Silence is an exquisite, poignant collection of 'fictions' by one of Australia's finest writers. Each piece has its own startling imagery. This is a book that constantly surprises with its echoes of famous voices, and where the astonishing breadth of material - historical, personal, imagined - is held together by its central theme and by a web of subtle connections.
Once a wild goldmining town, Whitey's Fall is now a small, brooding community of close and distant relations. One by one, the young are leaving for the alluring uncertainties of the world beyond. The old stay on, steadfast in their pride and sense of belonging. Remembering is their religion; the mountain is their altar. They are the guardians of the land's unbroken promise. But time brings strangers with different dreams, a different sense of justice. And their coming is a violation, a breakfast for parasites.
In this memoir of his childhood in England during the Second World War, author Rodney Hall uses a little boy's point of view to tell the story of a time that changed the world. A time that not only changed the world, but one that would put into train events that were to shape Rodney's life. Rodney's father died when he was six months old, before the War began. His mother, finding herself out of work and responsible for three children, takes a job as a clerk in the Ministry of Food. At night she tells stories of 'home', the farm her family once owned at Kangaroo Valley in Australia. For Rodney this fabled place became his hope of escape from the bombing. The imagined Australia of 'home', plus the absence of a father in his life, underlie a charmed world in which three childen are free to roam the streets and the surrounding woods while the war rages across Europe. This is a rare and touching memoir. The voice of the young Rodney, the innocence with which he surveys the world and his impressions of what is going on around him, the wonderful character of his mother, her bravery and stoicism, and the many charming and lovely stories - all these combine to make this an extraordinary book that readers will fall in love with.
we only need to tease out the first stray thread, such as the lingering wake left by a white ship forging through grey light to where a thousand seabirds disappear from the collapsing sky . . . and we've begun It is 1954, but not the same way the history books would have it. Events and characters swirl in a vortex of fragments and chance connections. Brisbane celebrates the young Queen Elizabeth II's arrival on her first royal tour of the commonwealth. Meanwhile the future is being shaped behind closed doors, laying the foundations for the 21st century . . . A magisterial novel resonant with contemporary concerns, by one of Australia's foremost authors writing at the height of his ambition. Praise for Vortex 'Everything about Rodney Hall's work is major: the beauty of the writing, the dark and vibrant imagination, and the enormous pleasure it gives the reader. Michael Herr 'Rodney Hall writes the world as if it were lit by stormlight, a genius that recognises each facet for its singularity as well as its inherent interconnectedness.' Josephine Rowe 'Vortex is many mighty things. Above all, it is generous.' Beejay Silcox
NGOs have proliferated in number and become increasingly influential players in world politics in the past three decades. From the 1970s, with the access of social movements and private NGOs to local and international institutions, NGOs have enjoyed an opening to bring impact global policy debates. Yet NGOs find themselves highly constrained in bringing their material and epistemic resources to bear in the security arena where their activities normally must be authorized by states, or international organizations acting with authority delegated from states. They also find their activities, particularly in the security arena come frequently under attack as lacking accountability or lacking legitimacy, as NGOs are self-appointed private actors, often representing only themselves, they are seen by many as self-appointed meddlers in transnational affairs, This book provides a comprehensive and accessible analysis whether, or the extent to which, NGOs can contribute as private actors to authoritative governance outcomes in the security realm, and thereby help mitigate armed violence by plugging governance gaps in this arena that state actors, or international governmental organizations (IGOs) either neglect, or can better address with NGO assistance. This book examines the current and future issues surrounding this objective in four sections: (i) a practitioner’s perspective of the potentials of conflict governance NGOs, (ii) global civil society and legitimation of conflict governance NGO activities, (iii) conflict governance NGOs as norm entrepreneurs and norm diffusion in global governance (iv) conflict governance NGOs in action.
Seven authors, seven visions, seven short stories make up Murder, Mayhem, Monsters, and Mistletletoe. Rae Ford, Rodney Hall, C.R. Garmen, Michelle Rabe, Lindy Spencer, Jamie Sheffield, and Brenda Tetreault share their stories in this winter-themed anthology.Cold Burn - From The Luminosi Brotherhood Series - by Rae Ford. A surprise from Chicago Detective Tyson Roberts' distant past distracts him from his preparation for the team's expedition to Antarctica. The question is, is this distraction a blessing or a curse?"Mr. John – by Rodney Hall. DetectiveJohn Peterson stared through the blinding snow. He had to ask himself if what he saw was real, or if he was losing his mind.A Perfect Christmas – by C.R. Garmen. A short and sweet reminder of the virtue of giving during the holidays.Another First for Christmas – by Michelle Rabe. New vampire Eric Kincade faces his first holiday season with fangs.Above the Bridge – by Lindy Spencer. There's a huge difference between life above the bridge and below it...except for Karma. From her, there's no escape.Now is the Winter – by Jamie Sheffield. Richie Gloucester is a spoiled man-child on a trip away from the cold of a Manhattan winter to the tropics, with murder in his heart. His plans, and life, take a bizarre turn when he meets an unlikely heroine who helps him take control of his life ... literally.Merry Christmas, Baby – by Brenda Tetreault. Christmas is a time of love and magic. But sometimes love needs a helping hand.
Ce roman commence par l’aveu d’un triple meurtre commis soixante ans plus tôt au cœur de l’Australie la plus fruste : sur son lit de mort, un vieillard s’accuse de la mort de trois des dix enfants Murphy, et c’est comme s’il voulait emporter avec lui outre-tombe la gloire de ce forfait monstrueux. Mais l’un des derniers survivants de la fratrie refuse à ce drame qui a détruit sa famille un épilogue aussi banal. Seul de cette lignée de paysans rudes et taiseux à avoir étudié, voyagé et connu le monde, il possède les mots, la mémoire et surtout l’orgueil nécessaires pour comprendre et reconstituer enfin comment, un soir de Noël 1898, la barbarie la plus archaïque a pu bouleverser l’ordre d’un monde figé par la peur. La vérité, avec ses failles et ses troubles, va se faire jour au fur et à mesure qu’il réincarne les protagonistes, se tenant à côté des derniers survivants que ces crimes anciens semblent maintenir en vie : car tous savent que l’un d’entre eux a du sang sur les mains. Composé en trois semaines par un auteur en transe, Secrets barbares est de ces romans puissants et sauvages qui captivent et ébranlent leurs lecteurs tant ils semblent fouiller dans ce que l’humain a de plus caché. Rodney Hall (1935-...) est considéré comme un des plus grands écrivains australiens vivants. Il migre en Australie après la Seconde Guerre mondiale. Étudiant à l'Université du Queensland, il devient critique littéraire et décroche de petits rôles au cinéma. Poète, il s'intéresse au roman dès 1972. De 1991-1994, il est membre du Australia Council for the Arts. Il reçoit le prix Miles Franklin en 1982 et 1994 et a été reçu membre de l'Ordre d'Australie.
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