Computability and complexity theory are two central areas of research in theoretical computer science. This book provides a systematic, technical development of "algorithmic randomness" and complexity for scientists from diverse fields.
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. The monochrome filmed Emma Peel season had established a cult following for a series which became an intrinsic part of the 'Swinging Sixties'. Backed by US dollars, the show was now filmed 'in color' and Avengerland becomes stranger and more playful than ever: Steed is shrunk to the size of a desk pad, forced to evade a machine-gun-toting nanny; Emma Peel is tortured in a medieval ducking stool and turned into a living cybernaut. Mrs. Peel, We're Needed draws on the knowledge of a broad range of experts and fans of The Avengers as it explores the wonderfully mad Technicolor world of Emma Peel.
A former key federal aviation safety inspector-investigator details and documents the culture and misconduct responsible for certain specific airline disasters during the past 50 years, including the area of primary blame for the 9/11 hijackings.
At the vanguard of a 1960s cultural revolution, The Avengers was both critically acclaimed and commercially popular. As Britain's imperial power crumbled away, the television series began to colonise the globe. Critic Rodney Marshall is the son of Avengers script writer Roger Marshall. He has written and/or edited nine books on the series. Avengerland: A Critical Guide brings the main chapters from these previous volumes under one cover. In addition to a number of general essays, the guide explores fifty of the filmed episodes in depth, analysing the show from monochrome film through 'Glorious Technicolor' to its reincarnation as The New Avengers. Avengerland is an indispensable guide for fans of this iconic show.
Subversive Champagne re-examines the 1960s cult television series, The Avengers, through a close analysis of 25 filmed episodes. The book examines how The Avengers - during the classic Emma Peel era (1964-1967) - was continually shifting the boundaries of audience expectation, defying both genre classification and viewers' traditional desire for kitchen sink drama. Subversive Champagne centres on eighteen episodes from the monochrome Peel Season 4 - widely acknowledged as the artistic pinnacle of the series. It is in this era - caught between video-tape and colour film - that The Avengers was undergoing arguably its most profound stylistic and thematic transitions, from mild eccentricity to something genuinely experimental. The author extends his journey into the exhilarating but 'uneven' colour Season 5, adding chapters on seven more episodes, thus allowing us to explore the entire Emma Peel era. Entertaining froth or groundbreaking art? Rediscover the most iconic show in television history.
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. The arrival of Tara King and Mother saw The Avengers shaken and stirred, as writers and directors playfully engaged with a variety of film and television genres. Steed and Tara face increasingly odd adventures and dangers: killer clowns, a giant nose, love drugs, deadly board games, duplicate Steeds, Victorian fog, an underground 'paradise', and vengeful Home Counties cowboys. Anticlockwise draws on the knowledge of a broad range of experts and fans of The Avengers as it explores the surreal, unpredictable, psychedelic world of Tara King. "The Avengers challenged audiences to enjoy art beyond the ordinary." (Matthew Lee) "The Avengers is a wonderful example of avoiding the tyranny of common sense." (Robert Fuest)
The second edition of this book is virtually a new book. It is the only comprehensive text on the safety of essential oils and the first review of essential oil/drug interactions and provides detailed essential oil constituent data not found in any other text. Much of the existing text has been re-written, and 80% of the text is completely new. There are 400 comprehensive essential oil profiles and almost 4000 references. There are new chapters on the respiratory system, the cardivascular system, the urinary system, the digestive system and the nervous system. For each essential oil there is a full breakdown of constituents, and a clear categorization of hazards and risks, with recommended maximum doses and concentrations. There are also 206 Constituent Profiles. There is considerable discussion of carcinogens, the human relevance of some of the animal data, the validity of treating an essential oil as if it was a single chemical, and the arbitary nature of uncertainty factors. There is a critque of current regulations. The only comprehensive text on the safety of essential oils The first review of essential oil/drug interactions Detailed essential oil constituent data not found in any other text Essential oil safety guidelines 400 essential oil profiles Five new chapters 305 new essential oil profiles, including Cedarwood, Clary sage, Lavender, Rose, Sandalwood, Tea tree 79 new constituent profiles Five new chapters: the respiratory system, the cardiovascular system, the urinary system, the digestive system, the nervous system. Significantly expanded text
Emerging like a butterfly from its chrysalis, a remarkable little ship, the Sheemaun, springs from her designer's drawing-board to sail through eight decades of history, gathering in her wake a unique collection of admirers, including former owners, former crews, and those who served courageously on her during WW2. Their stories are revealed here; tales of bravery and daring, accounts of bombs, mines, depth-charging and death; stories of espionage and smuggling; and memorable chronicles of Royal occasions, cruising, maritime festivals and much else.This fascinating, deeply engrossing true story takes the reader into the heart and soul of the Sheemaun and of all those who have loved her.
Following on from Rodney Castleden's best-selling study Minoans, this major contribution to our understanding of the crucial Mycenaean period clearly and effectively brings together research and knowledge we have accumulated since the discovery of the remains of the civilization of Mycenae in the 1870s. In lively prose, informed by the latest research and using a full bibliography and over 100 illustrations, this vivid study delivers the fundamentals of the Mycenaean civilization including its culture, hierarchy, economy and religion. Castleden introduces controversial views of the Mycenaean palaces as temples, and studies their impressive sea empire and their crucial interaction with the outside Bronze Age world before discussing the causes of the end of their civilization. Providing clear, easy information and understanding, this is a perfect starting point for the study of the Greek Bronze Age.
Plato's legend of Atlantis has become notorious among scholars as the absurdest lie in literature. Atlantis Destroyed explores the possibility that the account given by Plato is historically true. Rodney Castleden first considers the location of Atlantis re-examining two suggestions put forward in the early twentieth century; Minoan Crete and Minoan Thera. He outlines the latest research findings on Knossos and Bronze Age Thera, discussing the material culture, trade empire and agricultural system, writing and wall paintings, art, religion and society of the Minoan civilization. Castleden demonstrates the many parallels between Plato's narrative and the Minoan Civilization in the Aegean. Fired by the imagination a new vision of Atlantis has arisen over the last one hundred and fifty years as a lost utopia. Rodney Castleden discusses why this picture arose and xplains how it has become confused with Plato's genuine account.
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. The creation of The New Avengers, in 1976, saw John Steed re-emerge, alongside two younger co-leads: sophisticated action girl Purdey and Gambit, a 'hard man' with a soft centre. The cultural context had changed - including the technology, music, fashions, cars, fighting styles and television drama itself - but Avengerland was able to re-establish itself. Nazi invaders, a third wave of cybernauts, Hitchcockian killer birds, a sleeping city, giant rat, a deadly health spa, a skyscraper with a destructive mind...The 1970s series is, paradoxically, both new yet also part of the rich, innovative Avengers history. Avengerland Regained draws on the knowledge of a broad range of experts and fans as it explores the final vintage of The Avengers.
Every generation has created its own interpretation of Stonehenge, but rarely do these relate to the physical realities of the monument. Rodney Castleden begins with those elements which made possible the building of this vast stone circle: the site, the materials and the society that undertook the enormous task of transporting and raising the great vertical stones, then capping them, all to a carefully contrived plan. What emerges from this detailed examination is a much fuller sense of Stonehenge, both in relation to all the similar sites close by, and in terms of the uses to which it was put. Castleden suggests that there is no one 'meaning' or 'purpose' for Stonehenge, that from its very beginning it has filled a variety of needs. The Romans saw it as a centre of resistance; the antiquaries who 'rediscovered' it in the seventeenth century saw a long line of continuity leading back into the nation's past. The archaeologists see it as a subject for rational, scientific investigation; The National Trust and English Heritage view it as an unfailing magnet for visitors; UNESCO has declared it a World Heritage Site, the cultural property of the whole of humanity. Lost to view amid competing interests over the millenia are the uses it has served for those who live within its penumbra, for whom Stonehenge has never been 'lost' or 'rediscovered'. It exists in local myth and legend, stretching back beyond history.
History of forewarned and preventable aviation disasters that were caused or allowed to occur by politics, incompetence, and hard corruption. Authored by former federal airline safety inspector-investigator, airline captain, and Navy patrol plane commander. Further information at www.defraudingamerica.com.
Knossos, like the Acropolis or Stonehenge, is a symbol for an entire culture. The Knossos Labyrinth was first built in the reign of a Middle Kingdom Egyptian pharaoh, and was from the start the focus of a glittering and exotic culture. Homer left elusive clues about the Knossian court and when the lost site of Knossos gradually re-emerged from obscurity in the nineteenth century, the first excavators - Minos Kalokairinos, Heinrich Schliemann, and Arthur Evans - were predisposed to see the site through the eyes of the classical authors. Rodney Castleden argues that this line of thought was a false trail and gives an alternative insight into the labyrinth which is every bit as exciting as the traditional explanations, and one which he believes is much closer to the truth. Rejecting Evans' view of Knossos as a bronze age royal palace, Castleden puts forward alternative interpretations - that the building was a necropolis or a temple - and argues that the temple interpretation is the most satisfactory in the light of modern archaeological knowledge about Minoan Crete.
The Outer Banks of North Carolina have had a lively and sometimes lurid history going back four centuries. These barrier islands, frequently battered by storms and hurricanes, were the site of the first English colony in North America and figured prominen
John Keble and John Henry Newman both conceived poetry as the instrument of religious persuasion: Keble through his Christian Year which, although it antedated the movement, was hailed as its Baptist cry; and Newman through his more aggressive contributions to Lyra Apostolica.
Before the thunderous bombs dropped on Pearl Harbor in 1941, the outpost of Wake Island was a backwater dotted in the Pacific Ocean with only a handful of military personnel and construction workers on the roster. Among the construction workers was Rodney Kephart of Iowa, signed up with Morrison-Knudsen company of Iowa, and about to be attacked by the might of Imperial Japanese Navy. The heroic but unsuccessful defence of Wake led Kephart and his fellow workers into Japanese captivity for how long they could not guess. Captivity for the prisoners was a war in and of itself; and Kephart’s short narrative gives a vivid account of the daily struggles against starvation, against the petty viciousness or outright brutality of the captives, against dirt, time and terror. Yet, despite his photographic realism, Mr. Kephart’s saga is not essentially one of pessimism or despair. Out of the darkness of slavery flash those small victories or omens that men could cherish and hold against the ultimate hope of freedom—the Christmas celebration, the miracle of a Red Cross package, the sight of the first American bomber. And then, with the surrender of the Japanese, came that unforgettable moment. They were free men again! For the reader who has lived through the disappointments and triumphs of the book, that long- awaited moment will be no less thrilling. Rodney Kephart was born in Spencer, Iowa, in 1917. After attending school in South Dakota, he went to Bethel Junior College in St. Paul, Minnesota. Until his capture on Wake, he was at various times a farmer, a carpenter, and an unofficial Protestant minister. Since his return from the Pacific he has been studying business administration, first at the Boise Junior College and later at the University of Minnesota.
Modern cosmology tells us that the universe is remarkably 'fine-tuned' for life. If the constants of physics or the initial conditions at the Big Bang were different by the smallest of margins then the universe would have been dull and lifeless. Why should the universe be so accommodating to life? Many cosmologists believe that the existence of many universes can explain why ours is so special. In this book Rodney Holder subjects this 'multiverse' hypothesis to rigorous philosophical critique. A multitude of problems is exposed. Going substantially further than existing treatments, Holder argues that divine design is the best explanation for cosmic fine-tuning, specifically that design by God is a superior explanation in terms of both initial plausibility and explanatory power, and is therefore the most rational position to take on the basis of the cosmological data.
Infamous murderers, their deeds horrifying yet intriguing, have always inspired a strange fascination. Their crimes repulse us, yet the more heinous the act, the more we crave information, and ultimately we elevate the perpetrator to celebrity status. The names of the often random and completely innocent victims are not always so easily recalled. Murderers are remembered for many different reasons. Some have struck out and killed for revenge, some in an uncontrollable jealous rage. Others have planned the murder out of greed, or with money in mind. Some acted out of pure hatred and rage. One thing they all have in common - they just have the urge to kill. Contents: Ancient Murder Mysteries including King John, Edward II, Mary Queen of Scots Fatal Families including The Duc de Praslin, Lizzie Borden, Dr Crippen, Ruth Ellis Political Assassinations including Brutus and Cassius, John Wilkes Booth, Lee Harvey Oswald Murder for Profit including Dick Turpin, Francois Courvoisier, James Hanratty, Jermey Bamber also including Poisonous Women, Madmen, Child Victims, Lady Killers, Bodies in Boxes
Congress and other cesspools is a detailed history of fraud and corruption involving members of Congress and other government and non-government entities, primarily as it involves financial frauds upon the American people.
The author, a former government agent, and other former government agents, detail the pattern of lies by White House politicians to support the invasion of Iraq, the massive cover-ups of the lies by U.S. politicians and most of the U.S. media, and the dire consequences of these wrongful acts.
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. At the crossroads between the Cathy Gale-era stricture of video tape and the glossy, surreal, comic-strip world of 'glorious Technicolor', the monochrome filmed Emma Peel season represents the artistic pinnacle of a show which was exported around the world and remains the only British television drama to be networked at 'primetime' in the USA. Bright Horizons draws on the knowledge of a broad range of experts and fans of The Avengers - including scriptwriter Roger Marshall - offering critical explorations of all twenty-six 'mini-films' which made up Season 4, the collective peak of an extraordinary television series.
How Europe Underdeveloped Africa is an ambitious masterwork of political economy, detailing the impact of slavery and colonialism on the history of international capitalism. In this classic book, Rodney makes the unflinching case that African maldevelopment is not a natural feature of geography, but a direct product of imperial extraction from the continent, a practice that continues up into the present. Meticulously researched, How Europe Underdeveloped Africa remains an unshakably relevant study of the so-called "great divergence" between Africa and Europe, just as it remains a prescient resource for grasping the the multiplication of global inequality today. In this new edition, Angela Davis offers a striking foreword to the book, exploring its lasting contributions to a revolutionary and feminist practice of anti-imperialism.
This book includes photographs of the City of Royal Oak, Michigan, an active, walkable community with a rich history, vibrant nightlife, and eclectic architecture. Many downtown buildings, street scenes, signs, and other built and natural elements are featured. This Royal Oak book provides insight into the City's urban fabric, and it reflects many of the characteristics that draw people to work, live, shop, and play in a community with so much to offer.
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