Narrativa - racconto lungo (31 pagine) - Un viaggio nella memoria, ispirato dalla canzone Buying New Soul, dei Porcupine Tree. Un uomo e la sua esistenza. Che volge al termine. Un uomo e la sua anima. O, piuttosto, le sue varie anime. Un viaggio nella memoria, tra gioie e dolori, tra scelte vincenti ed errori. E poi primi amori, la famiglia, gli amici ritrovati e perduti. E la vita che prosegue, anche con qualcosa di importante lasciato sul percorso. E l’impossibilità di fermarsi, tornare indietro. Perché è così, la vita. Va avanti, imperterrita, accumulando ricordi, sino all’ultimo respiro. Roberto Baldini è nato in un piccolo paese del mantovano qualche decina d’anni fa, da dove si è immerso pian piano nel magico mondo della letteratura. Ha sempre lavorato a contatto con le persone e si è confrontato con realtà differenti, il che si riflette sia nella sua produzione narrativa che in quella saggistica. Il suo esordio nel romanzo è del 2009 con Chapter Love, al quale nel 2013 è seguito A proposito di noi. Per Delos Digital ha pubblicato: L'ultima sigaretta, La ragazza della canzone, L'urlo del tuo desiderio, La guida definitiva per trovare la tua donna dei sogni – evitando gli incubi e La guida definitiva per trovare il tuo uomo dei sogni – evitando gli incubi.
praise for the Italian edition: ""I read this book with passion from beginning to end."--Pierre Bourdieu "A remarkable study of "King Lear" . . . an extremely interesting and, I think, tenable thesis . . . at least as tenable as Ernest Jones's study of Hamlet's oedipal fixation."--Anthony Burgess "I was truly fascinated by this book, which introduces a totally unexpected, though perfectly plausible and, in a sense, obvious, reading of "Madame Bovary," From now on, it will be impossible to ignore this work whenever a study of Flaubert's novel is undertaken."--Jean-Pierre Richard
Spark Plasma Sintering: Current Status, New Developments and Challenges: A Review of the Current Trends in SPS looks at the progress made in the field of SPS. It includes a review of the scientific mechanisms, materials synthesis and industry applications for this processing technique. Chapters are written by leading experts in the field, encompassing topics surrounding the densification mechanism and microstructure evolution, the classification of high-performance materials, a review of numerical simulation, discussions of new technology advances, such as HP-SPS, flash sintering and related challenges. This book will be useful for researchers, engineers and students within the materials science and engineering fields. Provides significant information on the most relevant research topics currently being addressed by the SPS community Highlights the application of SPS techniques Reviews critical issues that still need to be overcome when utilizing SPS technology
The pandemic has brought into sharp relief the fundamental relationship between institution and human life: at the very moment when the virus was threatening to destroy life, human beings called upon institutions – on governments, on health systems, on new norms of behavior – to combat the virus and preserve life. Drawing on this and other examples, Roberto Esposito argues that institutions and human life are not opposed to one another but rather two sides of a single figure that, together, delineate the vital character of institutions and the instituting power of life. What else is life, after all, if not a continuous institution, a capacity for self-regeneration along new and unexplored paths? No human life is reducible to pure survival, to “bare life.” There is always a point at which life reaches out beyond primary needs, entering into the realm of desires and choices, passions and projects, and at that point human life becomes instituted: it becomes part of the web of relations that constitute social, political, and cultural life.
In an eclectic career spanning four decades, Italian director Riccardo Freda (1909-1999) produced films of remarkable technical skill and powerful visual style, including the swashbuckler Black Eagle (1946), an adaptation of Les Miserables (1947), the peplum Theodora, Slave Empress (1954) and a number of cult-favorite Gothic and horror films such as I Vampiri (1957), The Horrible Dr. Hichcock (1962) and The Ghost (1963). Freda was first championed in the 1960s by French critics who labeled him "the European Raoul Walsh," and enjoyed growing critical esteem over the years. This book covers his life and career for the first time in English, with detailed analyses of his films and exclusive interviews with his collaborators and family.
This intimate book explores the experiences of two psychoanalysts during the COVID-19 pandemic. It presents Angelo Antonio Moroni’s psychoanalytic diary and Pietro Roberto Goisis’s clinical diary, two highly personal perspectives that explore the interplay of the personal and the psychoanalytic during a time of collective trauma. Angelo’s account, written from his ‘camp tent’, examines how fundamental, time-tested procedures are suddenly questioned. Roberto’s diary is the story of his own experience as a COVID patient, the mutually therapeutic caring relationships he encounters and his efforts to keep his analytical expertise alive and well. The two accounts share painful and graphic experiences of the trauma of the pandemic, and how the authors were forced to reconsider the issues of analytical ‘asymmetry’ and ‘neutrality’. Psychoanalytic Diaries of the COVID-19 Pandemic will be of great interest to psychoanalysts in practice and in training, and to readers with an interest in clinical and personal accounts of the COVID-19 pandemic.
A handy reference guide to living with fatigue! Medical Etiology, Assessment, and Treatment of Chronic Fatigue and Malaise: Clinical Differentiation and Intervention is the single reference source you need for vital information on the fatiguing illnesses that affect more than 800,000 Americans. Written by one of the foremost experts in the field, the book is a comprehensive guide to the debilitating, and often misunderstood, phenomenon of fatigue, examining its multiple causes and treatments. Through a detailed history of chronic fatigue and a look at the factors that influence evaluation, diagnosis, and treatment, the book gives you immediate access to the answers you—and your patients—have been searching for. Practical and easy-to-use, Medical Etiology, Assessment, and Treatment of Chronic Fatigue and Malaise: Clinical Differentiation and Intervention saves you the time and trouble of sorting through extensive research findings for the information you need on the many contexts and consequences of fatigue. The book examines how fatigue is defined and measured and how it relates to autoimmune diseases, cancer, neurological disease, and a variety of other pathologies. You’ll also get immediate access to the latest related findings in cardiovascular medicine, epidemiology, infectious diseases, endocrinology, psychology, and psychiatry that served as the basis for research and therapeutic interventions. Medical Etiology, Assessment, and Treatment of Chronic Fatigue and Malaise: Clinical Differentiation and Intervention provides valuable information on: complicating factors in the diagnosis and treatment of fatigue symptom distress and quality of life body defense factors fatigue perception and severity chronic fatigue syndrome fatigue and the environment predisposed and perpetuating factors for chronic fatiguing illnesses cytokines endocrine factors and much more! Medical Etiology, Assessment, and Treatment of Chronic Fatigue and Malaise: Clinical Differentiation and Intervention also includes tables, figures, and references. This accessible reference guide is crucial for anyone suffering the effects of this baffling disorder and for the healthcare professionals they depend on.
Marco Ferreri (1928-1997) was one of Italian cinema's boldest auteurs. A maverick personality, he worked with some of the most popular actors of the time (Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gerard Depardieu, Ugo Tognazzi, Carroll Baker, Roberto Benigni, Isabelle Huppert, Christopher Lambert and others), and directed internationally acclaimed films. His filmography includes The Conjugal Bed (1963), The Ape Woman (1964), Dillinger Is Dead (1969), the scandalous La Grande Bouffe (1973), the absurdist western Don't Touch the White Woman! (1974), The Last Woman (1976), Bye Bye Monkey (1978) and the Charles Bukowski adaptation Tales of Ordinary Madness (1981). Ferreri's cinema dealt in highly original ways with contemporary issues: the crisis of marriage, relationships between sexes, consumerism, and political disillusionment. His films were controversial and confronted censorship issues, leading to Ferreri's fame as a master provocateur. This book examines Marco Ferreri's life and career, placing his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of his films, with never-before-seen bits of information recovered from Italian ministerial archives and in-depth discussion of the director's unfilmed projects.
With more than 180 films during a career spanning several decades, Jesus Franco (1930-2013) was an extraordinarily prolific and chameleon-like Spanish director, covering virtually every genre from horror to film noir, adventure and erotic, and adapting to all kinds of productions. A one-of-a-kind filmmaker, he was boldly original in the themes, style, and in his idea of cinema. This book examines his life and career between his first short film to the moment he cut his ties with his home country and became an "international" director, with a detailed production history and critical analysis of his films, placing his work within the social and political context of Spanish culture, politics, and cinema. Franco's most critically praised works are covered, namely such cult horror classics as The Awful Dr. Orlof and The Diabolical Dr. Z, as well as his working relationship with Orson Welles, whom he was to direct in a 1964 unfinished adaptation of Treasure Island. Detailed production history and critical analysis of his films are provided, placing his work within the context of Spanish culture, politics, and film industry. The book also includes plenty of never-before-seen bits of information and in-depth discussion of Franco's previously uncovered scripts, essays, and short films, as well as his unmade projects of the period.
Elio Petri (1929-1982) was one of the most commercially successful and critically revered Italian directors ever. A cultured intellectual and a politically committed filmmaker, Petri made award-winning movies that touched controversial social, religious, and political themes, such as the Mafia in We Still Kill the Old Way (1967), police brutality in Investigation of a Citizen Above Suspicion (1970), and workers' struggles in Lulu the Tool (1971). His work also explored genre in a thought-provoking and refreshing manner with a taste for irony and the grotesque: among his best works are the science fiction satire The 10th Victim (1965), the ghost story A Quiet Place in the Country (1968), and the grotesque giallo Todo modo (1976). This book examines Elio Petri's life and career, and places his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of each of his films, plenty of never-before-seen bits of information recovered from the Italian ministerial archives, and an in-depth discussion of the director's unfilmed projects.
Recognize and treat fatigue as a major symptom of cancer and cancer treatment! The Handbook of Cancer-Related Fatigue, by Dr. Roberto Patarca-Montero, the editor of the Chronic Fatigue Syndrome series from The Haworth Medical Press, focuses exclusively on fatigue as it relates to oncology. As more people every year are affected by cancer, treating the leading symptom becomes as important as treating the disease itself. Written by one of the world’s leading experts in the study of fatigue, this detailed work studies the causes, impact, and treatment of fatigue before, during, and after cancer treatment. Considered one of the most distressing yet common symptoms of cancer, fatigue must be allayed to improve the patient’s quality of life. The Handbook of Cancer-Related Fatigue studies the close relationship between fatigue and cancer, as well as cancer therapies that cause fatigue. This book identifies fatigue’s devastating effects on the body and mind and offers solutions to maximize care for all types of cancer victims using documented clinical studies from around the world. For those interested in pursuing more information, an extensive bibliography is included for all relevant text. The Handbook of Cancer-Related Fatigue provides extensive research on: determining a diagnosis of cancer-related fatigue and recognizing the syndrome at all stages of treatment long-term and short-term effects of fatigue on the cancer victim’s body and its impact on the patient’s care and treatment, even after the cancer goes into remission the underlying factors within the body systems that contribute to cancer-related fatigue numerous beneficial intervention techniques to allay the effects of cancer-related fatigue on the patient’s quality of life clinical studies showing the statistics of cancer-related fatigue in the United States and around the world identifying the relationship between cancer and fatigue using tables, references, sidebars, and an extensive bibliography and much more! Focused and thorough, The Handbook of Cancer-Related Fatigue is written for both cancer patients and health-care providers of all disciplines. Whether you are an oncologist, a therapist, or a patient, vital information is not only accessible but made easier to understand with handy charts, tables, and referenced clinical studies throughout the chapters. With fatigue categorized as one of the most important symptoms of cancer, it becomes imperative for anyone touched by this disease—personally or professionally—to keep a copy of this book at hand.
In 1970s Italy, after the decline of the Spaghetti Western, crime films became the most popular, profitable and controversial genre. In a country plagued with violence, political tensions and armed struggle, these films managed to capture the anxiety and anger of the times in their tales of tough cops, ruthless criminals and urban paranoia. Recent years have seen renewed critical interest in the genre, thanks in part to such illustrious fans as Quentin Tarantino. This book examines all of the 220+ crime films produced in Italy between 1968 and 1980, the period when the genre first appeared and grew to its peak. Entries include a complete cast and crew list, home video releases, a plot summary and the author's own analysis. Excerpts from a variety of sources are included: academic texts, contemporary reviews, and interviews with filmmakers, scriptwriters and actors. There are many onset stills and film posters.
Clinical Trials in Older Adults is the first book to consider the methodological issues underlying the evaluation of new treatments in older people. Provides information on the methodology, monitoring and regulations for those planning to conduct a clinical trials involving older adults Contains examples of ongoing trials involving older adults, and presents the main characteristics of many recently published Depicts how the issues regarding older adults in clinical trials could be properly addressed with the appropriate study design and conduct Identifies key issues in performing clinical trials in older patients with common geriatric conditions, i.e. Alzheimer’s dementia, depression, low muscle mass, cancer
Karl Popper è il filosofo che ha “congelato” la scienza, mettendo in evidenza l’impossibilità logica di dedurre asserzioni universali (o meglio: leggi scientifiche) dall’analisi di casi particolari, attraverso le osservazioni empiriche. In altri termini, non è possibile stabilire con certezza la verità delle teorie scientifiche, che restano solo ipotesi fallibili, anche se sottoposte a un numero elevato di verifiche. Popper ha trasferito le sue teorie della conoscenza anche sul terreno storico-politico, con una critica forte al totalitarismo, le cui radici sono state da lui individuate in Platone, Hegel e Marx. Al contrario, ha proposto una «società aperta», nella quale ogni possibile accordo politico sarebbe dovuto essere sottoposto al vaglio della critica.
Community Resources for Older Adults provides comprehensive, up-to-date information on programs, services, and policies pertaining to older adults. Authors Robbyn R. Wacker and Karen A. Roberto build reader awareness of programs and discuss how to better understand help-seeking behavior, as well as explain ways to take advantage of the resources available to older adults. The substantially revised Fifth Edition includes new topics and updated research, tables, and figures to help answer key questions about the evolution and utilization of programs for older adults and the challenges that service providers face.
The importance of oil for national military-industrial complexes appeared more clearly than ever in the Cold War. This volume argues that the confidential acquisition of geoscientific knowledge was paramount for states, not only to provide for their own energy needs, but also to buttress national economic and geostrategic interests and protect energy security. By investigating the postwar rebuilding and expansion of French and Italian oil industries from the second half of the 1940s to the early 1960s, this book shows how successive administrations in those countries devised strategies of oil exploration and transport, aiming at achieving a higher degree of energy autonomy and setting up powerful oil agencies that could implement those strategies. However, both within and outside their national territories, these two European countries had to confront the new Cold War balances and the interests of the two superpowers.
Italian Gothic horror films of the 1970s were influenced by the violent giallo movies and adults-only comics of the era, resulting in a graphic approach to the genre. Stories often featured over-the-top violence and nudity and pushed the limits of what could be shown on the screen. The decade marked the return of specialist directors like Mario Bava, Riccardo Freda and Antonio Margheriti, and the emergence of new talents such as Pupi Avati (The House with the Laughing Windows) and Francesco Barilli (The Perfume of the Lady in Black). The author examines the Italian Gothic horror of the period, providing previously unpublished details and production data taken from official papers, original scripts and interviews with filmmakers, scriptwriters and actors. Entries include complete cast and crew lists, plot summaries, production history and analysis. An appendix covers Italian made-for-TV films and mini-series.
A lost literary classic, written in 1894, The Viceroys is one of the most acclaimed masterworks of Italian realism. The novel follows three generations of the aristocratic Uzeda family as it struggles to hold on to power in the face of the cataclysmic changes rocking Sicily. As Garibaldi's triumphs move Italy toward unification, the Uzedas try every means to retain their position. De Roberto's satirical and mordant pen depicts a cast of upper-class schemers, headed by the old matriarch, Donna Teresa, and exemplified by her arrogant and totally unscrupulous son, Consalvo, who rises to political eminence through lip service, double-dealing, and hypocrisy. The Viceroys is a vast dramatic panorama: a new world fighting to shrug off the viciousness and iniquities of the old.
A man falls from the fourth floor. It is the only choice he has left to stop suffering. As he falls he announces his last wish, but then his body freezes a few centimetres above the ground. A thread of light descends from above him, he clings to it, and tries to escape from the dark well of depression that has swallowed him. Aldo Amedei is a successful journalist who has lost everything, even his dreams. The past is regret, the present is populated by monsters and ghosts, but he tries to follow that thread of light, that crazy desire that kept him alive, by running the New York marathon. He doesn’t even know why he thought of it; after all, he is a man who takes his car to drive a hundred metres. He starts running, like an escaped prisoner hunted by his nightmares. He falls, he gets up, he falls again and gets back on his feet. And each time it hurts more and more. But he doesn’t let go. For love, and with the love of Teresa, his young partner. Spitting out his soul along streets full of toil, angels and vultures, he comes back to life, to passion and to dreams. He’s helped by a doctor, a unexpected coach and a grandson even crazier than himself. He becomes another person, embedding people into his heart, along with laughter, surprises and new emotions. But his enemies don’t give up, they chase him, determined to bring him back into the black well of depression. There’s everything still to play for, as in the last challenge, between life and death: the 42 kilometres and 195 metres of the New York marathon. Against the wind and against everything. From Hell to Central Park.
This book presents the progress in cosmic ray physics following the recent results obtained by balloon, satellite and underground experiments. The following topics are reviewed: Composition and propagation of cosmic rays, trapping of charged particles in the earth''s magnetic field, atmospheric neutrinos, and high energy photon measurements in space.
Bertrand Russell’s research on logic is believed, alongside Wittgenstein’s and Moore’s works, to have fuelled the linguistic turn that characterized much of twentieth-century philosophy. This process originated in the refutation of British idealism and monism, providing a new interpretation of empiricism. But while his debt to traditional British empiricism has been the subject of study (including by Russell himself) and extensively investigated, the assumption that the British neo-idealist legacy was merely a polemical target of Russell and Moore’s realist pluralism has hindered a proper assessment of its influence – which, on the contrary, proves to be of theoretical significance. This essay attempts a documentary reconstruction – in part relying on the Bertrand Russell Archives – to better understand Russell’s relationship with the thought of F. H. Bradley and, indirectly but consequently, with the English idealist tradition.
Europe (in Theory) is an innovative analysis of eighteenth- and nineteenth-century ideas about Europe that continue to inform thinking about culture, politics, and identity today. Drawing on insights from subaltern and postcolonial studies, Roberto M. Dainotto deconstructs imperialism not from the so-called periphery but from within Europe itself. He proposes a genealogy of Eurocentrism that accounts for the way modern theories of Europe have marginalized the continent’s own southern region, portraying countries including Greece, Italy, Spain, and Portugal as irrational, corrupt, and clan-based in comparison to the rational, civic-minded nations of northern Europe. Dainotto argues that beginning with Montesquieu’s The Spirit of Laws (1748), Europe not only defined itself against an “Oriental” other but also against elements within its own borders: its South. He locates the roots of Eurocentrism in this disavowal; internalizing the other made it possible to understand and explain Europe without reference to anything beyond its boundaries. Dainotto synthesizes a vast array of literary, philosophical, and historical works by authors from different parts of Europe. He scrutinizes theories that came to dominate thinking about the continent, including Montesquieu’s invention of Europe’s north-south divide, Hegel’s “two Europes,” and Madame de Staël’s idea of opposing European literatures: a modern one from the North, and a pre-modern one from the South. At the same time, Dainotto brings to light counter-narratives written from Europe’s margins, such as the Spanish Jesuit Juan Andrés’s suggestion that the origins of modern European culture were eastern rather than northern and the Italian Orientalist Michele Amari’s assertion that the South was the cradle of a social democracy brought to Europe via Islam.
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