In Queering Black Atlantic Religions Roberto Strongman examines Haitian Vodou, Cuban Lucumí/Santería, and Brazilian Candomblé to demonstrate how religious rituals of trance possession allow humans to understand themselves as embodiments of the divine. In these rituals, the commingling of humans and the divine produces gender identities that are independent of biological sex. As opposed to the Cartesian view of the spirit as locked within the body, the body in Afro-diasporic religions is an open receptacle. Showing how trance possession is a primary aspect of almost all Afro-diasporic cultural production, Strongman articulates transcorporeality as a black, trans-Atlantic understanding of the human psyche, soul, and gender as multiple, removable, and external to the body.
In Queering Black Atlantic Religions Roberto Strongman examines Haitian Vodou, Cuban Lucumí/Santería, and Brazilian Candomblé to demonstrate how religious rituals of trance possession allow humans to understand themselves as embodiments of the divine. In these rituals, the commingling of humans and the divine produces gender identities that are independent of biological sex. As opposed to the Cartesian view of the spirit as locked within the body, the body in Afro-diasporic religions is an open receptacle. Showing how trance possession is a primary aspect of almost all Afro-diasporic cultural production, Strongman articulates transcorporeality as a black, trans-Atlantic understanding of the human psyche, soul, and gender as multiple, removable, and external to the body.
Presenting the stories of Zeus and Europa, Theseus and Ariadne, the birth of Athens and the fall of Troy, in all their variants, Calasso also uncovers the distant origins of secrets and tragedy, virginity, and rape. "A perfect work like no other. (Calasso) has re-created . . . the morning of our world."--Gore Vidal. 15 engravings.
In the 1960s, post-colonial Libya fell prey to the sprawling industrial greed of the West, driven by the discovery of oil. While the modern quarter of Tripoli, built by the Italians, was small and affluent, the rest of the city--like the rest of the nation--was left to fend for itself amid the arid, sandy stretches of North Africa. As tensions mounted between eastern and western ideals, terror began to supplant justice, and acts of religiously motivated violence began to fill some of Tripoli's darkest corners. Against this backdrop, the teenaged Michele Balistreri--a smart young man plagued by thuggish tendencies and a youthful attraction to Fascism--suffered a succession of personal blows that would scar him for life: the death of his mother; a terrible tragedy that befell his best friend's family; and the consequences of his father's role in Gaddafi's rise to power. Worst of all, an innocent blood pact he made as a teenager would come to haunt him as an adult. Four decades later, journalist Linda Nardi is hard at work investigating the shadowy history of the Vatican Bank's involvement in Libya when she suddenly finds her attention diverted to an irresistible story assignment: covering the collapse of Colonel Gaddafi's forty-two year dictatorship. It is only a matter of time before Nardi's research and Balistreri's investigative work as a police commissario bring them into contact. Together they unearth a deadly conspiracy that goes to the top of Rome's power structure that neither of them will ever be able to forget.
This is the true story of how, against all odds, a remote Mexican pueblo built its own autonomous cell phone network—without help from telecom companies or the government. Anthropologist Roberto J. González paints a vivid and nuanced picture of life in a Oaxaca mountain village and the collective tribulation, triumph, and tragedy the community experienced in pursuit of getting connected. In doing so, this book captures the challenges and contradictions facing Mexico's indigenous peoples today, as they struggle to wire themselves into the 21st century using mobile technologies, ingenuity, and sheer determination. It also holds a broader lesson about the great paradox of the digital age, by exploring how constant connection through virtual worlds can hinder our ability to communicate with those around us.
This book provides both a historical introduction and a comparative analysis of the five most important guerrilla movements in the Caribbean Basin between 1959 and the 1990s, including Guatemala, El Salvador, Nicaragua, Colombia, and Puerto Rico. The authors argue that the Cold War shaped and fueled the structure, tactics, and ideologies of the diverse movements taking place for the revolutionary cause, and address the particular impact that the Cuban Revolution had on the region. The first chapter of Caribbean Revolutions provides an introduction to the Cuban Revolution, the Cold War, and Marxist thought. Succeeding chapters analyze each case study individually and also provide discussions on the current political situation for all of the organizations covered in the book that remain active. With lists of suggested reading and extra resources in each chapter, this is written as an accessible course book for students of Latin American history and politics.
The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.
A deluxe edition of Bolano’s complete poetry Perhaps surprisingly to some of his fiction fans, Roberto Bolano touted poetry as the superior art form, able to approach an infinity in which “you become infinitely small without disappearing.” When asked, “What makes you believe you’re a better poet than a novelist?” Bolano replied, “The poetry makes me blush less.” The sum of his life’s work in his preferred medium, The Unknown University is a showcase of Bolano’s gift for freely crossing genres, with poems written in prose, stories in verse, and flashes of writing that can hardly be categorized. “Poetry,” he believed, “is braver than anyone.”
Using case studies drawn from Latin America, Africa, India and Eastern Europe, this volume examines the role of courts as a channel for social transformation for excluded sectors of society in contemporary democracies. With a focus on social rights litigation in post-authoritarian regimes or in the context of fragile state control, the authors assess the role of judicial processes in altering (or perpetuating) social and economic inequalities and power relations in society. Drawing on interdisciplinary expertise in the fields of law, political theory, and political science, the chapters address theoretical debates and present empirical case studies to examine recent trends in social rights litigation.
Anthropologists have a long tradition of prescient diagnoses of world events. Possessing a knowledge of culture, society, and history not always shared by the media's talking heads, anthropologists have played a crucial role in educating the general reader on the public debates from World War I to the second Gulf War. This anthology collects over fifty commentaries by noted anthropologists such as Margaret Mead, Franz Boas, and Marshall Sahlins who seek to understand and explain the profound repercussions of U.S. involvement in the Middle East, Asia, Africa, and Latin America. Frequently drawing on their own fieldwork, the anthropologists go beyond the headlines to draw connections between indigenous cultures, corporate globalization, and contemporary political and economic crises. Venues range from the op-ed pages of internationally renowned newspapers such as the New York Times and the Washington Post to magazine articles and television interviews. Special sections entitled "Prelude to September 11" and "Anthropological Interpretations of September 11" include articles that provided many Americans with their first substantial introduction to the history of Islam, Central Asia, and the Middle East. Each article includes a brief introduction contextualizing the commentary.
This book’s leading goal is to explain why some states in the Americas have been markedly more effective than others at forming stable democratic regimes. The six states analyzed are the United States, Mexico, Colombia, Venezuela, Costa Rica, and Guatemala. The study identifies the critical challenges each state encountered at different stages of its state-creation and regime- formation processes, from the colonial period to the present. In its concluding chapter, the study presents a series of time-related hypotheses designed to capture the different evolutionary processes and explain variances in success.
A luminous history of Cuba’s most dynamic and defining rituals and the ever-improvisational character of Cuban culture In the Cuban town of Sagua la Grande, a young Roberto González Echevarría peers out the window of his family home on the morning of the Nochebuena fiesta as preparations begin for the slaughter of a feast day pig. The author recalls “watching them at a distance, though thinking, fearing, that once I grew older I would have to participate in the whole event.” Now an acclaimed scholar of Latin American literature, González Echevarría returns to the rituals that defined his young life in Cuban Fiestas. Drawing from art, literature, film, and even the national sport of baseball, he vividly reveals the fiesta as a dynamic force of both destruction and renewal in the life of a people. Roberto González Echevarría masterfully exposes the distinctive elements of the fiesta cubana that give depth and coherence to more than two centuries of Cuban cultural life. Reaching back to nineteenth-century traditions of Cuban art and literature, and augmenting them, in the twentieth, with the arts of narrative, the esthetic performances of sport and entertainment in nightclubs, on the baseball diamond, and in movie theaters, Cuban Fiestas renders the lilting strains of the fiesta and drum beats of the passage of time as keys to understanding the dynamic quality of Cuban culture. González Echevarría’s explorations are also illuminated by autobiographical vignettes that unveil the ever-shifting impact of the fiesta on the author’s own story of exile and return.
From the first amateur leagues of the 1860s to the exploits of Livan and Orlando "El Duque" Hernandez, here is the definitive history of baseball in Cuba. Roberto Gonzalez Echevarria expertly traces the arc of the game, intertwining its heroes and their stories with the politics, music, dance, and literature of the Cuban people. What emerges is more than a story of balls and strikes, but a richly detailed history of Cuba told from the unique cultural perch of the baseball diamond. Filling a void created by Cuba's rejection of bullfighting and Spanish hegemony, baseball quickly became a crucial stitch in the complex social fabric of the island. By the early 1940s Cuba had become major conduit in spreading the game throughout Latin America, and a proving ground for some of the greatest talent in all of baseball, where white major leaguers and Negro League players from the U.S. all competed on the same fields with the cream of Latin talent. Indeed, readers will be introduced to several black ballplayers of Afro-Cuban descent who played in the Major Leagues before Jackie Robinson broke the color barrier once and for all. Often dramatic, and always culturally resonant, Gonzalez Echevarria's narrative expertly lays open the paradox of fierce Cuban independence from the U.S. with Cuba's love for our national pastime. It shows how Fidel Castro cannily associated himself with the sport for patriotic p.r.--and reveals that his supposed baseball talent is purely mythical. Based on extensive primary research and a wealth of interviews, the colorful, often dramatic anecdotes and stories in this distinguished book comprise the most comprehensive history of Cuban baseball yet published and ultimately adds a vital lost chapter to the history of baseball in the U.S.
He then shows how we can rebuild our political, economic, and social institutions, making them more faithful to the experimental nature of democracy. The consequence is to redefine the focus for ideological debate and institutional innovation throughout the world, in developed and developing countries alike.
A primer on the history of American fascism Most people in the United States have been trained to recognize fascism in movements such as Germany’s Third Reich or Italy’s National Fascist Party, where charismatic demagogues manipulate incensed, vengeful masses. We rarely think of fascism as linked to the essence of monopoly-finance capitalism, operating under the guise of American free-enterprise. But, as Michael Joseph Roberto argues, this is exactly where fascism’s embryonic forms began gestating in the United States, during the so-called prosperous 1920s and the Great Depression of the following decade. Drawing from a range of authors who wrote during the 1930s and early 1940s, Roberto examines how the driving force of American fascism comes, not from reactionary movements below, but from the top, namely, Big Business and the power of finance capital. More subtle than its earlier European counterparts, writes Roberto, fascist America’s racist, top-down quashing of individual liberties masqueraded as “real democracy,” “upholding the Constitution,” and the pressure to be “100 Percent American.” The Coming of the American Behemoth is intended as a primer, to forge much-needed discourse on the nature of fascism, and its particular forms within the United States. The book focuses on the role of the capital-labor relationship during the period between the two World Wars, when the United States became the epicenter of the world-capitalist system. Concentrating on specific processes, which he characterizes as terrorist and non-terrorist alike, Roberto argues that the interwar period was a fertile time for the incubation of a protean, more salable form of tyranny – a fascist behemoth in the making, whose emergence has been ignored or dismissed by mainstream historians. This book is a necessity for anyone who fears America tipping ever closer, in this era of Trump, to full-blown fascism.
This book presents: 1) an urban-studies panorama on the emergence of a built/landscape continuum following the anthropic expansion at the geographic scale and the consequent demise of the city/country divide; 2) an in-depth theoretical analysis of disparate landscape constructs, culminating in the proposal of a comprehensive spatial paradigm addressing both manmade and natural contexts; 3) the in-situ transcription of the proposed spatial paradigm into a landscape installation implementing a territorial narrative in the Sierra Madre Oriental of Mexico. Foreword by Peter G. Rowe and afterword by Elisa C. Cattaneo. By virtue of its openness, fluidity, and volatility, fluctuating between heterogeneity and diversity, today’s built/landscape continuum exhibits analogies with distinct notions of landscape. The book determines an open-ended classification of contemporary space-making strategies exceeding the urban and metropolitan ambit, through a comparative anatomy of global case studies ranging from hard to soft: geotechnics or applied geographies, machinic micro-ecologies, aesthetic prostheses for operative metabolism, cybernetic utopias, atmospheric assemblages, psychic spheres, creole horizons, semiotic landscapes, geopolitical landscapes, geophilosophical excavations. The proposed spatial paradigm, accommodating aggregates of artificial and living systems, physical and mental spaces, and machinic and cultural landscapes, intends to reconcile the traditionally opposed ‘scientific-cognitive-metabolist’ and ‘cultural-geophilosophical-territorialist’ visions of the landscape. The resulting model transcends the exhausted myths of urban space, metropolitanism, and their filiations, in favor of a new form of urbanity and its attributes. Parts of the work were developed in the frame of research projects of Universidad de Monterrey and Parque Ecológico Chipinque and the IDAUP of UniFE and Polis. The target audience of the book is researchers, teachers, and advanced students engaged in landscape and urban studies with a prevalent focus on theory. The book can also benefit professional and institutional audiences looking for ethical/methodological orientation.
Growing numbers of young men are taking the quest for perfect muscles, skin and hair too far, crossing the line from normal interest to pathological obsession. For the first time, three of the world's leading authorities on men help us to understand and combat the frightening set of compulsive behaviours that make up the Adonis Complex. Combining colourful case studies with scientific research, they reveal a threat that is as serious as the beauty myth for women or anorexia nervosa for girls. The symptoms of this dangerous body obsession, excessive workouts, steroid abuse, eating disorders and body and muscle dysmorphic disorder (distorted body perception), lead to problems with sex and intimacy, relationships and work. In teenagers, the Adonis Complex can interfere with healthy emotional and physical development. Until now, frank discussion of this problem has been virtually taboo. At last we can hear what men really think and feel about their bodies, so that those who suffer in silence will no longer need to suffer alone.
In an eclectic career spanning four decades, Italian director Riccardo Freda (1909-1999) produced films of remarkable technical skill and powerful visual style, including the swashbuckler Black Eagle (1946), an adaptation of Les Miserables (1947), the peplum Theodora, Slave Empress (1954) and a number of cult-favorite Gothic and horror films such as I Vampiri (1957), The Horrible Dr. Hichcock (1962) and The Ghost (1963). Freda was first championed in the 1960s by French critics who labeled him "the European Raoul Walsh," and enjoyed growing critical esteem over the years. This book covers his life and career for the first time in English, with detailed analyses of his films and exclusive interviews with his collaborators and family.
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