Full of wry intelligence, and a sideways perspective that digs beneath the surface of things, Robin Thomas's second collection is creative, witty and warm. Never predictable, leaning on images from art, the cadences of jazz and remarkable moments, whether from history or life, there is an unswerving pressure on language and a sense of mischief.
In a country in which poetry has been largely private and apologetic, Robin Skelton played the part of poet with grand style: flowing beard, mane of white hair, rings on every finger, huge amulet around his neck, all topped off with a black hat that looked as if it came from a Venetian gondolier but was really picked up at the re-enactment of a Cariboo Gold Rush-era general store in Barkerville, B.C. In this selection of his best verse there are poems of "high" and "low" art, spells and prayers, meditations, shemanic maps, and, in the centre of the book, "messages," those strange, inspired "gifts" at the core of Skelton's art. In making the selection for this volume, editor Harold Rhenisch, himself an accomplished poet, has held to the image that Skelton's themes repeat like the ripples of water spreading out from a pebble dropped into a pool, and has attempted to bring together the best ripple from each dropped pebble.
These are the stories of 365 women, men and children worldwide who have acted as peacemakers during the last 2500 years. They include human rights and antiwar activists, scientists and artists, educators and scholars, songwriters and poets, film directors and authors, diplomats and economists, environmentalists and mystics, prophets and policymakers. All sacrified for the dream of peace, some even died for it.
How does Dostoevsky’s fiction illuminate questions that are important to us today? What does the author have to say about memory and invention, the nature of evidence, and why we read? How did his readings of such writers as Rousseau, Maturin, and Dickens filter into his own novelistic consciousness? And what happens to a novel like Crime and Punishment when it is the subject of a classroom discussion or a conversation? In this original and wide-ranging book, Dostoevsky scholar Robin Feuer Miller approaches the author’s major works from a variety of angles and offers a new set of keys to understanding Dostoevsky’s world. Taking Dostoevsky’s own conversion as her point of departure, Miller explores themes of conversion and healing in his fiction, where spiritual and artistic transfigurations abound. She also addresses questions of literary influence, intertextuality, and the potency of what the author termed "ideas in the air.” For readers new to Dostoevsky’s writings as well as those deeply familiar with them, Miller offers lucid insights into his works and into their continuing power to engage readers in our own times.
This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.
Even readers with no particular interest in Japan - if such odd souls exist - may expect unexpected pleasure from this book if English metaphysical poetry, grooks, hyperlogical nonsense verse, outrageous epigrams, the (im)possibilities and process of translation between exotic tongues, the reason of puns and rhyme, outlandish metaphor, extreme hyperbole and whatnot tickle their fancy. Read together with The Woman Without a Hole, also by Robin D. Gill, the hitherto overlooked ulterior side of art poetry in Japan may now be thoroughly explored by monolinguals, though bilinguals and students of Japanese will be happy to know all the original Japanese is included.--amazon.com.
Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors – Dante Alighieri, Machiavelli, and Boccaccio – and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature.
The Astonishment Tapes is the edited transcript of revealing autobiographical audiotapes recorded by the groundbreaking poet Robin Blaser, a founding member of the Berkeley contingent of the San Francisco Renaissance in New American Poetry"--
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
This book offers the fullest critical account to date of the literary career of Mark Akenside (1721-1770). In the course of the discussion, Akenside's literary achievements and his contributions to the vibrant cultural scene of the mid-eighteenth century are amply demonstrated, as well as his intellectual originality, his inventive use of source material, and his influence on poets and philosophers in the late eighteenth century and the Romantic period."--Publisher's website.
Robin Blaser, one of the key North American poets of the postwar period, emerged from the "Berkeley Renaissance" of the 1940s and 1950s as a central figure in that burgeoning literary scene. The Holy Forest, now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004. Blaser's passion for world making draws inspiration from the major poets and philosophers of our time—from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.
The essays collected in this volume reflect the profound impact of Martha Nussbaum‘s philosophical writings on law and legal scholarship. The capabilities approach that she has largely authored has influenced the approach scholars take to the law of disabilities, both in the United States and in Canada, as well as to international human rights and to domestic private law‘s protections of vulnerable populations. Her analyses of the relationship between our emotions and our thought and action has triggered a re-assessment of the legal regulation and recognition of emotion in a range of fields, most particularly in the field of criminal law; and her writing on the nature of dignity has informed an understanding of the emerging civil rights of gay and lesbian citizens worldwide. Our appreciation of the role of narrative in legal thought and discourse and the contributions of literature to law and legal culture, have also been broadened and deepened by her contributions. Taken together, and including the introduction by the editor, the essays collected in this volume demonstrate the far-reaching impact of Nussbaum‘s philosophical oeuvre.
This is the first comprehensive critical comparison of English and Italian literature from the three centuries from Dante to Shakespeare. It begins by examining Chaucer's relationship with Dante, Petrarch and Boccaccio, and then looks at similar relationships within the areas of humanist education, lyric poetry, the epic, theatrical comedy, the short story and the pastoral drama. It provides a detailed comparison of major works from both traditions including descriptive and critical readings of Italian works. It shows why English writers valued such works and demonstrates the ways in which they departed from or tried to outdo the Italian original. Assuming no prior knowledge of Italy or Italian literary history, this book introduces the student and general reader to one of the most important and fascinating phases in European literary history.
This book presents a fundamental reassessment of Sara Coleridge. It examines her achievements as an author in the public sphere, and celebrates her interventions in what was a masculine genre of religious polemics. Sara Coleridge the religious author was the peer of such major figures as John Henry Newman and F. D. Maurice, and recognized as such by contemporaries. Her strategic negotiations with conventions of gender and authorship were subtle and successful. In this rediscovery of Sara Coleridge the author revises perspectives upon her literary relationship with Samuel Taylor Coleridge. Far from sacrificing her opportunities in service of her father’s memory, her rationale is to exploit his metaphysics in original religious writings that engage with urgent controversies of her own times. Sara Coleridge critiques the Oxford theology of Newman and his colleagues for authoritarian and elitist tendencies, and for creating a negative culture in religious discourse. In response, she experiments with methodologies of collaborative, dialogic exchange, in which form as much as content will promote liberal, inclusive and productive encounters. She develops this agenda in her major religious work, the unpublished Dialogues on Regeneration (1850–51), which this book examines in its penultimate chapter.
The early twentieth century marked a dramatic shift in the American conception of nature. This book analyzes the ways in which the scientific recasting of American nature as an antidote for degeneration influenced work of important modernist writers Harriet Monroe, Ezra Pound, and Marianne Moore.
For lovers of music and poetry the legendary figure of Orpheus probably suggests a romantic ideal. But for the Renaissance he is essentially a political figure. Mythographers interpreted the Orpheus story as an allegory of the birth of civilization because they recognized in the arts in which Orpheus excelled an instrument of social control so powerful that with it you could, as one writer put it, 'winne Cities and whole Countries'. Dealing with plays, poems, songs and the iconography of musical instruments, Robin Headlam Wells re-examines the myth, central to the Orpheus story, of the transforming power of music and poetry. Elizabethan Mythologies, first published in 1994, contains numerous illustrations from the period and will be of interest to scholars and students of Renaissance poetry, drama and music, and of the history of ideas.
Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.
What does it mean to talk about law as theater, to speak about the "performance" of transactions as mundane as the sale of a pig or as agonizing as receiving compensation for a dead kinsman? In Dark Speech, Robin Chapman Stacey explores such questions by examining the interaction between performance and law in Ireland between the seventh and ninth centuries. Exposing the inner workings of the Irish legal system, Stacey examines the manner in which publicly enacted words and silences were used to construct legal and political relationships in a society where traditional hierarchies were very much in flux. Law in early Ireland was a verbal art, grounded as much in aesthetics as in the enforcement of communal norms. In contrast with modern law, no sharp distinction existed between art and politics. Visualizing legal events through the lens of procedure, Stacey helps readers recognize the creative, fluid, and inherently risky nature of these same events. While many historians have long realized the mnemonic value of legal drama to the small, principally nonliterate societies of the early Middle Ages, Stacey argues that the appeal to social memory is but one aspect of the role played by performance in early law. In fact, legal performance (like other more easily recognized forms of verbal art) created and transformed as much as it recorded.
Two Englishmen are travelling the dusty roads of 16th century India: Thomas Coryat, a physician and man of science, who comes to India to find a cure for his wife's leprosy in the famed medical library at Agra; and Brother Peter, known as Frog, who has come to convert the heathen to the True Faith. The friendship between them is full of strife, as is Akbar's Mogul Empire. Opposing armies are on the move, preparing to do battle with their fighting elephants and fire-camels. Thomas and Frog are caught up in the conflict, together with a troupe of dancers. Amongst the troupe is Bamian, a wickedly endearing dwarf and Mohini, a dancing-girl with whom Thomas falls in love.Bawdy, bloody, part tragedy, part comedy, Lord of the Dance, was winner of the BBC Bookshelf/Arrow First Novel Competition and was also a Booker Prize entry.Some reviews of Lord of the Dance:A marvellously readable, richly coloured adventure ... written with style, character and deft touches of philosophy, humour and irony. (Graham Lord, Sunday Express).Once every four or five years there comes along a novel which is just not well written, worthy or entertaining, but one which bears the stamp of greatness ... Lord of the Dance is going to become a modern classic. (John Hewitt, Telegraph & Argus).Astonishing imaginative brilliance. (Stuart Evans, The Times).The setting of the novel in the 16th century Mogul Empire of northern India is realised with a brilliance of imagination which is sustained throughout... This book is not just a winner, it is a significant literary discovery. (John Linklater, The Glasgow Herald).Lord of the Dance is funny, tragic, tender and bloody. One is moved to laugh and cry at almost every turn of the vividly embellished plot... Although set in the 16th century, a great deal of it is valid today. (Evening Times).
In Experiencing Stravinsky, music historian Robin Maconie takes a completely fresh approach to understanding the great composer's works, explaining what makes Stravinsky's "sound" unique and what we, as listeners, need to know in order to appreciate the variety and brilliance of his compositions. In the author's deft hands, Stravinsky's long musical career is a guided tour through 20th-century history, from Czarist Russia and two world wars to the height of the Hollywood era and the birth of the information age--and it is an operating manual to getting the most out of his music.
Colorful illustrations and maps accompany stories of Great Britain and Ireland, covering topics from landscapes to literature and rock bands to the mystique of the royal family.
Sara Coleridge and the Oxford Movement' is the first book to be devoted entirely to Sara Coleridge's religious writings. It presents extracts from important religious works which have remained unpublished since the 1840s. These writings represent a bold intervention by a woman writer in the public spheres of academia and the Church, in the genre of religious writing which was a masculine preserve (as opposed to the genres of religious fiction and poetry). They offer the most original and systematic critique of Tractarian theology to appear in the 1840s. Sara Coleridge's assertion of religious inclusivity and liberty of conscience is based on a radically Protestant theology underpinned by a Kantian epistemology. The book also presents substantial extracts from her unpublished masterpiece 'Dialogues on Regeneration' (the equivalent of her father's 'Opus Maximum') which show her remarkable literary originality and the continuing development of her innovative religious thought.
Writers in residence shows writing as a way in which a new place is explored and understood. Travellers recorded their adventures, and soldiers, judges, civil servants published writings, including poetry. The writers include Joel Polack, William Colenso, Edward Jerningham Wakefield, Frederick Maning, John Logan Campbell, Samuel Butler, Lady Barker, Blanche Baughan and Jessie Mackay.
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