Municipal solid waste entombed in landfills will produce pollution in the form of landfill gas and leachate when the barriers fail in the long term. Bioreactor landfills are an alternative solution to avoid such negative impacts and to achieve a more stable residue, the so-called Final Storage Quality (FSQ) of residues. However, until now the main
Municipal solid waste entombed in landfills will produce pollution in the form of landfill gas and leachate when the barriers fail in the long term. Bioreactor landfills are an alternative solution to avoid such negative impacts and to achieve a more stable residue, the so-called Final Storage Quality (FSQ) of residues. However, until now the main
This thesis focused on the interaction and modification of the factors controlling the waste stabilisation process in a bioreactor landfill. The results revealed that biological stabilisation can be achieved. In conclusion, this research reduced our current gaps-in-knowledge and offered feasible technical alternatives to control and steer the processes occurring in a bioreactor landfill.
With more than 180 films during a career spanning several decades, Jesus Franco (1930-2013) was an extraordinarily prolific and chameleon-like Spanish director, covering virtually every genre from horror to film noir, adventure and erotic, and adapting to all kinds of productions. A one-of-a-kind filmmaker, he was boldly original in the themes, style, and in his idea of cinema. This book examines his life and career between his first short film to the moment he cut his ties with his home country and became an "international" director, with a detailed production history and critical analysis of his films, placing his work within the social and political context of Spanish culture, politics, and cinema. Franco's most critically praised works are covered, namely such cult horror classics as The Awful Dr. Orlof and The Diabolical Dr. Z, as well as his working relationship with Orson Welles, whom he was to direct in a 1964 unfinished adaptation of Treasure Island. Detailed production history and critical analysis of his films are provided, placing his work within the context of Spanish culture, politics, and film industry. The book also includes plenty of never-before-seen bits of information and in-depth discussion of Franco's previously uncovered scripts, essays, and short films, as well as his unmade projects of the period.
Knots like Stars: The ABCs of the Ecological Imagination in Our Americas is an encyclopedia of essays and aphorisms, at times personal, at times speculative and analytical, that invites readers to understand and enjoy an ecological perspective on Latin American literature and arts. It is simultaneously a summons to join creative forces with the non-human world. Through 43 key, interdependent entries from diverse environmental traditions, writing becomes a meditation on the poetry, films, and visual artistic traditions that sustain life, while opposing the actual destruction of Mesoamerican, Andean, and Amazonian biodiversity. The book will appeal to all people wanting to understand how poetic, artistic, and critical endeavors can enrich, rather than impoverish, the imperiled world around us. Since the Hispanic population and influence have increased dramatically in recent years, a better understanding of the complexity of this diverse culture will be an important asset for a sustainable and more interconnected future. This book invites its readers to expand their horizons and enjoy connections in order to build a sustainable community by integrating ecological perspectives in literature, film, and other arts.
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