Are there wines to rival the greatest first-growths of Bordeaux and the grand crus of Burgundy? Robert Parker’s answer is a resounding Yes—they are to be found among the finest wines of the Rhone Valley. With this new edition of Wines of the Rhone Valley, Robert Parker, the world’s most influential wine critic, provides the key to enjoying the winemaking world’s best-kept secret. The area contains the oldest vineyards in France—indeed the heyday of some of the Rhone Valley wines was 2,000 years ago, around the time of the Roman conquest of France. In recent centuries, these wines have been misunderstood and ignored—and consequently undervalued. All of which means that some of the great wines of the world are available for a fraction of the cost of those from better-known regions. Wines of the Rhone Valley is the ultimate resource for every wine lover, highlighting both the greatest wines of the Rhone Valley and the region’s finest wine values. With his trademark thoroughness, Parker has fully revised and expanded this edition to reflect changes in the region, new personalities, and the latest vintages. In this edition, Parker returns to the region closest to his heart, exploring the sun-drenched Rhone Valley in unprecedented candor and detail.
In Victorian England, with the country swept up in the Industrial Revolution, the Pre-Raphaelites, close to William Morris’ Arts and Crafts movement, yearned for a return to bygone values. Wishing to revive the pure and noble forms of the Italian Renaissance, the major painters of the circle (such as John Everett Millais, Dante Gabriel Rossetti and William Holman Hunt) favoured realism and biblical themes over the academicism of the time. This work, with its captivating text and rich illustrations, describes with enthusiasm this singular movement which notably inspired Art Nouveau and Symbolism.
In the Victorian era, England – swept along by the Industrial Revolution, the Pre-Raphaelite fold, William Morris, and the Arts and Crafts movement – aspired to return to traditional values. Wishing to resurrect the pure and noble forms of the Italian Renaissance, a group of painters including John Everett Millais, Dante Gabriel Rossetti, and Edward Burne-Jones, favoured Realism and Biblical themes. This work, with its informed text and rich illustrations, enthusiastically describes this singular movement which provided the inspiration for Art Noveau and Symbolism.
In Victorian England, with the country swept up in the Industrial Revolution, the Pre-Raphaelites, close to William Morris' Arts and Crafts movement, yearned for a return to bygone values. Wishing to revive the pure and noble forms of the Italian Renaissance, the major painters of the circle such as John Everett Millais, Dante Gabriel Rossetti and William Holman Hunt, in opposition to the academicism of the time, favoured realism and biblical themes over the affected canons of the 19th-century. This work, with its captivating text and rich illustrations, describes with enthusiasm this singular movement which notably inspired Art Nouveau and Symbolism.
Featuring a fresh layout, revised maps, and more detail than ever before, the seventh edition of Parker's Wine Buyer's Guide offers collectors and amateurs alike the ultimate resource to the world's best wines. Understanding that buyers on every level appreciate a good deal, Parker separates overvalued bottles from undervalued, with wine prices instantly shifting according to his evaluations. Indifferent to the wine's pedigree, Parker's eminent 100-point rating system allows for independent, consumer-oriented, inside information. The latest edition of Parker's Wine Buyer's Guide includes expanded information on Spain, Portugal, Germany, Australia, Argentina, and Chile, as well as new sections on Israel and Central Europe. As in his previous editions, Parker provides the reassurance of a simple number rating, predictions for future buying potential, and practical overviews of regions and grapes. Altogether, an indispensable resource from the man the Los Angeles Times calls “the most powerful critic of any kind.”
This work is an account of the struggle over freedom of caricature in France during the period between 1815 and 1914. Illustrated with caricatures originally published during the 19th century, it traces the attempt of the French authorities to control opposition political drawings and the attempts of caricaturists to evade restrictions on their craft.
Parker's ratings on wine have had an enormous impact on consumers, retailers, importers, and producers. Parker dissects each of the world's wine regions, advises consumers about the best and worst producers and their products, and reveals the world's finest wine values for under $10. 19 maps. 2-color.
With this fourth edition of Parker's Wine Buyers' Guide, Robert Parker once again makes the world of wine accessible to everyone. The book includes information on how to buy and store wine, and how to find the best wine values for under $7.00.
Parker's acclaimed guide, fully revised with ratings on the latest vintages from around the world, is one of the most authoritative wine guides available and now comes with expanded sections on the popular wines of California and Italy.
In 1899 Marcel Proust read a translation of Ruskin's The Lamp of Memory in a Belgian magazine. Fourteen years later he back-projected the experience onto the narrator of Du cote de chez Swann who describes himself as a boy reading the self-same piece in the garden at Combray. In between lay a period of intermittent enthusiasm for Victorian writing: a period which saw the refurbishment of Proust's method and a fundamental rethinking of his views. Much of this reassessment was achieved in relation to English writers whom Proust adopted, absorbed and then as often as not discarded. The end result was to enable him to pass from one aesthetic to another. It is the contention of this book that the clue to this process can be found not only in Proust's evolving views on memory and time but also in his progression through a three-fold typology of form: from 'mimetic form' (art-imitating-the-real) through 'mnemonic form' (art-imitating-memory) to 'abstract form' (art-imitating-itself). The progress from one to another is illustrated through Proust's reactions to Carlyle, Darwin, Emerson, Ruskin, George Eliot, Hardy, Stevenson, Wells and Wilde. There is also a chapter on the connection in Proust's mind between literary and art criticism and his delayed response to the Ruskin-Whistler trial of 1878. A final chapter relates these matters to the current debate as to the parallel between the nineteenth century fin-de-siecle and our own.
In a preface prepared for this volume, Herbert explains that these essays are linked by a focus on the relation of art to the urban-industrial revolution."--BOOK JACKET.
Offers a wealth of information on wine, from the production of wine to choosing the appropriate wine for various meals, in an encyclopedic format that covers all countries, vineyards, and price ranges.
This fully updated edition of an acclaimed annual reference to the world of wine is written by a renowned wine critic who rejects pretensions and points the way to the best wines for the best values. A combined buyer's guide and A-Z encyclopedia, this edition features more than 2,500 wines, plus insider information on regions, grape varieties, producers, and wine terms.
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