Published in 1963: The author gives a clear and accurate account of the immense development of France as a colonial power which, in an incredibly short space of time, was to control one third of Africa. He drew his material not only from the scanty formal literature then available, but also by carefully evaluating and selecting from large mass of controversial material to be found in deliberate propaganda, parliamentary debates, and the often suspect offical documentation.
In fin-de-siècle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women," a group of primarily urban, middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home. Mary Louise Roberts examines a constellation of famous new women active in journalism and the theater, including Marguerite Durand, founder of the women's newspaper La Fronde; the journalists Séverine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of La Fronde itself was such an act, because it demonstrated that women could write just as well about the same subjects as men—even about the volatile Dreyfus Affair. When female reporters for La Fronde put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny. Lively, sophisticated, and persuasive, Disruptive Acts will be a major work not just for historians, but also for scholars of cultural studies, gender studies, and the theater.
Paris at the turn of the 20th century was obsessed with the interrelations of the arts. It was a time when artists and writers spoke of poetry as music, sounds as colors, and paintings as symphonies. The music of Claude Debussy, with its unique textures and dazzling colors, was the perfect counterpart to the bold new styles of painting in France. Paul Roberts probes the sources of Debussy's artistic inspiration, relating the "impressionist" titles to the artistic and literary ferment of the time. He also draws on his own performing experience to touch on all the principal technical problems for a performer of Debussy's piano music. His many suggestions about interpreting the music will be particularly valuable to performers as well as listeners.
Sleeping rough, having sex in public and insulting the most powerful men in the world earned the ancient Cynic or ‘dog’ philosophers fame and infamy in antiquity and beyond. This book reveals that French Renaissance texts feature a rich and varied set of responses to the Dogs, including especially Diogenes of Sinope (4th century B.C.), whose life was a subversive performance combining wisdom and wisecracks. Cynicism is a special case in the renewal of interest in ancient philosophy at this time, owing to its transmission through jokes and anecdotes. The Cynics’ curious combination of seduction and sedition goes a long way to account for both the excitement and the tension that they generate in Renaissance texts. Responses to the extreme and deliberately marginal philosophical stance of the Dogs cast light back on the mainstream, revealing cultural attitudes, tensions and uncertainties. Above all, representations of Cynicism constitute a site for the exploration of strange and paradoxical ideas in playful and humorous ways. This is true of both major writers, including Erasmus, Rabelais and Montaigne, and of dozens of other less well-known but fascinating figures. This book will be of interest to students and scholars of intellectual and literary history.
What challenges face Canadian music education in the coming decades? The happy convergence of a new millennium, the 40th Anniversary of the Canadian Music Educators' Association/l'Association Canadienne des Educateurs de Musique (in 1999), and ISME 2000 in Edmonton, prompted the CMEA/ACEM to initiate a national dialogue about the future of Canadian music education. Looking Forward, edited by two of Canada's leading scholars in music education, Betty Hanley and Brian A. Roberts, is the result. Addressing a broad range of topics and educational levels, the book provides a provocative and thoughtful look at opportunities and challenges identified by fourteen articulate and well-informed authors who represent diverse backgrounds and viewpoints. The dialogue has begun.
After World War I, newly blurred boundaries between male and female created fears among the French that theirs was becoming a civilization without sexes. This book examines how, through public debates concerning female identity, French society came to grips with the horrors of the Great War.
The taste for history is the most ariswcratic of all tastes. Ernest Rerum "Our century is pre-eminently an historical century . . . . Even art has now become pre-eminently historical. The historical novel and drama interest each and everyone more at present than do similar works belonging to the realm of pure fiction. "! Although Belinskii was writing in 1841, his statement could equally well apply to the Russia of a century later, when the interest in historical fiction had become, if anything, more intense. In fact, the abundance of Soviet historical novels and plays tempts one to believe Heine, when he said that the people want their history handed to them by the poet, not the historian. The infatuation with history to which Belinskii referred was not, however, indigenous to Russia; it was part of a rage, largely inspired by Waiter Scott, which had swept western Europe in the early nine teenth century, and which soon spread to Russia. Today, Scott's star has been eclipsed in the West, but it still burns brightly in the Soviet Union. Indeed, it can be said that the West has not only rejected Scott, but, to a considerable extent, the historical novel and playas well. As one writer recently put it: "The reading public, brought up on a strict diet of sex and science, prefers to take its history undiluted in the form of unexpurgated memoirs and frank biographies.
In 1859 the French navy was at a high point, having fought alongside the British in the Crimean War and developed a formidable fleet of fast wooden-hulled steam ships of the line. But in that very year the world’s navies had to start over again when French naval architect Dupuy de Lôme introduced the ironclad battleship. The French navy then went through three tumultuous phases. In the 1860s and 1870s it focused on building a new traditionally-structured fleet in which wooden-hulled battleships gave way to iron and steel ships with massive guns and armour. In the 1880s and 1890s this effort was disrupted by a vigorous contest between battleship sailors and advocates of fast steel cruisers and small torpedo craft, leaving France by the end of the 1890s with few new battleships (none as large as the best foreign ships) but some two hundred torpedo boats. The Fashoda crisis in 1898 revealed the weakness of the French navy and between 1900 and 1914 the French focused on building a strong battle fleet. In 1914 this fleet remained well behind those of Britain and Germany in numbers, but taken individually French warships remained among the best in the world. This book is the first comprehensive listing in English of the over 1400 warships that were added to the official French navy fleet list between 1 January 1859 and World War I. It includes everything from the largest battleships to a small armoured gunboat that looked like a floating egg. The ships are listed in three separate parts to keep contemporary ships together and then by ship type and class. For each class the book provides a design history explaining why the ships were built, substantial technical characteristics for the ships as completed and after major reconstructions, and selected career milestones including the ultimate fate of each ship. Like its predecessors written jointly with Rif Winfield, French Warships in the Age of Sail 1626-1786 and French Warships in the Age of Sail 1786-1861, with which it forms the third in a trilogy, it provides a complete picture of the overall development of French warships over a period of almost three centuries.
Through a wide-ranging and close analysis of archival sources, this book re-evaluates both the role of royal authority and of local agency in the French religious wars in the lead up to the Edict of Nantes of 1598. Drawing on extensive research, it provides a new perspective on the political, religious, social and cultural history of the conflict.
This edition of Robert Southey's early poetry seeks to restore Southey the poet to his place at the centre of late 18th and early 19th century British literary culture. This collection of his poetical works critically reassesses Southey's epics and romances.
The Roots of Caribbean Identity has as its central elements race, place and language. The book presents a movement from a European construction of Caribbean identity towards a more Caribbean construction. The ways in which the identity of the Caribbean region and the identities of the separate islands within the region were shaped are set out in a chronological sequence, starting from the time of the European encounters with the Amerindians and finishing at the end of the nineteenth century."(extrait de la 4ème de couv.).
Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.
Edward Gibbon's presentation of character in both the History of the Decline and Fall of the Roman Empire and in his posthumously published Memoirs demonstrates a prevailing interest in the values of transcendent heroism and individual liberty, but also an insistent awareness of the dangers these values pose to coherence and narrative order. In this study, Charlotte Roberts demonstrates how these dynamics also inform the 'character' of the Decline and Fall: in which ironic difference confronts enervating uniformity; oddity counters specious lucidity; and revision combats repetition. Edward Gibbon and the Shape of History explores the Decline and Fall as a work of scholarship and of literature, tracing both its expansive outline and its expressive details. A close examination of each of the three instalments of Gibbon's history reveals an intimate relationship between the style of Gibbon's narrative and the overall shape of his historiographical composition. The constant interplay between style and substance, or between the particular details of composition and the larger patterns of argument and narrative, informs every aspect of Gibbon's work: from his reception of established and innovative historiographical conventions to the expression of his narrative voice. Through a combination of close reading and larger literary and scholarly analysis, Charlotte Roberts conveys a sense of the Decline and Fall as a work more complex and conflicted, in its tone and structure, than has been appreciated by previous scholars, without losing sight of the grand contours of Gibbon's superlative achievement.
Master the role and skills of the medical-surgical nurse in Canada with the book that has it all! Lewis's Medical-Surgical Nursing in Canada: Assessment and Management of Clinical Problems, 5th Edition reflects the expertise of nurses from across Canada with evidence-informed guidelines, a focus on clinical trends, and a review of pathophysiology. Clear examples make it easy to understand every concept in nursing care — from health promotion to acute intervention to ambulatory care. An Evolve website includes new case studies to enhance your skills in clinical judgement and prepare you for the Next Generation NCLEX®, CPNRE®, and REx-PNTM. From Canadian educators Jane Tyerman and Shelley L. Cobbett, this comprehensive guide provides a solid foundation in perioperative care as well as nursing care of disorders by body system. - Easy-to-understand content is written and reviewed by leading experts in the field, ensuring that information is comprehensive, current, and clinically accurate. - More than 800 full-colour illustrations and photographs demonstrate disease processes and related anatomy and physiology. - Focus on key areas includes the determinants of health, patient and caregiver teaching, age-related considerations, collaborative care, cultural considerations, nutrition, home care, evidence-informed practice, and patient safety. - Nursing Assessment chapters focus on individual body systems and include a brief review of related anatomy and physiology, a discussion of health history and non-invasive physical assessment skills, and note common diagnostic studies, expected results, and related nursing responsibilities. - Unfolding case studies in each assessment chapter help you apply important concepts and procedures to real-life patient care. - UNIQUE! Levels of Care approach organizes nursing management into three levels: health promotion, acute intervention, and ambulatory and home care. - Nursing Management chapters focus on the pathophysiology, clinical manifestations, laboratory and diagnostic study results, interprofessional care, and nursing management of various diseases and disorders, and are organized to follow the steps of the nursing process (assessment, nursing diagnoses, planning, implementation, and evaluation). - Safety Alerts and Drug Alerts highlight important safety issues in patient care. - Informatics boxes discuss the importance and use of technology with topics such as use of social media in the context of patient privacy, teaching patients to manage self-care using smartphone apps, and using Smart infusion pumps. - Cultural Competence and Health Equity in Nursing Care chapter discusses culture as a determinant of health, especially in regard to Indigenous populations; health equity and health equality issues as they relate to marginalized groups in Canada; and practical suggestions for developing cultural competence in nursing care. - More than 60 comprehensive nursing care plans on the Evolve website include defining characteristics, expected outcomes, specific nursing interventions with rationales, evaluation criteria, and collaborative problems.
This title has been out of print for some years, but has now been reprinted. It is now generally recognised as the definitive text on British spiders. Roberts' first edition of this work (3 vols, in 1987) superseded and updated the previous bible for British Arachnologists (Locket and Millidge, 1951, 1953 and 1974). This newer edition with additional Appendix, Addenda and Corrigenda in turn updates and revises the1987 edition. The first volume contains all the text, starting with a series of introductory notes on spider biology and some information on classification and nomenclature as it applies to spiders. Following this is a key to families and the species descriptions including 105 genera and 267 species of Linyphiidae. These two volumes are both a work of art and a work of science and so bring together the highest possible achievements of a human being. Their presence in the libraries of all academic as well as private Arachnid libraries is a must in order that their great value to the science of arachnology in Europe be allowed to bear fruit abundantly.
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