“One of the most important writers in 21st-Century fantasy.” —Contra Costa Times “Robin Hobb is one of our very best fantasy writers…always fresh, entertaining, and completely engrossing.” —New York Times bestselling author Kevin J. Anderson The Inheritance & Other Stories is a marvelous new collection of short fiction from New York Times bestselling master storyteller Robin Hobb—including tales written under the pseudonym Megan Lindholm, by which the acclaimed fantasist first began her illustrious writing career. Included in this essential volume are Hugo and Nebula Award-nominated short masterworks, as well as brand new tales and the never before published in the U.S. title story—a unique compendium of wonders displaying the breathtaking skill, imagination, and remarkably varied styles of both alter egos.
From New York Times bestselling master storyteller Robin Hobb comes four thrilling fantasies set in the world of the Rain Wilds. Get all four novels in Robin Hobb's The Rain Wilds Chronicles in one e-book, including Dragon Keeper,Dragon Haven,City of Dragons, and Blood of Dragons. This thrilling series tells the story of the resurgence of dragons in a world that both needs and fears them.
Newbery Award-winning author and fantasy icon Robin McKinley writes stories that enchant readers. Bringing together three of her most popular novels--Spindle's End, The Hero and the Crown and The Blue Sword--this boxed set is the perfect gift for her fans.
When cameras roll and directors call, “Action,” some of the most dependable, funniest, and most enthusiastic actors stand poised on four legs, with ears alert. From Joey in War Horse to the wolves in Game of Thrones, what we see on screen is the result of meticulous preparation and professional teamwork. The eye-popping, heartwarming stories in these pages reveal the trainers, actors, directors, and, of course, dogs, cats, horses, penguins, deer, and other animals in all their behind-the-scenes glory. You’ll discover that some animal actors have diva tendencies and others have rags-to-riches backstories. American Humane Association certified animal safety representatives work carefully to ensure that no animals are harmed, as they have been doing for decades. Animal stars have done it all — convinced us to eat more tacos, broken our hearts in war dramas, inspired us with enduring love and loyalty, kept us at the edge of our seats as they snarled in the shadows, mirrored human antics to make us roar with laughter, and, like Uggie (from The Artist), stolen the show on the red carpet. Who besides a monkey named Crystal could impress a brilliant comedian like Robin Williams in Night at the Museum? And animal stars will work for food, including only KFC original recipe for Casey the bear — no other fried chicken will do! These charming and sometimes hilarious stories will give you a new appreciation for the skill and patience it takes to teach nonhuman actors to perform on camera. Training tips from the pros and personal recollections of celebrities such as Julia Roberts, Hailee Steinfeld, and Steven Spielberg make this insider’s look at the lives and work of these incomparable stars as irresistible as the animals themselves. A portion of the publisher’s proceeds from this book will aid American Humane Association.
The essays collected in this volume reflect the profound impact of Martha Nussbaum‘s philosophical writings on law and legal scholarship. The capabilities approach that she has largely authored has influenced the approach scholars take to the law of disabilities, both in the United States and in Canada, as well as to international human rights and to domestic private law‘s protections of vulnerable populations. Her analyses of the relationship between our emotions and our thought and action has triggered a re-assessment of the legal regulation and recognition of emotion in a range of fields, most particularly in the field of criminal law; and her writing on the nature of dignity has informed an understanding of the emerging civil rights of gay and lesbian citizens worldwide. Our appreciation of the role of narrative in legal thought and discourse and the contributions of literature to law and legal culture, have also been broadened and deepened by her contributions. Taken together, and including the introduction by the editor, the essays collected in this volume demonstrate the far-reaching impact of Nussbaum‘s philosophical oeuvre.
As the Young Pretender and his Jacobite army approach, Coroner Titus Cragg must solve a brutal murder ― and prevent himself from being executed for the crime. November 1745. Preston, Lancashire. Rumors abound that Charles Edward Stuart, the Young Pretender, has landed in Scotland, intent on marching south to claim the English throne. Meanwhile Coroner Titus Cragg must investigate a headless body discovered in an icy pond. There is evidence to suggest a connection with the approaching rebel army ― unless someone is deliberately using the Highlanders’ invasion as a cover for murder. As simmering tensions, conflicting loyalties and open hostilities engulf the town, Cragg finds himself arrested for murder. In order to clear his name and escape execution by firing squad, Titus must team up with his old friend, Dr Luke Fidelis, to expose the real killer.
The development of forensic pathology in Britain is told here through the lives of five outstanding medical pioneers. Spanning seventy years, their careers and achievements marked major milestones in the development of legal medicine, their work and innovation laying the foundations for modern crime scene investigation (CSI). Bernard Spilsbury, Sydney Smith and Professors Glaister, Camps and Simpson were the original expert witnesses. Between them, they performed over 200,000 postmortems during their professional careers, establishing crucial elements of murder investigation such as time, place and cause of death. This forensic quintet featured in many of the notable murder trials of their time, making ground-breaking discoveries in the process. They were treated as celebrities by the media, and news that they were 'on the case' featured in numerous headlines. In the best traditions of scholarship, they also worked as teachers, passing on their knowledge and experience to future pathologists.
In this comprehensive collection of essays, three generations of international scholars examine Mexican muralism in its broad artistic and historical contexts, from its iconic figuresÑDiego Rivera, JosŽ Clemente Orozco, and David Alfaro SiquierosÑto their successors in Mexico, the United States, and across Latin America. These muralists conceived of their art as a political weapon in popular struggles over revolution and resistance, state modernization and civic participation, artistic freedom and cultural imperialism. The contributors to this volume show how these artistsÕ murals transcended borders to engage major issues raised by the many different forms of modernity that emerged throughout the Americas during the twentieth century.
The Cullman Democrat was established about 25 years after the first newspaper to publish in the town named for the famous German settler, John G. Cullman. While it came relatively late on the scene, its circulation soon grew to match that of the most successful Alabama weekly newspapers. The Democrat was first published by Major W.F. Palmer in June of 1901. Palmer sold the paper to R.L. and J.E. Griffin in 1902, but by the end of January of 1903, the paper was purchased by Joseph Robert Rosson. The Democrat remained in control of the Rosson family for man years after."--Publisher's description
A “cautionary tale” (Chicago Tribune) about bacterial poisoning and corporate malevolence from the #1 bestselling author of Coma, “the master of the literary thriller” (The New York Times) “Searing . . . shocking . . . packs plenty of punches.”—Associated Press Newly divorced Dr. Kim Reggis takes his daughter, Becky, to her favorite fast-food restaurant on a special night out. The quintessential American meal of burgers and fries leads to tragedy: Over the following week Becky becomes gravely ill from E. coli bacterial poisoning. Already beaten down by the indignities of a major hospital merger and the subsequent loss of his departmental chairmanship, Kim collides head-on with cost-cutting rules that restrict his daughter’s treatment. As Becky’s condition worsens, the surgeon is driven over the edge by his inability to alter the inexorable progression. When the administration revokes his hospital privileges, Kim is forced out into the cold. Half crazed by grief, Kim launches himself on an inquiry to learn how and why his daughter got sick. The trail of deadly evidence of shoddy meat-industry practices and complicity stretches from the slaughterhouse to the industry hierarchy to the USDA. Aided in his quest by his ex-wife, Tracy, and a young, idealistic USDA inspector, Kim ultimately learns the shocking truth—but the price may be his life and the lives of those he loves.
Writing the Survivor: The Rape Novel in Late Twentieth-Century American Fiction identifies a new genre of American fiction, the rape novel, that recenters narratives of sexual violence on the survivors of violence and abuse, rather than the perpetrators. The rape novel arose during the women’s liberation movement as women writers collectively challenged the traditional erasure of female subjectivity and agency found in earlier representations of sexual violence in American fiction. The rape novel not only foregrounds survivors and their stories in a textual centering that affirms their dignity and self-worth, but also develops new narratological strategies for portraying violent, disturbing subject matter. In bringing together many key women’s texts of the last decades of the 20th century, the rape novel demonstrates the centrality of sexual assault to women’s fiction of this era. The rape novels of the 21st century continue the political activism inherent in the genre—educating readers, offering community to survivors, and encouraging social activism—as the stories of male survivors are increasingly told. A radical reconsideration of late twentieth-century American novels, Writing the Survivor underscores the importance of women’s activism upon the novel’s form and content and reveals the portrayal of rape as rape to be an interethnic imperative.
In 1770 a handful of European nations ruled the Americas, drawing from them a stream of products, both everyday and exotic. Some two and a half million black slaves, imprisoned in plantation colonies, toiled to produce the sugar, coffee, cotton, ginger and indigo craved by Europeans. By 1848 the major systems of colonial slavery had been swept away either by independence movements, slave revolts, abolitionists or some combination of all three. How did this happen? Robin Blackburn’s history captures the complexity of a revolutionary age in a compelling narrative. In some cases colonial rule fell while slavery flourished, as happened in the South of the United States and in Brazil; elsewhere slavery ended but colonial rule remained, as in the British West Indies and French Windwards. But in French St. Domingue, the future Haiti, and in Spanish South and Central America both colonialism and slavery were defeated. This story of slave liberation and American independence highlights the pivotal role of the “first emancipation” in the French Antilles in the 1790s, the parallel actions of slave resistance and metropolitan abolitionism, and the contradictory implications of slaveholder patriotism. The dramatic events of this epoch are examined from an unexpected vantage point, showing how the torch of anti-slavery passed from the medieval communes to dissident Quakers, from African maroons to radical pirates, from Granville Sharp and Ottabah Cuguano to Toussaint L’Ouverture, from the black Jacobins to the Liberators of South America, and from the African Baptists in Jamaica to the Revolutionaries of 1848 in Europe and the Caribbean.
Pia Grazdani is an exceptional yet aloof medical student working closely with Columbia University Medical Center’s premier scientist on cutting edge research that could revolutionize health care by creating replacement organs for critically ill patients. But when tragedy strikes in the lab, Pia, with the help of classmate George Wilson, launches an investigation into the unforeseen calamity in the hospital’s supposedly secure biosafety lab. Meanwhile, two ex-Wall Street whiz-kids think they’ve found another loadstone in the nation’s multi-trillion dollar life insurance industry, and race to find ways to control actuarial data and securitize the policies of the aged and infirm to make another killing. As Pia and George dig deeper into the events at the lab, one question remains unanswered: is someone attempting to manipulate private insurance information to allow investors to benefit from the deaths of others?
By the turn of the 20th Century, Cullman was firmly established as the preeminent settlement in the hill country between the Tennessee Valley and the mineral region surrounding Birmingham. The Cullman, Alabama Tribune continued to record news of the development of the city, county, and surrounding region. As with the first four books of this series, microfilm was obtained from the State Archives in Montgomery and Wallace College at Hanceville and reviewed, but the originals from the Cullman County Court House was the primary source. A page by page examination of the film and originals was conducted with every birth, death, marriage, obituary, and some news items important to the history and development of Cullman County was recorded. This book is important to any genealogist or historian with connections to Cullman County and contains many rare accounts and mentions of the earliest settlers of the region.
“Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.”—George R. R. Martin Fitz has barely survived his first hazardous mission as king’s assassin. Battered and bitter, he vows to abandon his oath to King Shrewd, remaining in the distant mountains. But love and events of terrible urgency draw him back to the court at Buckkeep, and into the deadly intrigues of the royal family. Renewing their vicious attacks on the coast, the Red-Ship Raiders leave burned-out villages and demented victims in their wake. The kingdom is also under assault from within, as treachery threatens the throne of the ailing king. In this time of great danger, the fate of the kingdom may rest in Fitz’s hands—and his role in its salvation may require the ultimate sacrifice. BONUS: This edition includes an excerpt from Robin Hobb's Assassin's Quest. Praise for Robin Hobb and Royal Assassin “[Robin] Hobb continues to revitalize a genre that often seems all too generic, making it new in ways that range from the subtle to the shocking.”—Locus “[Royal Assassin] reaches astonishing new heights. . . . The Farseer saga is destined for greatness—a must-read for every devotee of epic fantasy.”—Sense of Wonder
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