Grief is such a messy thing," Roberta Bondi writes in the introduction. "It fills us with so many ideas and images, memories and fantasies, celebration and bitter regret all at once all superimposed upon one another. No wonder it wears us out." In this book of poetry and reflections on her mother's death, Bondi acknowledges her grief in the presence of God over the span of a few months. She expresses many conflicting feelings: love, pain, anger, guilt, emptiness, confusion, exhaustion, relief that her mother was no longer suffering. As she celebrates her mother's life and wrestles with her own sense of loss and longing, she ponders the mystery of life, death, and God's presence everyday all around us in nature as well as in relationships. Even though we may feel isolated in our grief, we do not grieve alone, Bondi reminds us. In this firsthand account of her grief, Bondi offers a gift to all who are grieving—comfort and help with accepting the forward and backward movements of grief and loss. Wild Things will also be a valuable resource for those seeking to aid and comfort the grieving: pastors, counselors, chaplains, hospice workers, and family and friends of those dealing with loss.
Prayer is an integral aspect of the love of God and neighbor, which to many is the ultimate goal of a fulfilling Christian life. However, many want to find a way to pray but are unable to understand or justify prayer theologically. Still others believe that God will not support them in the midst of cosmic hurt. This book addresses these concerns.
Being a Christian means learning to love with God's love. But God's love is not a warm feeling in the pit of the stomach. It has definite characteristics we learn in the course of our life, in the behavior and teaching of the early monastics, as we ponder over what we can say about God as God deals with us, and finally, as we model our own lives on what we have learned.
Being a Christian means learning to love with God's love. But God's love is not a warm feeling in the pit of the stomach. It has definite characteristics we learn in the course of our life, in the behavior and teaching of the early monastics, as we ponder over what we can say about God as God deals with us, and finally, as we model our own lives on what we have learned.
Reaching for God is a compendium of Benedictine life and prayer for oblates. It brings together in one volume the essence of Benedictine spirituality-its history, its relevance through the ages and in the present, and a summary of the most fundamental gifts and values it offers for living a meaningful life. Here, the meaning and purpose of the oblate way of life is explained in a clear and encouraging way. Werner offers guidance and examples of prayer to enrich any spiritual life. Sister Roberta Werner, OSB, having worked as a teacher, caregiver, and educational administrator, is now the assistant oblate director at St. Benedict's Monastery in St. Joseph, Minnesota. In this role, she guides an oblate discussion group, contributes to oblate newsletter publications, has set up an oblate library, and makes the spiritual journey with the many oblates who connect with her and with the monastery in their search for God.
Migration to Australia is not always straightforward, nor is it the right choice for everyone. This book is designed to assist people in making an informed decision ahead of taking the huge step to relocate. It will equip readers with enough information to prepare them for the day-to-day realities of living and working in Australia, as this often turns out to be very different from what was expected. Part One is a general overview to Living in Australia and details the complex visa process, finance, healthcare, lifestyle, property and education. It also contains up to date information on the current economic situation, which industries are on the rise and decline, how to go about your job search from the UK and Australia, where to look for work and how to increase your opportunities and secure the correct visa. Part Two examines Australia's main cities (Sydney, Melbourne, Brisbane, Perth, Adelaide, Canberra and Tasmania) and provides comprehensive information about what to expect from each in terms of lifestyle, employment opportunities, recreation, residential options and information on education and childcare for those with families. Written from personal experience, this book seeks to reduce some of the stress involved in making the momentous decision to live / work in Australia and offers valuable advice and tips on how to save time and money.
Prayer is a hard topic for most of us modern folk, and we have little place to talk about it. My own first conversation partners were the great ancient teachers, the Abbas and Ammas of the Egyptian desert...These men and women have been urging me for nearly thirty years to pray and to seek healing for the wounds of my heart I carry from childhood, from my own temperament, from my culture, even the culture of my church. They have also urged me all along to write about what I have learned from them and from my own experience, for, as they tell us, nothing, neither the most wonderful nor the most humiliating thing we are given as Christians, is ever given for ourselves alone...The chapters that follow are in the form of letters to a friend. My intention, of course, is that you, the reader, understand yourself to be the friend to whom I am writing..." --excerpted from the author's Preface "What a wonderful example of spiritual guidance through letters! Out of her own rich experience and struggle and scholarship Roberta Bondi speaks about prayer as one who knows. Those who have a lot of questions about experience of God in everyday life will not want to miss reading In Ordinary Time." --E. Glenn Hinson, Baptist Theological Seminary at Richmond, Richmond, Virginia
Symptoms of the Self offers the first full study of one of the most paradoxically popular figures in transatlantic theatre history: the stage consumptive. Consumption, or tuberculosis, remains one of the world's most deadly epidemic diseases; in the nineteenth and early twentieth centuries in France, Britain, and North America, it was a leading killer, responsible for the deaths of as many as one in four members of the population. Despite-or perhaps because of-their horrific experiences of tubercular mortality, throughout the nineteenth and well into the twentieth century audiences in these same countries flocked to see consumptive characters love, suffer, and die onstage. Beginning with the origins of the stage consumptive in Romantic-era France and ranging through to the queer theatres of New York City in the 1970s, this book explores famous plays such as La dame aux camélias (Camille) and Uncle Tom's Cabin alongside rediscovered sentimental dramas, frontier melodramas, and naturalistic problem plays. It shows how theatre artists used the symptoms of tuberculosis to perform the inward emotions and experiences of the modern self, and how the new theatrical vocabulary of realism emerged out of the innovations of the sentimental stage. In the theatre, the consumptive character became a vehicle through which-for better and for worse-standards of health, beauty, and virtue were imposed; constructions of class, gender, and sexuality were debated; the boundaries of nationhood were transgressed or maintained; and an exceedingly fragile whiteness was held up as a dominant social ideal. By telling the story of tuberculosis on the transatlantic stage, Symptoms of the Self aims to uncover some of the wellsprings of modern Western theatrical practice-and of ideas about the self that still affect the way human beings live and die"--
All languages encode aspects of culture and every culture has its own specificities to be proud of and to be transmitted. The papers in this book explore aspects of this relationship between language and culture, considering issues related to the processes of internationalization and localization of the English language. The volume is divided into two sections, complementing each other; the first one (Localizing English) focuses on the significance of ethnic knowledge, local culture, and tradition wherever English is used. The second one (Internationalizing English) deals with the degrees and patterns of internationalization of English deriving from its contact with diverse cultures and its adaptation to different professional settings and communicative purposes.
Bankruptcy Law in Context provides a fresh approach to the study of bankruptcy law through the illustration of bankruptcy issues in typical required doctrinal courses. Students learn the bankruptcy concepts by studying them in the context of materials they already mastered as part of their required law school curriculum. In addition, this title allows for a bankruptcy course to be taught as a capstone, providing a good summary and review of these foundational topics in the context of a body of law that frequently intersects with other areas of law. Key Features: An overview of fundamental doctrinal courses Problems at end of each chapter that build upon each other throughout the book Treatment of fundamental bankruptcy concepts within the context of other areas of law Professors and students will benefit from: A unique approach, that focuses not just on the bankruptcy code but on its interaction with other areas of the law. This appeals not only to students interested in bankruptcy practice, but also to students seeking a way to connect the law school curriculum or to review previously learned areas of law in preparation for the bar examination and practice A review of core doctrinal concepts An understanding of basic bankruptcy concepts Discussion of statutory interpretations throughout book Concluding problems to each chapter that bring together concepts
A comprehensive introduction to the philosophical and political thought of Karl Popper divided into three parts. The first part provides a biography, the second part examines his works and recurring themes and the last part looks at his critics.
Grief is such a messy thing," Roberta Bondi writes in the introduction. "It fills us with so many ideas and images, memories and fantasies, celebration and bitter regret all at once all superimposed upon one another. No wonder it wears us out." In this book of poetry and reflections on her mother's death, Bondi acknowledges her grief in the presence of God over the span of a few months. She expresses many conflicting feelings: love, pain, anger, guilt, emptiness, confusion, exhaustion, relief that her mother was no longer suffering. As she celebrates her mother's life and wrestles with her own sense of loss and longing, she ponders the mystery of life, death, and God's presence everyday all around us in nature as well as in relationships. Even though we may feel isolated in our grief, we do not grieve alone, Bondi reminds us. In this firsthand account of her grief, Bondi offers a gift to all who are grieving—comfort and help with accepting the forward and backward movements of grief and loss. Wild Things will also be a valuable resource for those seeking to aid and comfort the grieving: pastors, counselors, chaplains, hospice workers, and family and friends of those dealing with loss.
Combining her storytelling skills with theological insights and reflections, Bondi here tells the story of the stray cat Nick, who wheedled his way into her family's life, home, and heart. At first almost nothing but a pathetic bag of torn, matted bones, Nick arrived unexpectedly but quickly won their hearts. Under the care of a vet and the Bondis, he regained his health while receiving a home and much affection. His coming and going, his health and its decline, his insanity and death are gently told. Nick's presence prompts Bondi to reflect on the unexpected way grace comes into our lives and how we push away the Other, be it stranger, one who is sick, or a person of different orientations and beliefs. She also comments on evil and mental illness; on suffering and the atonement; on the unexpected nature of love; on the training of the heart and mind and the discipline of the Christian life for dealing with otherness; on the pervasive and persistent nature of sin; and, on the nature of embodiment, mortality, and loss.
Compared to her previous books, Houses: A Memoir of Grace is much less overtly theological and even more autobiographical. Over the course of the chapters--each of which is more or less structured around a particular house in which Bondi or one of her foremothers lived--Bondi reconstructs how she came to be who she is. She particularly focuses on how the women and the houses in her past and in her foremothers' pasts shaped her life and their lives. On this "structure" of houses are hung many different insights and stories of both pain and pleasure, abuse and self-discovery, and intermingled with all this, necessarily, discoveries about God. Houses is written as a story, one that is vividly told and replete with conversation and description of farm life in the South and city life in New York. As is her custom, Bondi also includes the many insights, dreams, revelations, and theological reflections that characterize her life and writing. It is a book that will especially appeal to those interested in self-understanding and self-esteem, as well as the complexity of intergenerational traditions and behaviors.
Prayer is an integral aspect of the love of God and neighbor, which to many is the ultimate goal of a fulfilling Christian life. However, many want to find a way to pray but are unable to understand or justify prayer theologically. Still others believe that God will not support them in the midst of cosmic hurt. This book addresses these concerns.
Compared to her previous books, Houses: A Memoir of Grace is much less overtly theological and even more autobiographical. Over the course of the chapters--each of which is more or less structured around a particular house in which Bondi or one of her foremothers lived--Bondi reconstructs how she came to be who she is. She particularly focuses on how the women and the houses in her past and in her foremothers' pasts shaped her life and their lives. On this "structure" of houses are hung many different insights and stories of both pain and pleasure, abuse and self-discovery, and intermingled with all this, necessarily, discoveries about God. Houses is written as a story, one that is vividly told and replete with conversation and description of farm life in the South and city life in New York. As is her custom, Bondi also includes the many insights, dreams, revelations, and theological reflections that characterize her life and writing. It is a book that will especially appeal to those interested in self-understanding and self-esteem, as well as the complexity of intergenerational traditions and behaviors.
Drawing on the writings of the early monastic writers, this book invites the reader to keep company with them to illuminate a way of praying, living and thinking about life in mutuality with God.
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