The details of the Jewish Holocaust have become part of our history through the testimony of those who survived the death camps. The details of Lenin’s and Stalin’s reign of terror are far less known because they took place behind a wall of secrecy, and because survivors have been loath to speak about them for fear of retribution. This is an encompassing volume presenting an intense display, as complete as can be, of poets, artists, musicians, and philosophers and intellectual actors implicated in different aspects of Russian life roughly through the period 1900-1960. They were people who had lived under the Soviet regime in times of peace and in times of war, from the Red Terror through the Great Terror. One must bear in mind the political and economic conditions in which those lives developed: the one-party rule placed above both the government and the citizens, the abashment of the division of powers, the suppression of private property and private economic initiative, the political police, and the GULAG. I deal with the poets in several chapters, then theater directors, then composers, then philosophers (these both in the introduction and in the play at the end of the book). Besides the Prologue and Introduction, the reader will find an Index of historical names, plus an extensive Bibliography. The work can be used for reference, for classroom adoption, for researchers/practitioners of Russian Literature, Political Studies, Slavic Studies, and Russian History.
The details of the Jewish Holocaust have become part of our history through the testimony of those who survived the death camps. The details of Lenin’s and Stalin’s reigns of terror are far less known because they took place behind a wall of secrecy, and survivors have been reluctant to speak about them for fear of retribution. This is an encompassing volume presenting an intense display, as complete as can be, of testimonies, gathered between 2001 and 2005 of actors implicated in different aspects of Russian life roughly through the period 1917-1956. They were people who had lived under the Soviet regime in times of peace and in times of war, from the Red Terror through the Great Terror. One must bear in mind the political and economic conditions in which those lives developed: the one-Party rule placed above both the government and the citizens, the abashment of the division of powers, the suppression of private property and private economic initiative, the political police, and the GULAG. Russian Nights offers a wide and detailed perspective of what we call “the Russian Century”: Lenin’s takeover, the all-powerful Party, the GULAG, and the Second World War.
The details of the Jewish Holocaust have become part of our history through the testimony of those who survived the death camps. The details of Lenin’s and Stalin’s reign of terror are far less known because they took place behind a wall of secrecy, and because survivors have been loath to speak about them for fear of retribution. This is an encompassing volume presenting an intense display, as complete as can be, of poets, artists, musicians, and philosophers and intellectual actors implicated in different aspects of Russian life roughly through the period 1900-1960. They were people who had lived under the Soviet regime in times of peace and in times of war, from the Red Terror through the Great Terror. One must bear in mind the political and economic conditions in which those lives developed: the one-party rule placed above both the government and the citizens, the abashment of the division of powers, the suppression of private property and private economic initiative, the political police, and the GULAG. I deal with the poets in several chapters, then theater directors, then composers, then philosophers (these both in the introduction and in the play at the end of the book). Besides the Prologue and Introduction, the reader will find an Index of historical names, plus an extensive Bibliography. The work can be used for reference, for classroom adoption, for researchers/practitioners of Russian Literature, Political Studies, Slavic Studies, and Russian History.
Dr. Roberto Canessa recounts his side of the famous 1972 plane crash of Uruguayan Air Force Flight 571 in the Andean Mountains and how, decades later, the harrowing journey to survive propelled him to become one of the world’s leading pediatric cardiologists, seeing in his patients the same fierce will to live he witnessed in the Andes. As he tended to his wounded Old Christians teammates amidst the devastating carnage, rugby player Roberto Canessa, a second-year medical student at the time, realized that no one on earth was luckier: he was alive—and for that, he should be eternally grateful. As the starving group struggled beyond the limits of what seemed possible, Canessa played a key role in safeguarding his fellow survivors, eventually trekking with a companion across the hostile mountain range for help. No one could have imagined that there were survivors from the accident in such extreme conditions. Canessa's extraordinary experience on the fine line between life and death became the catalyst for the rest of his life. This uplifting tale of hope and determination, solidarity and ingenuity, gives vivid insight into the world-famous story that inspired the movie Alive! Canessa also draws a unique and fascinating parallel between his work as a doctor diagnosing very complex congenital cardiopathies in unborn and newborn infants and the difficult life-changing decisions he was forced to make in the Andes. With grace and humanity, Canessa prompts us to ask ourselves: what do you do when all the odds are stacked against you?
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