This book presents a new System Dynamics model (the ERRE model), a novel stock and flow consistent global impact assessment model designed by the authors to address the financial risks emerging from the interaction between economic growth and environmental limits under the presence of shocks. Building on the World3-03 Limits to Growth model, the ERRE links the financial system with the energy, agriculture and climate systems through the real economy, by means of feedback loops, time lags and non-linear rationally bounded decision making. Prices and their interaction with growth, inflation and interest rates are assumed to be the main driver of economic failure while reaching planetary limits. The model allows for the stress-testing of fat tail extreme risk scenarios, such as climate shocks, energy transition, monetary policies and carbon taxes. Risks are addressed via scenario analyses, compared to real available data, and assessed in terms of the economic theory that lies behind. The book outlines the case for a government led system change within this decade, where the market alone cannot lead to sustainable prosperity. This book will be of great interest to scholars of climate change, behavioural, ecological and evolutionary economics, green finance, and sustainable development.
A lost literary classic, written in 1894, The Viceroys is one of the most acclaimed masterworks of Italian realism. The novel follows three generations of the aristocratic Uzeda family as it struggles to hold on to power in the face of the cataclysmic changes rocking Sicily. As Garibaldi's triumphs move Italy toward unification, the Uzedas try every means to retain their position. De Roberto's satirical and mordant pen depicts a cast of upper-class schemers, headed by the old matriarch, Donna Teresa, and exemplified by her arrogant and totally unscrupulous son, Consalvo, who rises to political eminence through lip service, double-dealing, and hypocrisy. The Viceroys is a vast dramatic panorama: a new world fighting to shrug off the viciousness and iniquities of the old.
Elio Petri (1929-1982) was one of the most commercially successful and critically revered Italian directors ever. A cultured intellectual and a politically committed filmmaker, Petri made award-winning movies that touched controversial social, religious, and political themes, such as the Mafia in We Still Kill the Old Way (1967), police brutality in Investigation of a Citizen Above Suspicion (1970), and workers' struggles in Lulu the Tool (1971). His work also explored genre in a thought-provoking and refreshing manner with a taste for irony and the grotesque: among his best works are the science fiction satire The 10th Victim (1965), the ghost story A Quiet Place in the Country (1968), and the grotesque giallo Todo modo (1976). This book examines Elio Petri's life and career, and places his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of each of his films, plenty of never-before-seen bits of information recovered from the Italian ministerial archives, and an in-depth discussion of the director's unfilmed projects.
Palermo's heart lies hidden under its many outer layers. In this unusual guide to the beautiful Sicilian capital, Roberto Alajmo uncovers each stratum to reveal its true character. Although disguised as a tourist's handbook, Palermo has much more to offer than ordinary recommendations for the intrepid traveler. Alajmo gives an insight into the city from a lifelong resident's point of view, showcasing its hidden cultural and culinary jewels; portraying its people, and their secrets; touching on its politics and contentious mafia involvement. Seeing Palermo with one's own eyes is an ineffable experience, even for Alajmo; the essence of the city, its beauty, is the only aspect left to the reader to discover.
A man falls from the fourth floor. It is the only choice he has left to stop suffering. As he falls he announces his last wish, but then his body freezes a few centimetres above the ground. A thread of light descends from above him, he clings to it, and tries to escape from the dark well of depression that has swallowed him. Aldo Amedei is a successful journalist who has lost everything, even his dreams. The past is regret, the present is populated by monsters and ghosts, but he tries to follow that thread of light, that crazy desire that kept him alive, by running the New York marathon. He doesn’t even know why he thought of it; after all, he is a man who takes his car to drive a hundred metres. He starts running, like an escaped prisoner hunted by his nightmares. He falls, he gets up, he falls again and gets back on his feet. And each time it hurts more and more. But he doesn’t let go. For love, and with the love of Teresa, his young partner. Spitting out his soul along streets full of toil, angels and vultures, he comes back to life, to passion and to dreams. He’s helped by a doctor, a unexpected coach and a grandson even crazier than himself. He becomes another person, embedding people into his heart, along with laughter, surprises and new emotions. But his enemies don’t give up, they chase him, determined to bring him back into the black well of depression. There’s everything still to play for, as in the last challenge, between life and death: the 42 kilometres and 195 metres of the New York marathon. Against the wind and against everything. From Hell to Central Park.
Tonino Valerii is one of Italy's best genre film directors. Starting out as Sergio Leone's assistant on For a Few Dollars More (1965), he went on to direct spaghetti westerns that stand out among the most accomplished in their class--Day of Anger (1967), The Price of Power (1969), A Reason to Live, a Reason to Die! (1972) and My Name Is Nobody (1973). He also directed the outstanding giallo My Dear Killer (1972). This book examines Valerii's life and career in depth for the first time, with exclusive interviews with the filmmaker, scriptwriters and actors, and critical analysis of his films.
Annotation This book constitutes the refereed proceedings of the 10th Congress of the Italian Association for Artificial Intelligence, AI*IA 2007, held in Rome, Italy, in September 2007. The 42 revised full papers presented together with 14 revised poster papers and 3 invited talks were carefully reviewed and selected from 80 submissions. The papers are organized in topical sections on knowledge representation and reasoning, multiagent systems, distributed AIai, knowledge engineering, ontologies and the semantic Web, machine learning, natural language processing, information retrieval and extraction, planning and scheduling, AI and applications. Three special tracks depicting progresses in significant application fields that represent increasingly relevant topics contain 18 additional papers on AI and robotics, AI and expressive media, and intelligent access to multimedia information.
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.
Italian Gothic horror films of the 1970s were influenced by the violent giallo movies and adults-only comics of the era, resulting in a graphic approach to the genre. Stories often featured over-the-top violence and nudity and pushed the limits of what could be shown on the screen. The decade marked the return of specialist directors like Mario Bava, Riccardo Freda and Antonio Margheriti, and the emergence of new talents such as Pupi Avati (The House with the Laughing Windows) and Francesco Barilli (The Perfume of the Lady in Black). The author examines the Italian Gothic horror of the period, providing previously unpublished details and production data taken from official papers, original scripts and interviews with filmmakers, scriptwriters and actors. Entries include complete cast and crew lists, plot summaries, production history and analysis. An appendix covers Italian made-for-TV films and mini-series.
In 1970s Italy, after the decline of the Spaghetti Western, crime films became the most popular, profitable and controversial genre. In a country plagued with violence, political tensions and armed struggle, these films managed to capture the anxiety and anger of the times in their tales of tough cops, ruthless criminals and urban paranoia. Recent years have seen renewed critical interest in the genre, thanks in part to such illustrious fans as Quentin Tarantino. This book examines all of the 220+ crime films produced in Italy between 1968 and 1980, the period when the genre first appeared and grew to its peak. Entries include a complete cast and crew list, home video releases, a plot summary and the author's own analysis. Excerpts from a variety of sources are included: academic texts, contemporary reviews, and interviews with filmmakers, scriptwriters and actors. There are many onset stills and film posters.
In Gomorrah, a New York Times Book Review Notable Book of the Year, Roberto Saviano revealed a true, devastating portrait of Naples, Italy under the rule of the Camorra, a crime organization more powerful and violent than the Mafia. In The Piranhas, now a major motion picture, the international bestselling author returns to his home city with a novel of gang warfare and a young man’s dark desire to rise to the top of Naples’s underworld. Nicolas Fiorillo is a brilliant and ambitious fifteen-year-old from the slums of Naples, eager to make his mark and to acquire power and the money that comes with it. With nine friends, he sets out to create a new paranza, or gang. Together they roam the streets on their motorscooters, learning how to break into the network of small-time hoodlums that controls drug-dealing and petty crime in the city. They learn to cheat and to steal, to shoot semiautomatic pistols and AK-47s. Slowly they begin to wrest control of the neighborhoods from enemy gangs while making alliances with failing old bosses. Nicolas’s strategic brilliance is prodigious, and his cohorts’ rapid rise and envelopment in the ensuing maelstrom of violence and death is riveting and impossible to turn away from. In The Piranhas, Roberto Saviano imagines the lurid glamour of Nicolas’s story with all the vividness and insight that made Gomorrah a worldwide sensation. “With the openhearted rashness that belongs to every true writer, Saviano returns to tell the story of the fierce and grieving heart of Naples.” —Elena Ferrante
This book presents a new System Dynamics model (the ERRE model), a novel stock and flow consistent global impact assessment model designed by the authors to address the financial risks emerging from the interaction between economic growth and environmental limits under the presence of shocks. Building on the World3-03 Limits to Growth model, the ERRE links the financial system with the energy, agriculture and climate systems through the real economy, by means of feedback loops, time lags and non-linear rationally bounded decision making. Prices and their interaction with growth, inflation and interest rates are assumed to be the main driver of economic failure while reaching planetary limits. The model allows for the stress-testing of fat tail extreme risk scenarios, such as climate shocks, energy transition, monetary policies and carbon taxes. Risks are addressed via scenario analyses, compared to real available data, and assessed in terms of the economic theory that lies behind. The book outlines the case for a government led system change within this decade, where the market alone cannot lead to sustainable prosperity. This book will be of great interest to scholars of climate change, behavioural, ecological and evolutionary economics, green finance, and sustainable development.
Roberto Saviano is best known for his work on the Italian mafia, but Beauty and the Inferno also tackles universal themes with great insight and humanity, with urgency, and often with anger. This important collection includes essays on the legacy of the earthquake at L'Aquila, a town at risk of becoming overrun by mafia; on boxing as an escape route; on the life of the legendary South African jazz singer, Miriam Makeba; on an encounter with Salman Rushdie, and a tribute to Frank Miller, author of the graphic novel 300; on Michael Herr's Dispatches. One essay reflects on the aftermath of the publication of his book and subsequent film, Gomorrah, and how his life has been conditioned by the mafia's death threats, and the final essay in the collection celebrates the life of the Russian journalist Anna Politkovskaya.
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