Random process analysis (RPA) is used as a mathematical model in physics, chemistry, biology, computer science, information theory, economics, environmental science, and many other disciplines. Over time, it has become more and more important for the provision of computer code and data sets. This book presents the key concepts, theory, and computer code written in R, helping readers with limited initial knowledge of random processes to become confident in their understanding and application of these principles in their own research. Consistent with modern trends in university education, the authors make readers active learners with hands-on computer experiments in R code directing them through RPA methods and helping them understand the underlying logic. Each subject is illustrated with real data collected in experiments performed by the authors or taken from key literature. As a result, the reader can promptly apply the analysis to their own data, making this book an invaluable resource for undergraduate and graduate students, as well as professionals, in physics, engineering, biophysical and environmental sciences, economics, and social sciences.
Random process analysis (RPA) is used as a mathematical model in physics, chemistry, biology, computer science, information theory, economics, environmental science, and many other disciplines. Over time, it has become more and more important for the provision of computer code and data sets. This book presents the key concepts, theory, and computer code written in R, helping readers with limited initial knowledge of random processes to become confident in their understanding and application of these principles in their own research. Consistent with modern trends in university education, the authors make readers active learners with hands-on computer experiments in R code directing them through RPA methods and helping them understand the underlying logic. Each subject is illustrated with real data collected in experiments performed by the authors or taken from key literature. As a result, the reader can promptly apply the analysis to their own data, making this book an invaluable resource for undergraduate and graduate students, as well as professionals, in physics, engineering, biophysical and environmental sciences, economics, and social sciences.
The most massive stars in the galaxy - those with more than 15 to 20 solar masses - are lilkely to ionize their surroundings before they reach their final mass. How can they accrete in spite of the presence of over-pressurized gas? This thesis presents results of Submillimeter Array (SMA) and Very Large Array (VLA) studies of massive star formation regions in the early stages of ionization, as well as an analysis of numerical simulations of the evolution of these young HII regions. The results favor a picture in which very massive stars form in accretion flows that are partially ionized and that keep accreting material from their environment.
In 1970s Italy, after the decline of the Spaghetti Western, crime films became the most popular, profitable and controversial genre. In a country plagued with violence, political tensions and armed struggle, these films managed to capture the anxiety and anger of the times in their tales of tough cops, ruthless criminals and urban paranoia. Recent years have seen renewed critical interest in the genre, thanks in part to such illustrious fans as Quentin Tarantino. This book examines all of the 220+ crime films produced in Italy between 1968 and 1980, the period when the genre first appeared and grew to its peak. Entries include a complete cast and crew list, home video releases, a plot summary and the author's own analysis. Excerpts from a variety of sources are included: academic texts, contemporary reviews, and interviews with filmmakers, scriptwriters and actors. There are many onset stills and film posters.
The history of Italian cinema includes, in addition to the renowned auteurs, a number of peculiar and lesser-known filmmakers. While their artistry was often plagued with production setbacks, their works--influenced by poetry, playwriting, advertising, literature, comics and a nonconformist, sometimes antagonistic attitude--were original and thought provoking. Drawing from official papers and original scripts, this book includes much previously unpublished information on the works and lives of post-World War II filmmakers Pier Carpi, Alberto Cavallone, Riccardo Ghione, Giulio Questi, Brunello Rondi, Paolo Spinola, Augusto Tretti and Nello Vegezzi.
Marco Ferreri (1928-1997) was one of Italian cinema's boldest auteurs. A maverick personality, he worked with some of the most popular actors of the time (Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gerard Depardieu, Ugo Tognazzi, Carroll Baker, Roberto Benigni, Isabelle Huppert, Christopher Lambert and others), and directed internationally acclaimed films. His filmography includes The Conjugal Bed (1963), The Ape Woman (1964), Dillinger Is Dead (1969), the scandalous La Grande Bouffe (1973), the absurdist western Don't Touch the White Woman! (1974), The Last Woman (1976), Bye Bye Monkey (1978) and the Charles Bukowski adaptation Tales of Ordinary Madness (1981). Ferreri's cinema dealt in highly original ways with contemporary issues: the crisis of marriage, relationships between sexes, consumerism, and political disillusionment. His films were controversial and confronted censorship issues, leading to Ferreri's fame as a master provocateur. This book examines Marco Ferreri's life and career, placing his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of his films, with never-before-seen bits of information recovered from Italian ministerial archives and in-depth discussion of the director's unfilmed projects.
Elio Petri (1929-1982) was one of the most commercially successful and critically revered Italian directors ever. A cultured intellectual and a politically committed filmmaker, Petri made award-winning movies that touched controversial social, religious, and political themes, such as the Mafia in We Still Kill the Old Way (1967), police brutality in Investigation of a Citizen Above Suspicion (1970), and workers' struggles in Lulu the Tool (1971). His work also explored genre in a thought-provoking and refreshing manner with a taste for irony and the grotesque: among his best works are the science fiction satire The 10th Victim (1965), the ghost story A Quiet Place in the Country (1968), and the grotesque giallo Todo modo (1976). This book examines Elio Petri's life and career, and places his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of each of his films, plenty of never-before-seen bits of information recovered from the Italian ministerial archives, and an in-depth discussion of the director's unfilmed projects.
Knots like Stars: The ABCs of the Ecological Imagination in Our Americas is an encyclopedia of essays and aphorisms, at times personal, at times speculative and analytical, that invites readers to understand and enjoy an ecological perspective on Latin American literature and arts. It is simultaneously a summons to join creative forces with the non-human world. Through 43 key, interdependent entries from diverse environmental traditions, writing becomes a meditation on the poetry, films, and visual artistic traditions that sustain life, while opposing the actual destruction of Mesoamerican, Andean, and Amazonian biodiversity. The book will appeal to all people wanting to understand how poetic, artistic, and critical endeavors can enrich, rather than impoverish, the imperiled world around us. Since the Hispanic population and influence have increased dramatically in recent years, a better understanding of the complexity of this diverse culture will be an important asset for a sustainable and more interconnected future. This book invites its readers to expand their horizons and enjoy connections in order to build a sustainable community by integrating ecological perspectives in literature, film, and other arts.
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.
Milan has played an important role in the Italian country since the Roman period. This importance is reflected also by the diffusion of stone architecture: a persisting trait of Milan architecture was the use of different stones in the same building. Milan lies in the middle of the alluvial plain of the Po, far from the stone quarries; some waterways were dug out in order to supply the building stones from the surrounding territories. The study of stone as a building material was significant at the end of 19th century, but then it was largely neglected by both architects and geologists. So it is significant to suggest a study about the stones employed to build in Milan (Volume 1) in relationship with a petrographic study about the features of the stones quarried in the whole Lombard territory (Volume 2). The present volume contains a record of Milanese edifices marking the different historical periods. Each edifice is described in a "card" containing: the building history, the architect, the kind of stone employed and subdivided according to the different parts of the building and the shape of stone elements. A particular investigation is addressed to the stones used during the 20th century; a great part of them were never used before in Milan (or in Lombardy).
This book, based on the experience of a single large referral center, presents the characteristic findings obtained when using MR imaging and MR cholangiopancreatography (MRCP) to image the biliary tree and pancreatic ducts in a variety of disease settings. An introductory chapter is devoted to technical considerations, anatomy, and developmental anomalies. Subsequent chapters then present in detail the MR imaging and MRCP findings observed in choledocholithiasis, inflammatory and neoplastic disorders of the bile ducts, acute and chronic pancreatitis (according to etiology), and different pancreatic neoplasms. Dynamic MRCP with secretin stimulation is also illustrated, documenting both normal and abnormal responses of the pancreatic duct system to secretin. Readers will find this book to be an excellent aid to the interpretation of MR imaging and MRCP findings in patients with biliary and pancreatic disease.
Italian Gothic horror films of the 1970s were influenced by the violent giallo movies and adults-only comics of the era, resulting in a graphic approach to the genre. Stories often featured over-the-top violence and nudity and pushed the limits of what could be shown on the screen. The decade marked the return of specialist directors like Mario Bava, Riccardo Freda and Antonio Margheriti, and the emergence of new talents such as Pupi Avati (The House with the Laughing Windows) and Francesco Barilli (The Perfume of the Lady in Black). The author examines the Italian Gothic horror of the period, providing previously unpublished details and production data taken from official papers, original scripts and interviews with filmmakers, scriptwriters and actors. Entries include complete cast and crew lists, plot summaries, production history and analysis. An appendix covers Italian made-for-TV films and mini-series.
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