This book analyzes the reciprocating collision between Henry James and American journalism during his 1904-1905 tour. It charts James' progress as he gathers the impressions upon which he will base his 'theory of America.' If James arrives as a 'restored absentee' seeking a renewed relationship with his homeland, the press greets his return with reverence for his status combined with disdain for his prose.
In July of 1906 Archibald Henderson could pronounce with perfect confidence that Henry James was "a master impressionist." But as short a time as six years earlier, James's critics lacked this term in their vocabulary, and struggled with the sophisticated art of James's developing impressionistic literary technique. In Darkest James discusses the reviewer's frustrated, often irritated, and even anguished attempts to render a satisfactory account of the sequence of artifacts in which James moved toward the perfection of his craft."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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