Guilt is an original, closely argued examination of the opposition between guilty man and tragic man. Starting from the scientific and speculative writings of Freud and the major pioneers of psychoanalysis to whom we owe the first studies of this complex question, Roberto Speziale-Bagliacca goes on to focus on the debate between Klein and Winnicott in an enlightened attempt to remove blame and the sense of guilt from religion, morality and law. Drawing on an impressive range of sources - literary, historical and philosophical - and illustrated by studies of composers, thinkers and writers as diverse as Mozart and Chuang Tzu, Shakespeare and Woody Allen, Guilt covers a range of topics including the concept of guilt used within the law, and the analyst's contribution to the client's sense of guilt. Previously unavailable in English, this book deserves to be read not only by psychoanalysts, philosophers. scholars and forensic psychiatrists interested in the theory of justice, but also be the ordinary educated reader.
praise for the Italian edition: ""I read this book with passion from beginning to end."--Pierre Bourdieu "A remarkable study of "King Lear" . . . an extremely interesting and, I think, tenable thesis . . . at least as tenable as Ernest Jones's study of Hamlet's oedipal fixation."--Anthony Burgess "I was truly fascinated by this book, which introduces a totally unexpected, though perfectly plausible and, in a sense, obvious, reading of "Madame Bovary," From now on, it will be impossible to ignore this work whenever a study of Flaubert's novel is undertaken."--Jean-Pierre Richard
Taking his title from a saying of the French philosopher Bernard de Chartres that "even dwarfs on the shoulders of giants can see farther than them," the author offers a brilliant new reading of the history of psychoanalysis. Roberto Speziale-Bagliacca exploits Sigmund Freud's fundamental stature, but rejects the common belief that "orthodox" psychoanalysis begins and ends with its founder. The author attempts to "see farther" than those who deny the advances and radical epistemological ruptures that have enriched and modified psychoanalysis after Freud. He also rejects the presumptions of those who condemn Freud for having "missed" much that only today is held to be true in psychoanalytic theory. In the author's view the relatively slow development of new ideas in psychoanalysis is traceable to what he terms "closure"-the narrow authoritarianism with which Freud's and his first followers protected the validity and basic outline of his method. Aware that a new approach to the understanding of the Freudian revolution means challenging this authoritarianism, Speziale-Bagliacca analyzes three chapters of the history of psychoanalysis to test its resilience: the Eissler-Roazen controversy over the suicide of Freud's pupil Victor Tausk, the case of the Wolf-Man analyzed by Freud, and the personality of Jacques Lacan and its influence on his writing and teaching method. In each instance, the author demonstrates how psychoanalytic knowledge runs the risk of becoming a closed system, a sort of secret society. To Speziale-Bagliacca, Freud is not infallible, but his "dethroning" must be conducted with courage, honesty, and an awareness of the inevitable anxiety that such an operation imposes. "On Freud's Shoulders "is an authoritative work on the complex ways in which psychoanalysis can look at its history and improve its therapeutic approach.
Guilt is an original, closely argued examination of the opposition between guilty man and tragic man. Starting from the scientific and speculative writings of Freud and the major pioneers of psychoanalysis to whom we owe the first studies of this complex question, Roberto Speziale-Bagliacca goes on to focus on the debate between Klein and Winnicott in an enlightened attempt to remove blame and the sense of guilt from religion, morality and law. Drawing on an impressive range of sources - literary, historical and philosophical - and illustrated by studies of composers, thinkers and writers as diverse as Mozart and Chuang Tzu, Shakespeare and Woody Allen, Guilt covers a range of topics including the concept of guilt used within the law, and the analyst's contribution to the client's sense of guilt. Previously unavailable in English, this book deserves to be read not only by psychoanalysts, philosophers. scholars and forensic psychiatrists interested in the theory of justice, but also be the ordinary educated reader.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.