Robin Wood’s writing on the horror film, published over five decades, collected in one volume. Robin Wood—one of the foremost critics of cinema—has laid the groundwork for anyone writing about the horror film in the last half-century. Wood's interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking critiques. In September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: The American Nightmare: Essays on the Horror Film — the first serious collection of critical writing on the horror genre. Robin Wood on the Horror Film now contains all of Wood's writings from The American Nightmare and nearly everything else he wrote over the years on horror—published in a range of journals and magazines—gathered together for the first time. It begins with the first essay Wood ever published, "Psychoanalysis of Psycho," which appeared in 1960 and already anticipated many of the ideas explored later in his touchstone book, Hitchcock's Films. The volume ends, fittingly, with, "What Lies Beneath?," written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre's renaissance in the 1970s. Wood's prose is eloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology. Deftly combining Marxist, Freudian, and feminist theory, Wood's prolonged attention to classic and contemporary horror films explains much about the genre's meanings and cultural functions. Robin Wood on the Horror Film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.
When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.
My book is about an eight-year journey of getting a diagnosis of Parkinson’s disease. I have ten to eleven years of experience working as a physical therapist assistant. I have experience in water, hospital, and nursing home while battling this condition. I have had to plead my own disability case and, after being awarded my back pay, found the treatment of choice, which is stem cell. I am the first person in West Tennessee to have this treatment. The stem cell treatment stops the progression of the disease and the symptoms. While waiting to get the stem cell treatment, I used my experience as a physical therapist assistant to help control my symptoms such as line dancing, playing cards, and swimming that stopped the tremor. My hope is that my journey and experiences will help other people who are dealing with Parkinson’s disease and similar conditions and to get the awareness out to the community.
Funny and insightful, The Trouble with Paradise is a delightful yet highly informative romp through the latest breakthroughs in science, psychology, popular culture and the history of humans and life on earth, with the ultimate aim of helping the reader make sense of their own life within the context of the exciting yet also alarming developments of the 21st century. Grabbing the hardest questions ever posed by the biggest thinkers on earth by the throat, as well as the toughest challenges of our time, The Trouble with Paradise is both an intellectual tour de force as well as a gripping read that dares to challenge almost everything we take for granted about life, the universe and everything. At the same time, this book builds a series of powerful arguments as to how our species can break through the current logjam it find itself in, to come out the other side transformed into a 21st century version of heaven on earth. Inspirational yet pragmatic, The Trouble with Paradise takes you on a journey of discovery from the edges of the Universe to the innermost recesses of the human psyche, answering some of the most profound questions we have ever asked in highly entertaining way.
This new edition includes all the chapters of the original work, supplemented with analysis of comedy films of the 1990s, a chapter on contemporary filmmakers, including David Fincher & Jim Jarmusch, & an essay on 'Day of the Dead
This volume is a study of the classic western film 'Rio Bravo', which, according to the author, remains 'beyond politics, as an argument as to why we should all want to go on living'.
Born of illustrious New England stock, Rachel Field was a National Book Award–winning novelist, a Newbery Medal–winning children’s writer, a poet, playwright, and rising Hollywood success in the early twentieth century. Her light was abruptly extinguished at the age of forty-seven, when she died at the pinnacle of her personal happiness and professional acclaim. Fifty years later, Robin Clifford Wood stepped onto the sagging floorboards of Rachel’s long-neglected home on the rugged shores of an island in Maine and began dredging up Rachel’s history. She was determined to answer the questions that filled the house’s every crevice: Who was this vibrant, talented artist whose very name entrances those who still remember her work? Why is that work—so richly remunerated and widely celebrated in her lifetime—so largely forgotten today? The journey into Rachel’s world took Wood further than she ever dreamed possible, unveiling a life fraught with challenge, and buried by tragedy, and yet incandescent with joy. The Field House is a book about beauty—beauty in Maine island landscapes, in friendship, love, and heartbreak; beauty hidden beneath a woman’s woefully unbeautiful exterior; beauty in a rare, delightful spirit that still whispers from the past. Just listen.
Film critic Robin Wood offers a persuasive detailed reading of Satyajit Ray’s The Apu Trilogy, widely regarded as landmarks of world cinema. The Apu Trilogy, written by influential film critic Robin Wood, is republished today for a contemporary audience. Focusing on the famed trilogy from Indian director Satyajit Ray, Wood persuasively demonstrates his ability at detailed textual analysis, providing an impressively sustained reading that elucidates the complex view of life in the trilogy. Wood was one of our most insightful and committed film critics, championing films that explore the human condition. His analysis of The Apu Trilogy reveals and illuminates the films’ profoundly humanistic qualities with clarity and rigor, plumbing the psychological and emotional resonances that arise from Satyajit Ray’s delicate balance of performance, camerawork, and visual design. Wood was the first English-language critic to write substantively about Ray’s films, which made the original publication of his monograph on The Apu Trilogy unprecedented as well as impressive. Of late there has been a renewed interest in North America in the work of Ray, yet no other critic has come close to equaling the scope and depth of Wood's analysis. In his introduction, originally published in 1971, Wood says reactions to Ray’s work were met with indifference. In response, he offers possible reasons why this occurred, including social and cultural differences and the films’ slow pacing, which contemporary critics tended to associate with classical cinema. Wood notes Ray’s admiration for Western film culture, including the Hollywood cinema and European directors, particularly Jean Renoir and his realist films. Assigning a chapter to each Pather Panchali (1955), Aparajito, (1957), and The World of Apu, (1959), Wood goes on to explore each film more thoroughly. One of the aspects of this book that is particularly rewarding is Wood’s analytical approach to the trilogy as a whole, as well as detailed attention given to each of the three films. The book, with a new preface by Richard Lippe and foreword by Barry Keith Grant, functions as a master class on what constitutes an in-depth reading of a work and the use of critical tools that are relevant to such a task. Robin Wood’s The Apu Trilogy offers an excellent account of evaluative criticism that will appeal to film scholars and students alike.
Examines the most successful literary adaption of a clutch of 1990s films based on Henry James' The Wings of the Dove (Ian Softley, 1997). The author is interested in the nature of cinema adaptations of classic literature and it is in this context that he has written.
This is the book that I wrote about my Tarot deck. In it, I explore the real, factual history of the Tarot (No one knows, and does it really make any difference?) as well as a chapter about the theories of the history of the Tarot in general, and a recounting of the history of the Robin Wood Tarot. There is a description of the symbolism that is common to most decks, along with a listing of the symbols that are used in the Robin Wood Tarot in particular. The bulk of the book is a description of each card; including a verbal key to help the Reader remember the meaning, a synopsis of what the card might mean in a reading, and a complete description of what is on the card and why I put it there. This is followed by a short discussion of how the Tarot works, how to begin to read (including a section on Grounding and Centering, ) and an exploration of the Ethics of reading the Tarot. Finally, there is a short section about spreads. (It's short, because the book quickly became much longer than I expected!) And, in the very back, there are a few appendices which go into more detail about some of the stories and legends that are mentioned in the book, as well as a section covering the Rules of Tarocchi!
An expanded version of Robin Wood's influential study of Ingmar Bergman, including more recent essays on the director. At a time when few reviewers and critics were taking the study of film seriously, Robin Wood released a careful and thoroughly cinematic commentary on Ingmar Bergman's films that demonstrated the potential of film analysis in a nascent scholarly field. The original Ingmar Bergman influenced a generation of film scholars and cineastes after its publication in 1969 and remains one of the most important volumes on the director. This new edition of Ingmar Bergman, edited by film scholar Barry Keith Grant, contains all of Wood's original text plus four later pieces on the director by Wood that were intended for a new volume that was not completed before Wood's death in 2010. In analyzing a selection of Bergman's films, Wood makes a compelling case for the logic of the filmmaker's development while still respecting and indicating the distinctiveness of his individual films. Wood's emphasis on questions of value (What makes a work important? How does it address our lives?) informed his entire career and serve as the basis for many of these chapters. In the added material for this new edition, Wood considers three important films Bergman made after the book was first published-Cries and Whispers, Fanny and Alexander, and From the Life of the Marionettes-and also includes significant reassessment of Persona. These pieces provocatively suggest the more political directions Wood might have taken had he been able to produce Ingmar Bergman Revisited, as he had planned to do before his death. In its day, Ingmar Bergman was one of the most important volumes on the Swedish director published in English, and it remains compelling today despite the multitude of books to appear on the director since. Film scholars and fans of Bergman's work will enjoy this updated volume.
How does a piece of wood become a brand-new baseball bat? Follow each step in the process—from cutting the wood to shipping the bat to a store—in this fascinating book!
Las maravillosas predicciones de la Arcana Menor están a su alcance a través de este atractivo mazo de cartas fácil de interpretar. Cada una de las piezas del 'Tarot de Robin Wood' se compone de imágenes vibrantes y detalladas, cargadas de gran energía y
Kitti Hoyt and her granddaughter, Lola, lived through the Anchorage earthquake on Good Friday. There is a massive cleanup, but a problem arises when they hear strange noises coming into the bedroom at night. When will they ever get a good nights sleep? Senator Joe Lindau and his children, Gaar and Patricia, arent sure they did live through the earthquake. Are they in hell, or have they slid into a glory hole? How will they ever get out of this fix? Its a story of survival, neighbors helping neighbors, and services to the rescue.
Chrystal Ellis has always been self sufficient and taken care of all necessary repairs to Blue Herron Lodge. Enter Art Brindell; a D.E.A. agent ready to retire. He cant imagine this lodge has had no man, or men to help with the heavy stuff. He appoints himself that man and informs them, hes moving in. Chris goes ballistic at the audacity of the man, but on second thought, thinks he might help with the fourteen year old boy theyve just inherited. They might all drive her crazy, but shes used to persevering. She hopes!
Rock Hall, Maryland, is a small, tranquil community nestled in Kent County on the Eastern Shore of the Chesapeake Bay. Settled by fishermen and recently released indentured servants lured by subsistence fishing and farming, the town soon earned a reputation for enormous hauls of rockfish; thus, Rock Haul (later Rock Hall) was named. Eventually shipbuilding and other water-oriented enterprises developed, and the town evolved. More than 300 years later, farmers and watermen still provide the basis of the communitys economy, and the residents are evermore dedicated to historic preservation. In Images of America: Rock Hall, vintage photographs depict Rock Hall harbor, Tolchester Beach, Eastern Neck Island, and the Chesapeake Bay.
The Great Shift' is a key contribution toward our ability to evolve consciously. Covering major themes of self, social & systemic evolution, this is a comprehensive plan of action on all levels. Like a Medici of the 21st century, Robin Wood serves as a catalyst for the next Renaissance, for a global dream of a thriving civilization on a thriving planet. Gathering people, knowledge, creativity, innovations, know-how, and new systems, bringing business genius to the business of planetary evolution, he calls each of us to be an evolutionary pioneer. This book is a blueprint for planetary evolution: How to get from 'Here,' breakdown and collapse, to 'There,' breakthroughs to an actual new world. In time. You'll develop a 2nd Renaissance perspective, together with a set of practices that enable us to become 'world-centric,' to create, lead, strategize, engage, design & shift our own life, career & participation in the evolution of the world.
In this role-swapping mashup, Saxa is stripped of her powers and cursed by her two sisters. She has twelve weeks to change her ways or lose everything—including her life. Brandr, shipwrecked after a terrible storm, is swept into the world of gods and goddesses. When he trades his life for his brother's, he sentences himself to a world he knows nothing about. When their paths collide, nothing is as it seems. Who will survive this game of immortals?
Never having the influence of a male, five-year old Billy has been afraid of men and big dogs all his life. Enter his Kindergarten teacher at the Concrete Elementary School. Gunnar Smyth loves kids and can’t figure out why Billy singled him out to hate. Billy’s mother, Francine Dodd, hasn’t had time for men since her husband died. She meets the handsome teacher for a conference on her son’s behavioral problem and her heart pounds. Gunnar moves in next door to them with his Saint Bernard dog. Now the fights escalate between Billy, his cats and the dog. Trouble follows the kid and dog until both nearly lose their lives up on Baker Lake. It’s a lesson in growing up and learning to love for all of them.
Lori, a young mother, struggles for life after years of a mysterious illness. During what appeared to be her last hospital stay before leaving mortality, Joan, her assigned nurse for the night, finds Lori crying out with all the ability of her physically exhausted body, No, not the children, not the children, please, not the children! Joan is quite taken back as she remembers having seen this identical scene two years before. Her own daughter, Bonnie, had cried out in this very same way before she died of an equally mysterious illness. Shocked at the unexplainable similarity, the two women resolve to step out of the norm and discover whats really happening. The truths that unfolded would have been impossible to believe had they not found in the events that followed answers to situations that, against all reason, could have had no other explanation. They stumbled across knowledge of a society hidden from detection. An organized group of people that could enslave, use, and then discard any person they targeted. Lori was being discarded. If she died in a hospital in some normal way, the truth of her slavery would never be disclosed. Nothing short of ready this story is capable of describing the life of a person targeted by this society.
Policewoman Laryn Scott is on the force in Mount Vernon, Washington. She works out at a Health Club run by hunky, Quinn Madden. A missing Latina girl involves Laryn in the case to help the grieving father find her. Many other cases are solved before this case comes to a head. She learns to handle blood and guts without throwing up. Laryn talks her cases over with Quinn. As they get to know each other, Quinn learns about family life from Sunday dinners at her folks home, complete with boyfriends hed rather not know. To Laryn, Quinns bulging muscles are to die for, although die is a dirty word in police lingo. Gulp!
Audisee® eBooks with Audio combine professional narration and sentence highlighting to engage reluctant readers! How does a tree become a baseball bat? First, a tree is cut into logs. Then logs are cut and shaped. Next a machine carves them. Then the bat is sanded. Follow the process step by step.
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