This innovative and modular textbook combines classical topics in thermodynamics, statistical mechanics and many-body theory with the latest developments in condensed matter physics research. Written by internationally renowned experts and logically structured to cater for undergraduate and postgraduate students and researchers, it covers the underlying theoretical principles and includes numerous problems and worked examples to put this knowledge into practice. Three main streams provide a framework for the book; beginning with thermodynamics and classical statistical mechanics, including mean field approximation, fluctuations and the renormalization group approach to critical phenomena. The authors then examine quantum statistical mechanics, covering key topics such as normal Fermi and Luttinger liquids, superfluidity and superconductivity. Finally, they explore classical and quantum kinetics, Anderson localization and quantum interference, and disordered Fermi liquids. Unique in providing a bridge between thermodynamics and advanced topics in condensed matter, this textbook is an invaluable resource to all students of physics.
An innovative and modular textbook combining established classical topics in statistical mechanics with the latest developments in condensed matter physics.
This volume is the fifth in a series of proceedings which started in 1999. The contributions include the latest results on the theory of wave propagation, extended thermodynamics, and the stability of the solutions to partial differential equations. Sample Chapter(s). Chapter 1: Reciprocal Transformations and Integrable Hamiltonian Hydrodynamic Type Systems (334 KB). Contents: Quantitative Estimates for the Large Time Behavior of a Reaction-Diffusion Equation with Rational Reaction Term (M Bisi et al.); Linearized Euler''s Variational Equations in Lagrangian Coordinates (G Boillat & Y J Peng); Restabilizing Forcing for a Diffusive Prey-Predator Model (B Buonomo & S Rionero); Fluid Dynamical Features of the Weak KAM Theory (F Cardin); Ricci Flow Deformation of Cosmological Initial Data Sets (M Carfora & T Buchert); Fuchsian Partial Differential Equations (Y Choquet-Bruhat); Analytic Structure of the Four-Wave Mixing Model in Photoreactive Material (R Conte & S Bugaychuk); A Note about Waves in Dissipative and Dispersive Solids (M Destrade & G Saccomandi); Exponential and Algebraic Relaxation in Kinetic Models for Wealth Distribution (B Dring et al.); Solitary Waves in Dispersive Materials (J Engelbrecht et al.); A GinzburgOCoLandau Model for the Ice-Water and Liquid-Vapor Phase Transitions (M Fabrizio); Stability Considerations for Reaction-Diffusion Systems (J N Flavin); A Mechanical Model for Liquid Nanolayers (H Gouin); A Particle Method for a Lotka-Volterra System with Nonlinear Cross and Self-Diffusion (M Groppi & M Sammartino); Transport Properties of Chemically Reacting Gas Mixtures (G M Kremer); Navier-Stokes in Aperture Domains: Existence with Bounded Flux and Qualitative Properties (P Maremonti); On Two-Pulse Interaction in a Class of Model Elastic Materials (A Mentrelli et al.); On a Particle-Size Segregation Equation (C Mineo & M Torrisi); Problems of Stability and Waves in Biological Systems (G Mulone); Multiple Cold and Hot Second Sound Shocks in HE II (A Muracchini & L Seccia); Differential Equations and Lie Symmetries (F Oliveri et al.); Bifurcation Analysis of Equilibria in Competitive Logistic Networks with Adaptation (A Raimondi & C Tebaldi); Poiseuille Flow of a Fluid Overlying a Porous Media (B Straughan); Analysis of Heat Conduction Phenomena in a One-Dimensional Hard-Point Gas by Extended Thermodynamics (S Tanigushi et al.); On Waves in Weakly Nonlinear Poroelastic Materials Modeling Impacts of Meteorites (K Wilmanski et al.); and other papers. Readership: Researchers in mathematics, physics, chemistry and engineering.
Since the release in 1929 of a popular book series with bright yellow covers, the Italian word giallo (yellow) has come to define a whole spectrum of mystery and detective fiction and films. Although most English speakers associate the term giallo with the violent and erotic thrillers popular in the 1960s and 1970s from directors like Mario Bava, Dario Argento, Lucio Fulci and others, the term encompasses a wide range of Italian media such as mysteries, thrillers and detective stories--even comedies and political pamphlets. As films like Blood and Black Lace (1964) and Deep Red (1975) have received international acclaim, giallo is a fluid and dynamic genre that has evolved throughout the decades. This book examines the many facets of the giallo genre --narrative, style, themes, and influences. It explores Italian films, made-for-TV films and miniseries from the dawn of sound cinema to the present, discussing their impact on society, culture and mores.
This book represents research conducted over a two-year period on the politico-diplomatic relations between Italy and the United States in the mid-Sixties and Seventies. Based on conspicuous archival materials from Italian, American and British sources, and on a great amount of secondary literature, it traces an accurate panorama of the Italian political, social and diplomatic developments – from the student and worker protests of 1968, to the killing of Aldo Moro in 1978; from the behind-the-scenes bargains between parties, to the fear of the Communist Party’s growth – during the Premiership of the conservative Christian Democrat, Mariano Rumor (1915–1990). The volume includes an innovative comparison between Rumor’s basic choices of foreign policy and those of the duo Nixon and Kissinger. From here arises the book’s title, where the ‘dove’ is represented by Rumor, a fervent Catholic, a firm anti-Communist, a reliable Atlantist and an indefatigable Europeanist; while the ‘eagle’ is embodied by the Republican Administrations of Richard Nixon and Gerald Ford.
Roberto Saviano is best known for his work on the Italian mafia, but Beauty and the Inferno also tackles universal themes with great insight and humanity, with urgency, and often with anger. This important collection includes essays on the legacy of the earthquake at L'Aquila, a town at risk of becoming overrun by mafia; on boxing as an escape route; on the life of the legendary South African jazz singer, Miriam Makeba; on an encounter with Salman Rushdie, and a tribute to Frank Miller, author of the graphic novel 300; on Michael Herr's Dispatches. One essay reflects on the aftermath of the publication of his book and subsequent film, Gomorrah, and how his life has been conditioned by the mafia's death threats, and the final essay in the collection celebrates the life of the Russian journalist Anna Politkovskaya.
Milan and Lombardy have played an important role in the Italian country since the Roman period. This importance is reflected also by the diffusion of stone architecture: a persisting trait of Milan architecture was the use of different stones in the same building. Milan lies in the middle of the alluvial plain of the Po, far from the stone quarries; some waterways were dug out in order to supply the building stones from the surrounding territories. The study of stone as building material was significant at the end of 19th century, but then it was largely neglected by both architects and geologists. So it is significant to suggest a study about the stones employed to build in Milan (Volume 1) in relationship with a petrographic study about the features of the stones quarried in the whole Lombard territory (Volume 2). Volume 2 contains the description of the features of the stones reported in Volume 1. These features include metamorphic and magmatic rocks of the Alpine area; sedimentary rocks and loose materials of the Prealpine area; sedimentary rocks of the Apennine area; and loose sediments of the Padania plain. Some stones, coming from other northern Italian regions, and used in Lombard architecture, are also described. Each stone is described in a "card" containing commercial and historical names, petrographic classification, macroscopic features, mineralogical composition, microscopic features, geological setting, quarry sites, transport to yards, morphology of dressed elements and surface handworking, use in architecture in the whole Lombard territory and abroad and decay morphologies. A particular investigation is addressed to the stones used during the 20th century; a great part of them were never used before in Milan and in Lombardy.
Tonino Valerii is one of Italy's best genre film directors. Starting out as Sergio Leone's assistant on For a Few Dollars More (1965), he went on to direct spaghetti westerns that stand out among the most accomplished in their class--Day of Anger (1967), The Price of Power (1969), A Reason to Live, a Reason to Die! (1972) and My Name Is Nobody (1973). He also directed the outstanding giallo My Dear Killer (1972). This book examines Valerii's life and career in depth for the first time, with exclusive interviews with the filmmaker, scriptwriters and actors, and critical analysis of his films.
Europe (in Theory) is an innovative analysis of eighteenth- and nineteenth-century ideas about Europe that continue to inform thinking about culture, politics, and identity today. Drawing on insights from subaltern and postcolonial studies, Roberto M. Dainotto deconstructs imperialism not from the so-called periphery but from within Europe itself. He proposes a genealogy of Eurocentrism that accounts for the way modern theories of Europe have marginalized the continent’s own southern region, portraying countries including Greece, Italy, Spain, and Portugal as irrational, corrupt, and clan-based in comparison to the rational, civic-minded nations of northern Europe. Dainotto argues that beginning with Montesquieu’s The Spirit of Laws (1748), Europe not only defined itself against an “Oriental” other but also against elements within its own borders: its South. He locates the roots of Eurocentrism in this disavowal; internalizing the other made it possible to understand and explain Europe without reference to anything beyond its boundaries. Dainotto synthesizes a vast array of literary, philosophical, and historical works by authors from different parts of Europe. He scrutinizes theories that came to dominate thinking about the continent, including Montesquieu’s invention of Europe’s north-south divide, Hegel’s “two Europes,” and Madame de Staël’s idea of opposing European literatures: a modern one from the North, and a pre-modern one from the South. At the same time, Dainotto brings to light counter-narratives written from Europe’s margins, such as the Spanish Jesuit Juan Andrés’s suggestion that the origins of modern European culture were eastern rather than northern and the Italian Orientalist Michele Amari’s assertion that the South was the cradle of a social democracy brought to Europe via Islam.
In 1970s Italy, after the decline of the Spaghetti Western, crime films became the most popular, profitable and controversial genre. In a country plagued with violence, political tensions and armed struggle, these films managed to capture the anxiety and anger of the times in their tales of tough cops, ruthless criminals and urban paranoia. Recent years have seen renewed critical interest in the genre, thanks in part to such illustrious fans as Quentin Tarantino. This book examines all of the 220+ crime films produced in Italy between 1968 and 1980, the period when the genre first appeared and grew to its peak. Entries include a complete cast and crew list, home video releases, a plot summary and the author's own analysis. Excerpts from a variety of sources are included: academic texts, contemporary reviews, and interviews with filmmakers, scriptwriters and actors. There are many onset stills and film posters.
Family secrets, terrorist plots and the return of a legendary cop: a ferociously paced noir thriller from one of Italy's top crime writers, and the second book in Pushkin Press's collaboration with Walter Presents Annibale Canessa didn't want to go back to his old life. When everything went wrong in 1984, he traded his brutal, exciting career in the Carabinieri for paradise in San Fruttuoso. He started swimming in the bay at dawn and helping his elderly aunt run a small restaurant. His life was calm. But some shattering news pulls him back in - his estranged brother has been found dead; lying beside him, the body of an ex-terrorist, a man Canessa himself caught. Back in Milan, Canessa must pursue old connections and unsolved crimes, which draw him ever deeper into the underworld he thought he'd left behind...
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