Drawing on usage-based theory, neurocognition, and complex systems, Languaging Beyond Languages elaborates an elegant model accommodating accumulated insights into human language even as it frees linguistics from its two-thousand-year-old, ideological attachment to reified grammatical systems. Idiolects are redefined as continually emergent collections of context specific, probabilistic memories entrenched as a result of domain-general cognitive processes that create and consolidate linguistic experience. Also continually emergent, conventionalization and vernacularization operate across individuals producing the illusion of shared grammatical systems. Conventionalization results from the emergence of parallel expectations for the use of linguistic elements organized into syntagmatic and paradigmatic relationships. In parallel, vernacularization indexes linguistic forms to sociocultural identities and stances. Evidence implying entrenchment and conventionalization is provided in asymmetrical frequency distributions.
Language Contact in the Danish West Indies: Giving Jack His Jacket lays bare crucial roles played by community and resistance in the refashioning of heritage languages. Robin Sabino draws on her community relationships, her fieldwork with a last speaker, and research from a range of disciplines, to advance a revisionist history that elucidates the African linguistic resources used to create community in a land those who were transhipped did not choose and from which they could not return. In parallel fashion, the narrative locates the partial appropriation of creole features by the colony’s Euro-Caribbean community in the emergence of local identity. It also traces the replacement of Dutch and Virgin Islands Dutch Creole with their English counterparts. Includes more than 300 unique sound records of the last native speaker.
Eleven year-old sternman Josy wants red and gray sawtooth mittens like his lobster boat skipper, but the village knitter, Aunt Ester, makes him old-fashioned compass mittens. When their boat gets lost in a thick fog, however, the old-time mittens hold the key to getting home safe-there might be some magic knitted into them.
To improve community college success, we need to consider the lived realities of students. Our nation's community colleges are facing a completion crisis. The college-going experience of too many students is interrupted, lengthening their time to completing a degree—or worse, causing many to drop out altogether. In The Costs of Completion, Robin G. Isserles contextualizes this crisis by placing blame on the neoliberal policies that have shaped public community colleges over the past thirty years. The disinvestment of state funding, she explains, has created austerity conditions, leading to an overreliance on contingent labor, excessive investments in advisement technologies, and a push to performance outcomes like retention and graduation rates for measuring student and institutional success. The prevailing theory at the root of the community college completion crisis—academic momentum—suggests that students need to build momentum in their first year by becoming academically integrated, thereby increasing their chances of graduating in a timely fashion. A host of what Isserles terms "innovative disruptions" have been implemented as a way to improve on community college completion, but because disruptions are primarily driven by degree attainment, Isserles argues that they place learning and developing as afterthoughts while ignoring the complex lives that define so many community college students. Drawing on more than twenty years of teaching, advising, and researching largely first-generation community college students as well as an analysis of five years of student enrollment patterns, college experiences, and life narratives, Isserles takes pains to center students and their experiences. She proposes initiatives created in accordance with a care ethic, which strive to not only get students through college—quantifying credit accumulation and the like—but also enable our most precarious students to flourish in a college environment. Ultimately, The Costs of Completion offers a deeper, more complex understanding of who community college students are, why and how they enroll, and what higher education institutions can do to better support them.
A collection of notes, memoirs and musings representing a life of contemplation and struggle to cope with life in a mad, mad world. It is an authentic account of my belief system as it developed during the decade of the 80's and into the beginning of the 21st Century
‘The infantry is only a few metres ahead of us when suddenly, on the left of our tank, a Russian stands up. The swine had pretended to be dead when our infantry came past him! That’s an old classic, pretending to be dead and then firing from the rear. But that isn’t a good idea when facing tank-men like us… floor the accelerator! Turn left and run over him!' The war on the Eastern Front from 1941 to 1945 was the bloodiest combat theater in the bloodiest war in history. Oberleutnant Friedrich Wilhelm Sander experienced this bloodshed first-hand when serving with the 11th Panzer-Regiment. This regiment made up the core of the 6th Panzer-Division, one of Hitler’s top armored formations, which was involved in most of the major campaigns on the Eastern Front; campaigns such as Operation Barbarossa and Operation Winter Storm. Sander recorded his experience of these campaigns in astounding detail in some recently-discovered diaries covering the period from April 1938 to December 1943, translated here for the first time by historian Robin Schäfer. Written during the fighting, these diaries not only offer an honest assessment of the war on the Eastern Front, but also provide an insight into the mind of a young and highly politicized officer, and offer an intimate glimpse into the close-knit community of a German Panzer crew. A brutally honest, immediate and unfiltered personal account, Sander’s translated diaries make for some uniquely fascinating reading about some of the most important campaigns of the Second World War. Supported by more than 100 photographs and maps from the period, Blood, Dust & Snow will be of great interest not only to readers studying the war on the Eastern Front, but also to any historian researching the Second World War.
Ouidah, an African town in the Republic of Benin, was the principal precolonial commercial center of its region and the second-most-important town of the Dahomey kingdom. It served as a major outlet for the transatlantic slave trade. Between the seventeenth and the nineteenth centuries, Ouidah was the most important embarkation point for slaves in the region of West Africa known to outsiders as the Slave Coast. This is the first detailed study of the town’s history and of its role in the Atlantic slave trade. Ouidah is a well-documented case study of precolonial urbanism, of the evolution of a merchant community, and in particular of the growth of a group of private traders whose relations with the Dahomian monarchy grew increasingly problematic over time.
To date, there has been no comprehensive and coherent approach to determining the communicative and precommunicative processes involved in the construction of group identities. The present study fills this gap by developing a unified theoretical foundation that can be used to capture empirical construction processes. Moreover, it contributes to the domain of group communication research. It creates a basic theoretical riverbed that provides a conceptual foundation for the conception of inter- and intra-group communication, which does not take its starting point from 'objective' categories, but from de facto socialization processes. In addition, the architecture of an innovative social theory is presented using the example of the construction of group identity, which satisfies the demands of epistemological interests in communication studies and possibly also in other disciplines.
Enter once more the world of Roland Deschain—and the world of the Dark Tower…presented in a stunning graphic novel form that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions of readers were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the graphic novel series adaptation Stephen King’s The Dark Tower: The Gunslinger, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland’s troubled past and ongoing saga is revealed. Sumptuously drawn by Richard Isanove, Sean Phillips, Luke Ross, and Michael Lark, plotted by longtime Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, The Gunslinger adaptation is an extraordinary and terrifying journey—ultimately serving as the perfect introduction for new readers to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures transformed from his blockbuster novels. Two incredible tales on the road to the Dark Tower! Young Sheemie possesses the awesome power to shatter the very Beams of the Dark Tower—the fulcrum of existence itself. But Sheemie doesn’t want to destroy reality; trapped in the prison of Devar-Toi, all he wants is for his friends to rescue him. Roland is coming for him even now, but Sheemie must evade hideous guards and the monstrous Great Old Ones while he waits…Traveling through the Desatoya Mountains, Roland comes across a haunted camp. There he relives one of his past adventures, in which he and his ka-tet were trapped by supernatural enemies. How will the young gunslinger survive the sinister assault? And how does it relate to his current guest?
This is a collection of notes, memoirs and poetry representing a life of contemplation and struggle to cope with life in a mad, mad world. During the second half of the 20th Century, I found happiness and bliss walking the trails of our national parks and forests and learning to live in harmony with the natural world.
I have followed a different drummer all my life and have never betrayed my heart's aspirations. I have follow different life lines into engineering, farming, and travel to Poland to teach English. My soul has followed signals from the universe and I responded. I am now singing the song that was locked for years within my heart. I suppose this small book is my song to the earth.
Enter once more the world of Roland Deschain—and the world of the Dark Tower…presented in a stunning graphic novel form that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions of readers were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the graphic novel series adaptation Stephen King’s The Dark Tower: The Gunslinger, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland’s troubled past and ongoing saga is revealed. Sumptuously drawn by Richard Isanove, Sean Phillips, Luke Ross, and Michael Lark, plotted by longtime Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, The Gunslinger adaptation is an extraordinary and terrifying journey—ultimately serving as the perfect introduction for new readers to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures transformed from his blockbuster novels. Roland closes in at last on his elusive nemesis, the Man in Black. At Roland’s side is his newest ka-tet-mate, Jake Chambers—a boy from some strange other Earth of subways, turnpikes, and fluorescent lights. But to reach the Man in Black—and save the Dark Tower—Roland is prepared to risk it all. His life…his very soul…and even Jake on this final leg of a treacherous journey, to the destiny Roland has pursued for many long years….
Enter once more the world of Roland Deschain—and the world of the Dark Tower…presented in this stunning third graphic novel of The Drawing of the Three series that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions of readers were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the graphic novel series adaptation Stephen King’s The Dark Tower: The Drawing of the Three, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland’s saga continues. Sumptuously drawn by Piotr Kowalski, Jonathan Marks, Juanan Ramirez, and Cory Hamscher, plotted by longtime Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, The Lady of Shadows is an extraordinary and terrifying journey—ultimately introducing a generation of new readers to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures transformed from his blockbuster novels.
On March 16, 1978, the former prime minister of Italy, Aldo Moro, was kidnapped by the Red Brigades, and what followed—the fifty-five days of captivity that resulted in Moro's murder—constitutes one of the most striking social dramas of the twentieth century. In this compelling study of terrorism, Robin Wagner-Pacifici employs methods from sociology, symbolic anthropology, and literary criticism to decode the many social "texts" that shaped the event: political speeches, newspaper reports, television and radio news, editorials, photographs, Moro's letters, Red Brigade communiques, and appeals by various international figures. The analysis of these "texts" calls into question the function of politics, social drama, spectacle, and theater. Wagner-Pacifici provides a dramaturgic analysis of the Moro affair as a method for discussing the culture of politics in Italy.
Enter once more the world of Roland Deschain—and the world of the Dark Tower—presented in a stunning graphic novel form unlocking the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions of readers were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the graphic novel series adaptation Stephen King's The Dark Tower: The Gunslinger, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland’s troubled past and ongoing saga is revealed. Sumptuously drawn by Richard Isanove, Sean Phillips, Luke Ross, Michael Lark, and Laurence Campbell, plotted by longtime Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, The Gunslinger adaptation is an extraordinary and terrifying journey—ultimately serving as the perfect introduction for new readers to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures transformed from his blockbuster novels. Roland has barely escaped the frightening and deadly trap set for him by the elusive Man in Black in the sleepy little town of Tull—a place centered in the apotheosis of all deserts, and where the sinister sorcerer’s power had taken hold. Leaving death and despair in his wake, Roland soon arrives at a mysterious way station…and meets a young boy, Jake Chambers, who has seemingly appeared out of nowhere from another place and time. But who is this sophisticated child, and what is his connection to Roland’s quest and the Man in Black himself?
Enter once more the world of Roland Deschain—and the world of the Dark Tower…presented in a stunning graphic novel form that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions of readers were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the second in the graphic novel series adaptation Stephen King’s The Dark Tower: The Drawing of the Three, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland’s saga continues. Sumptuously drawn by Piotr Kowalski, Jonathan Marks, Juanan Ramirez, and Cory Hamscher, plotted by longtime Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, The Drawing of the Three adaptation is an extraordinary and terrifying journey—ultimately introducing a generation of new readers to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures transformed from his blockbuster novels.
The strange and enigmatic title "son of man" has intrigued biblical scholars for millennia. What does it mean and how does it describe Jesus in his role as the Christian messiah? Robin Jarrell surveys the mythological roots of the phrase in the ancient Mesopotamian Epic of Gilgamesh and traces its development from the mythology of the Egyptian queen Hatshepsut's birth narrative, to the Baal Cycle in Ugaritic literature, to the story of Pandora, and finally to the story of creation found in the book of Genesis. The key to unlocking the mystery of the phrase "son of man" is embedded in the story of the first "son of man"--Noah--with the reference to "the sons of God" who found wives among the "daughters of men" and whose offspring brought devastation to the earth and the reason for the flood. In the hands of the Christian gospel writers, the parallel "son of man" figure found in the Dead Sea Scrolls reemerges in the identity of the last "son of man"--Jesus of Nazareth.
Surveying the content and character of early Christian iconography from the third to the sixth century CE, this substantially revised and updated new edition of Understanding Early Christian Art makes the critical tools of art historians accessible to students. It opens by discussing a series of questions pertaining to the evidence itself and how scholars through the centuries have regarded this material as expressing and transmitting aspects of the developing faith and practice of early adherents of Christianity. It considers possible sources for the various motifs and the complex relationship between words and images, as well as the importance of studying visual and material culture alongside theological and liturgical texts. Rather than organising surviving examples by medium or chronology, the chapters categorise the evidence according to their general iconographic type, such as generic symbols, biblical narratives, and portraits. Each chapter takes up important questions of visual culture, formal style, and the ways in which the iconography is distinct from or shows parallels with contemporary documentary sources like sermons, exegetical works, catechetical lectures, or dogmatic treatises. Concluding with a discussion of the late-emerging depictions of Jesus’s crucifixion, resurrection, and ascension, it remains a valuable guide to comprehending the complex theology, history, and context of Christian art. Augmented by over 140 full-colour images, accompanied by parallel text, the interdisciplinary and boundary-breaking approach taken in this extensively revised edition of Understanding Early Christian Art enables students and scholars in fields such as religion and art history to further their understanding and knowledge of the art of the early Christian era.
Enter once more the world of Roland Deschain—and the world of the Dark Tower...now presented in a stunning graphic novel omnibus form that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the graphic novel series adaptation Stephen King’s The Dark Tower: The Drawing of the Three, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland’s troubled past and lifelong odyssey is revealed. Sumptuously drawn by Piotr Kowalski and Jonathan Marks, adapted by Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, The Drawing of the Three is an extraordinary and terrifying journey—ultimately serving as the perfect introduction for a new audience to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures transformed from his blockbuster novels. This single-volume omnibus edition includes the complete graphic novel series The Drawing of the Three: The Prisoner; House of Cards; The Lady of Shadows; Bitter Medicine.
Enter once more the world of Roland Deschain—and the world of the Dark Tower...presented in a stunning graphic novel form that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions of readers were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the graphic novel series adaptation Stephen King's The Dark Tower: The Gunslinger, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland's troubled past and ongoing saga is revealed. Sumptuously drawn by Richard Isanove, Sean Phillips, Luke Ross, and Michael Lark, plotted by longtime Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, The Gunslinger adaptation is an extraordinary and terrifying journey—ultimately serving as the perfect introduction for new readers to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures transformed from his blockbuster novels. Following the road through the Mohaine Desert, Roland continues his epic search for the elusive Man in Black. Instead, he finds Tull, the last stop of civilization. A town of devil grass, desert sand, and despair…full of nothing, especially mercy. It may seem Tull is on the very edge of the world, with little past the horizon but a steep fall to oblivion. But Roland believes otherwise…that beyond the limits of Tull lies a hidden truth that means everything to the fate of Mid-World. The Man in Black holds the key to that mystery, and Roland is going to keep following him—even through a deadly trap set here in this town—to unlock it.
Enter once more the world of Roland Deschain—and the world of the Dark Tower…presented in a stunning graphic novel form that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions of readers were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the first in the graphic novel series adaptation Stephen King’s The Dark Tower: The Drawing of the Three, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland’s saga continues. Sumptuously drawn by Piotr Kowalski, Jonathan Marks, Juanan Ramirez, and Cory Hamscher, plotted by longtime Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, The Drawing of the Three adaptation is an extraordinary and terrifying journey—ultimately introducing a generation of new readers to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures transformed from his blockbuster novels.
Enter once more the world of Roland Deschain—and the world of the Dark Tower…presented in this stunning fourth graphic novel of The Drawing of the Three story arc that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions of readers were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the graphic novel series adaptation Stephen King’s The Dark Tower: The Drawing of the Three, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland’s saga continues. Sumptuously drawn by Piotr Kowalski, Jonathan Marks, Juanan Ramirez, and Cory Hamscher, plotted by longtime Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, The Drawing of the Three adaptation is an extraordinary and terrifying journey—ultimately introducing a generation of new readers to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures transformed from his blockbuster novels.
This monograph takes up recent advances in social network methods in sociology, together with data on economic segregation, in order to build a quantitative analysis of the class and network effects implicated in vowel change in a Southern American city. Studies of sociolinguistic variation in urban spaces have uncovered durable patterns of linguistic difference, such as the maintenance of blue collar/white collar distinctions in the case of stable linguistic variables. But the underlying interactional origins of these patterns, and the interactional reasons for their durability, are not well understood, due in part to the near-absence of large-scale network investigation. This book undertakes a sociolinguistic network analysis of data from the Raleigh corpus, a set of conversational interviews collected form natives of Raleigh, North Carolina, from 2008-2017. Acoustic analysis of the corpus shows the rapid, ongoing retreat from the Southern Vowel Shift and increasing participation in national vowel changes. The social distribution of these trends is explored via standard social factors such as occupation as well as innovative network variables, including a measure of nestedness in the community network. The book aims to pursue new network-based questions about sociolinguistic variation that can be applied to other corpora, making this key reading for students and researchers in sociolinguistics and historical linguistics as well as those interested in further understanding how existing quantitative network methods from sociological research might be applied to sociolinguistic data.
This Palgrave Pivot offers new readings of Maria Edgeworth’s representations of slavery. It shows how Edgeworth employed satiric technique and intertextual allusion to represent discourses of slavery and abolition as a litmus test of character – one that she invites readers to use on themselves. Over the course of her career, Edgeworth repeatedly indicted hypocritical and hyperbolic misappropriation of the sentimental rhetoric that dominated the slavery debate. This book offers new readings of canonical Edgeworth texts as well as of largely neglected works, including: Whim for Whim, “The Good Aunt”, Belinda, “The Grateful Negro”, “The Two Guardians”, and Harry and Lucy Continued. It also offers an unprecedented deep-dive into an important Romantic Era woman writer’s engagement with discourses of slavery and abolition.
Enter once more the world of Roland Deschain—and the world of the Dark Tower...now presented in a stunning graphic novel omnibus form that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the graphic novel series adaptation Stephen King’s The Dark Tower: The Gunslinger, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland’s troubled past and lifelong odyssey is revealed. Sumptuously drawn by Sean Phillips, Luke Ross, Michael Lark, Laurence Campbell, Alex Maleev, and Richard Isanove, adapted by Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, The Gunslinger is an extraordinary and terrifying journey—ultimately serving as the perfect introduction for new readers to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures transformed from his blockbuster novels. This single-volume omnibus edition includes the complete graphic novel series: The Gunslinger: The Journey Begins; The Little Sisters of Eluria; The Battle of Tull; The Way Station; The Man in Black; Last Shots.
In Language Contact in the Danish West Indies: Giving Jack His Jacket, Robin Sabino draws on fieldwork with a last speaker and research from a range of disciplines laying bare the crucial roles of community and resistance in creole genesis.
Drawing on usage-based theory, neurocognition, and complex systems, Languaging Beyond Languages elaborates an elegant model accommodating accumulated insights into human language even as it frees linguistics from its two-thousand-year-old, ideological attachment to reified grammatical systems. Idiolects are redefined as continually emergent collections of context specific, probabilistic memories entrenched as a result of domain-general cognitive processes that create and consolidate linguistic experience. Also continually emergent, conventionalization and vernacularization operate across individuals producing the illusion of shared grammatical systems. Conventionalization results from the emergence of parallel expectations for the use of linguistic elements organized into syntagmatic and paradigmatic relationships. In parallel, vernacularization indexes linguistic forms to sociocultural identities and stances. Evidence implying entrenchment and conventionalization is provided in asymmetrical frequency distributions.
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