Roberto Burle Marx was one of the most influential landscape and garden designers of the 20th century. This book presents 26 projects in plans, photographs and Burle Marx's own paintings. The introduction considers his life, ideas and work.
An inspirational and insightful look at contemporary Brazilian garden design and the influence of famed designer Roberto Burle Marx. Brazilian Roberto Burle Marx was indisputably one of the greatest garden and landscape architects of the twentieth century. His projects, almost all of which were in his native country and highlighted its rich local flora, influenced gardens and landscapesand other design disciplinesaround the world. Given the richness of Brazil's great tradition of modernism and the lushness of its tropical landscape, it is perhaps only because of its distance that so little is known about contemporary gardening thereuntil now. Presenting over thirty new gardens and landscapes located across the country, from the coast to the hills, from the cities to the jungle, New Brazilian Gardens offers an exciting overview of current practice by designers who are hardly known outside its borders. The gardens are grouped into four sections: Water, Planting, Abstraction, and Sculpture. Each project is presented in detail, with descriptions, plans (including plant lists), and photographs. An introduction considers the evolution of the Brazilian garden since the Colonial period and examines Burle Marx's influence in the light of current trends. 267 color illustrations.
Roberto Burle Marx was one of the most influential landscape and garden designers of the 20th century. This book presents 26 projects in plans, photographs and Burle Marx's own paintings. The introduction considers his life, ideas and work.
Elio Petri (1929-1982) was one of the most commercially successful and critically revered Italian directors ever. A cultured intellectual and a politically committed filmmaker, Petri made award-winning movies that touched controversial social, religious, and political themes, such as the Mafia in We Still Kill the Old Way (1967), police brutality in Investigation of a Citizen Above Suspicion (1970), and workers' struggles in Lulu the Tool (1971). His work also explored genre in a thought-provoking and refreshing manner with a taste for irony and the grotesque: among his best works are the science fiction satire The 10th Victim (1965), the ghost story A Quiet Place in the Country (1968), and the grotesque giallo Todo modo (1976). This book examines Elio Petri's life and career, and places his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of each of his films, plenty of never-before-seen bits of information recovered from the Italian ministerial archives, and an in-depth discussion of the director's unfilmed projects.
Eighteen-year-old Hilda, known as "the girl in the gold bikini" when she swam at her country club in Belo Horizonte, Brazil, abruptly leaves the gilded life to take up residence in room 304 of the Hotel Marvelous—as a prostitute. There she becomes Hilda Hurricane, an erotic force of nature no man can resist. The exception is reporter-narrator Roberto Drummond, who attempts to unravel the mystery of why the girl in the gold bikini would forego a comfortable life to join the world's oldest profession. While some in Belo Horizonte cheer Hilda's liberated lifestyle, others seek to have her moved outside the city limits, and a would-be saint cannot seem to finish the exorcism he began outside the Hotel Marvelous. Set against the social and political upheaval of the 1960s, Hilda's story seduces even as Drummond becomes aware of more ominous forces approaching Belo Horizonte. Hilda Hurricane was both a critical and a commercial success in Brazil, with more than 200,000 copies sold. (The DVD of the television adaptation has sold more than a million copies.) Admirers of Kurt Vonnegut will revel in Drummond's similarly sharp satire and playful digressions, particularly about left-wing politics, which blur the boundary between fiction and autobiography. Yet the real genius of the author's interventions may be that they never slow the story long enough to lose sight of this mysterious beauty swept up in the turmoil of the times.
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