Michele Emiliano protagonista, a Bari e in Puglia, d'una esperienza politica e amministrativa particolarmente interessante e innovativa nella realt politica italiana. Ecco i come e i perch raccontati da osservatori e protagonisti: Ludovico Abaticchio, Dino Amenduni, Nino Anaclerio, Pierluigi Balducci, Lino Banfi, Rosina Basso Lobello, Paolo Bevilacqua, Tobia Binetti, Nicola Bonerba, Dino Borri, Marco Brando, Carlo Bruni, Danilo Calabrese, Giovanni Campobasso, Antonio Cantoro, Cinzia Capano, Michele Capriati, Donato Carrisi, Franco Cassano, Domenico Castellaneta, Angelo Cera, Franco Chiarello, Graziano Conversano, Raimondo Cucciola, Nicola De Bartolomeo, Antonio De Caro, Fortunata Dell'Orzo, Cinzia De Marzo, Fabio Di Fonte, Antonio Di Matteo, Gemma Dipoppa, Simonetta Emiliano, Francesco Ferrante, Francesco Fistetti, Enrico Fornaro, Costantino Foschini, Dario Ginefra, Mario Gismondi, Giuseppe Goffredo, Gero Grassi, Eugenio Iorio, Marco Lacarra, Vito Leccese, Francesco Lenoci, Adriana Logroscino, Fabrizio Lombardo Pijola, Antonio Madaro, Enzo Magist, Alfredo Mantovano, Biagio Marzo, Augusto Masiello, Maria Maugeri, Michele Mazzarano, Susi Mazzei, Domenico Mennitti, Nichi Muciaccia, Gennaro Nunziante, Rocco Palese, Carlo Paolini, Vittorio Parisi, Federico Pirro, Adriana Poli Bortone Massimo Posca, Franco Punzi, Enzo Purgatorio, Luigi Quaranta, Antonella Rinella, Elio Sannicandro, Maria Santacroce, Alba Sasso, Giovanni Sasso, Leonardo Scorza, Vittorio Sgarbi, Ippazio Stef no, Salvatore Tatarella, Leonardo Tomasicchio, Andrea Troisi, Walter Veltroni, Nichi Vendola, Marcello Vernola, Cesare Veronico, Fabrizio Versienti, Gianfranco Viesti, Luciano Violante, Pierfelice Zazzera.Michele Emiliano is the protagonist, in Bari and in Puglia, of a political and administrative experience particularly interesting and innovative in the reality of Italian politics.
Perceptual processes in humans and machines, investigated and simulated by means of the computational approach, are the subject matter of this volume. Researchers in artificial intelligence, pattern recognition, and psychology discuss aspects of vision, speech understanding, sensory-motor coordination, and their interplay with cognitive and behavioral functionalities. The papers adopt the computational approach as the basic research paradigm. Connectionist models, numerical and statistical techniques, symbolic (logic-based) formalisms, and hybrid representations provide the formal background to the research. Some of the papers were prepared for a workshop held in Trieste, Italy, in October 1992.
In 1970s Italy, after the decline of the Spaghetti Western, crime films became the most popular, profitable and controversial genre. In a country plagued with violence, political tensions and armed struggle, these films managed to capture the anxiety and anger of the times in their tales of tough cops, ruthless criminals and urban paranoia. Recent years have seen renewed critical interest in the genre, thanks in part to such illustrious fans as Quentin Tarantino. This book examines all of the 220+ crime films produced in Italy between 1968 and 1980, the period when the genre first appeared and grew to its peak. Entries include a complete cast and crew list, home video releases, a plot summary and the author's own analysis. Excerpts from a variety of sources are included: academic texts, contemporary reviews, and interviews with filmmakers, scriptwriters and actors. There are many onset stills and film posters.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.