This book aims to uncover and explore the ideas of notable people in the story of Christian universalism from the time of the Reformation until the end of the nineteenth century. It is a story that is largely unknown in both the church and the academy, and the characters that populate it have for the most part passed into obscurity. With carefully located bore holes drilled to release the long-hidden theologies of key people and texts, the volume seeks to display and historically situate the roots, shapes, and diversity of Christian universalism. Here we discover a diverse and motley crew of mystics and scholars, social prophets and end-time sectarians, evangelicals and liberals, orthodox and heretics, Calvinists and Arminians, Puritans, Pietists, and a host of others. The story crisscrosses Continental Europe, Britain, and America, and its reverberations remain with us to this day.
If worship is God centered, and God is the Trinity, then worship should be Trinity centered. Worshipping Trinity explores the meaning and implications of that simple claim. Written for church leaders, worship leaders, and songwriters, as well as for those interested in theology, this volume explains why the Trinity matters so much and explores practical ways our worship can be made more Trinitarian. This second edition is fully updated and expanded.
In this volume Robin Parry not only builds on traditional scholarship to interpret the book of Lamentations within its ancient context but also ventures further, exploring how the book can function as Christian Scripture. Parry provides the first systematic attempt to read Lamentations in light of the cross and resurrection. --from publisher description
A “compelling and impressive” (Sunday Times) reassessment of the Iliad, uncovering how the poem was written and why it remains enduringly powerful The Iliad is the world’s greatest epic poem—heroic battle and divine fate set against the Trojan War. Its beauty and profound bleakness are intensely moving, but great questions remain: Where, how, and when was it composed and why does it endure? Robin Lane Fox addresses these questions, drawing on a lifelong love and engagement with the poem. He argues for a place, a date, and a method for its composition—subjects of ongoing controversy—combining the detailed expertise of a historian with a poetic reader’s sensitivity. Lane Fox considers hallmarks of the poem; its values, implicit and explicit; its characters; its women; its gods; and even its horses. Thousands of readers turn to the Iliad every year. Drawing on fifty years of reading and research, Lane Fox offers us a breathtaking tour of this magnificent text, revealing why the poem has endured for ages.
In A Fatherly Eye, historian Robin Brownlie examines how paternalism and assimilation during the interwar period were made manifest in the 'field', far from the bureaucrats in Ottawa, but never free of their oppressive supervision.
Welcome to the weird and wonderful world of the Bible.Robin Parry takes the reader on a guided tour of the biblical cosmos with the goal of opening up the Bible in its ancient world. He then goes further and shows how this very ancient biblical way of seeing the world is still revelatory and can speak God's word afresh into our own modern worlds.
-Can an orthodox Christian, committed to the historic faith of the church and the authority of the Bible, be a universalist? -Is it possible to believe that salvation is found only by grace, through faith in Christ, and yet to maintain that in the end all people will be saved? -Can one believe passionately in mission if one does not think that anyone will be lost forever? -Could universalism be consistent with the teachings of the Bible? Gregory MacDonald argues that the answer is yes to all of these questions. Weaving together philosophical, theological, and biblical considerations, MacDonald seeks to show that being a committed universalist is consistent with the central teachings of the biblical texts and of historic Christian theology. This second edition contains a new preface providing the backstory of the book, two extensive new appendices, a study guide, and a Scripture index.
As the daughter of the strong-willed director of her town's annual Shakespeare festival, fourteen-year-old Portia fears she can never escape theater, although she keeps trying to convince her stubborn father that she has no desire to become an actress.
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