: MandrakeSeason 4: The Town of No Return, The Murder Market, The Master Minds, Dial A Deadly Number, Death at Bargain Prices, Too Many Christmas Trees, The Cybernauts, The Gravediggers, Room Without A View, A Surfeit of H20, Man-Eater of Surrey Green, Silent Dust, The Hour that Never Was, Castle De'ath, The Danger Makers, What The Butler Saw, The House That Jack Built, Honey for the Prince.Season 5: Epic, Something Nasty in the Nursery, The Joker, Who's Who?, Death's Door, You Have Just Been Murdered, Murdersville.
Drawing inspiration from the private detective and Western genres, as well as the cult 1960s series The Fugitive, Roger Marshall's mid-1980s drama Travelling Man was both critically acclaimed and commercially popular, drawing audiences of up to 13.2 million viewers. Ex-Drugs Squad detective and jailbird Alan Lomax is a fascinatingly flawed protagonist, but it is the setting of the canals and inland waterways of Britain which provide the unique charm of Travelling Man, offering the perfect backdrop for Lomax's nomadic quests. The canals also dictate the show's leisured pace. Avengers expert Rodney Marshall offers a critical guide to all thirteen episodes, exploring the scripts, direction, characterisation, acting and music. ""One thing about quiet waterways, you can hear footsteps.
Political satire, comic strip action adventure, science fiction, space opera, Orwellian dystopia, costume drama, Western...Drawing on a range of genres, Terry Nation's Blake's 7 resists categorisation or labelling; a ground-breaking piece of television drama. Presenting itself as easy-viewing, early evening entertainment for a (largely) teenage audience - which, on one level, it was - it tackles state-surveillance, propaganda, corruption, genocide, revolution, and terrorism. Avengers expert Rodney Marshall turns his attention to Blake's 7, offering unauthorised, entertaining, thought-provoking critical guides to all fifty-two episodes in Series 1-4. Horizon (the official Blake's 7 fan club) moderator Alex Pinfold has added a Foreword to this third edition, while television historian Matthew Lee has penned an essay on Terry Nation and Blake's 7. Combining dark humour, surrealism, shiny surfaces and dramatic depth, Blake's 7 blurs the boundary between hero/villain.
Rodney Marshall examines Northampton Town's 2017-18 season, in addition to aspects of football which reach beyond NTFC: football as business; fan ownership; the ever-evolving power of social media; the mental health and safeguarding of players; racism, football franchises and B teams; the demise of the FA Cup; glass ceilings and transfer windows; referees, laws and the use of technology; ground safety and redevelopment; the changing nature of towns and football clubs in the 21st century.
2014 edition, now covering 25 episodes. (Back cover blurb has not been updated)."We highly recommend Subversive Champagne. It isn't every day that a book comes along that says something new about The Avengers and makes you approach the series from a fresh perspective, but this is one of those books that is both thought provoking and enjoyable. It's written by Rodney Marshall, son of Avengers writer Roger Marshall, and you really should buy it!" (The Avengers Declassified)Subversive Champagne re-examines the 1960s cult television series, The Avengers, through a close analysis of 1 video tape episode and 24 filmed episodes. The book examines how The Avengers - during the classic Emma Peel era (1964-1967) - was continually shifting the boundaries of audience expectation, defying both genre classification and viewers' traditional desire for closure and simplicity.Subversive Champagne centres on 18 episodes from the monochrome Peel Season 4 - widely acknowledged as the artistic pinnacle of the series. It is in this era - caught between video-tape and colour film - that The Avengers was undergoing arguably its most profound stylistic and thematic transitions, from mild eccentricity to something genuinely experimental.The author extends his journey into the exhilarating but 'uneven' colour Season 5, adding chapters on 6 more episodes, thus allowing us to explore the entire Emma Peel era. Entertaining froth or groundbreaking art?Rediscover the most iconic show in television history.Episodes featured: Season 3: MandrakeSeason 4: The Town of No Return, The Murder Market, The Master Minds, Dial A Deadly Number, Death at Bargain Prices, Too Many Christmas Trees, The Cybernauts, The Gravediggers, Room Without A View, A Surfeit of H20, Man-Eater of Surrey Green, Silent Dust, The Hour that Never Was, Castle De'ath, The Danger Makers, What The Butler Saw, The House That Jack Built, Honey for the Prince.Season 5: Epic, Something Nasty in the Nursery, The Joker, Who's Who?, Death's Door, Murdersville.
Father of two, David Jennings is divorced and working as a professor of literature in Singapore. Out of the blue he receives a phone call from his ex-wife, Anne. Their daughter, Kate, a promising university student, has been found dead on a bleak hillside outside Brighton. The police are convinced that she has taken her own life. The coroner's Open Verdict encourages him to start his own, guilt-ridden investigations into her death. As Jennings journeys into his daughter's past, the harrowing mission takes us to London, Bogotá and the English coastline, in a search to understand 'Why?' But what if the truth is worse than not knowing?
November 2015. As police and the national press investigated the 'missing millions' loaned by local government - for an unfinished stand - and the borough council understandably demanded their money back, things were looking bleak at Northampton Town Football Club. With staff unpaid and fans demanding answers in vain, HMRC's winding-up order threatened to send the club into administration or even oblivion. Against a backdrop more fitting for a soap opera, there emerged a unique, almost surreal story of solidarity and success. Five months later - shattering a host of club records in the process - the Cobblers were champions before any other League club had even sealed promotion. The Year of the Cobbler reflects upon life as a lower division football fan and, more specifically, a season which both nightmares and sweet dreams are made of... 'Forget Leicester - Northampton Town are English football's story of the season.' (The Sun)
Political satire, comic strip action adventure, science fiction, space opera, Orwellian dystopia, costume drama, Western...Drawing on a range of genres, Terry Nation's Blake's 7 resists categorisation or labelling; a ground-breaking piece of television drama. Presenting itself as easy-viewing, early evening entertainment for a (largely) teenage audience - which, on one level, it was - it tackles state-surveillance, propaganda, corruption, genocide, revolution, and terrorism. Avengers expert Rodney Marshall turns his attention to Blake's 7, offering unauthorised, entertaining, thought-provoking critical guides to the thirty-nine episodes in Series 1-3. Combining dark humour, surrealism, shiny surfaces and dramatic depth, Blake's 7 blurs the boundary between hero/villain. Updated second edition now includes Series 3.
Rough Waters traces the evolution of the role of the U.S. merchant ship flag, and the U.S. merchant fleet itself. Rodney Carlisle looks at conduct and commerce at sea from the earliest days of the country, when battles at sea were fought over honor and the flag, to the current American-owned merchant fleet sailing under flags of convenience via foreign registries. Carlisle examines the world-wide use, legality, and continued acceptance of this practice, as well as measures to off-set its ill effects. Looking at the interwar period of 1919–1939, Carlisle examines how the practice of foreign registry of American-owned vessels began on a large scale, led by Standard Oil with tankers under the flag of the Free City of Danzig and followed by Panama. The work spells out how the United States helped further the practice of registry in Panama and Liberia after World War II. Rough Waters concludes with a look at how the practice of foreign registry shapes present-day commerce and labor relations.
Why would a Japanese millionaire want to buy the Seattle Mariners baseball team, when he has admitted that he has never played in or even seen a baseball game? Cash is the answer: major league baseball, like professional football, basketball, and hockey, is now big business with the potential to bring millions of dollars in profits to owners. Not very long ago, however, buying a sports franchise was a hazardous investment risked only by die-hard fans wealthy enough to lose parts of fortunes made in other businesses. What forces have changed team ownership from sports-fan folly to big-business savvy? Why has The Wall Street Journal become popular reading in pro sports locker rooms? And why are sports pages now dominated by economic clashes between owners and players, cities with franchises and cities without them, leagues and players' unions, and team lawyers and players' lawyers? In answering these questions, James Quirk and Rodney Fort have written the most complete book on the business and economics of professional sports, past and present. Pay Dirt offers a wealth of information and analysis on the reserve clause, salary determination, competitive balance in sports leagues, the market for franchises, tax sheltering, arenas and stadiums, and rival leagues. The authors present an abundance of historical material, much of it new, including team ownership histories and data on attendance, TV revenue, stadium and arena contracts, and revenues and costs. League histories, team statistics, stories about players and owners, and sports lore of all kinds embellish the work. Quirk and Fort are writing for anyone interested in sports in the 1990s: players, players' agents, general managers, sportswriters, and, most of all, sports fans.
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