These most recent essays of the late Bob Scribner show his original and provocative views as a historian on the German Reformation. Subjects covered include popular culture, art, literacy, Anabaptism, witchcraft, Protestantism and magic.
The late Bob Scribner was one of the most original and provocative historians of the German Reformation. His truly pioneering spirit comes to light in this collection of his most recent essays. In the years before his death, Scribner explored the role of the senses in late medieval devotional culture, and wondered how the Reformation changed sensual attitudes. Further essays examine the nature of popular culture and the way the Reformation was institutionalised, considering Anabaptist ideals of the community of goods, literacy and heterodoxy, and the dynamics of power as they unfold in a case of witchcraft. The final section of the book consists of three iconoclastic essays, which, together, form a sustained assault on the argument first advanced by Max Weber that the Reformation created a rational, modern religion. Scribner shows that, far from being rationalist and anti-magical, Protestants had their own brand of magic. These fine essays are certain to spark off debate, not only among historians of the Reformation, but also among art historians and anyone interested in the nature of culture.
Sociologist Robert Wuthnow notes remarkable similarities in the social conditions surrounding three of the greatest challenges to the status quo in the development of modern society--the Protestant Reformation, the Enlightenment, and the rise of Marxist socialism.
The Reformation in Germany and Switzerland is a collection of documents for A-level students and undergraduates and forms part of the series, Cambridge Topics in History. It combines new interpretations which emphasise the importance of popular response, belief and practice with the traditional approach to the origins and progress of the Reformation in Germany and Switzerland. Avoiding a Luther-centred view, it gives equal attention to other important figures as well as the political dimensions of the Reformation and elements of social protest. For the first time in any collection of documents, it focuses on the longer-term success or failure of the implementation of the Reformation aand includes many original documents translated here for the first time from previously unpublished archival sources.
As its name implies, the Reformed tradition grew out of the 16th century Protestant Reformation. The Reformed churches consider themselves to be the Catholic Church reformed. The movement originated in the reform efforts of Huldrych Zwingli (1484-1531) of Zurich and John Calvin (1509-1564) of Geneva. Although the Reformed movement was dependent upon many Protestant leaders, it was Calvin's tireless work as a writer, preacher, teacher, and social and ecclesiastical reformer that provided a substantial body of literature and an ethos from which the Reformed tradition grew. Today, the Reformed churches are a multicultural, multiethnic, and multinational phenomenon. The second edition of the Historical Dictionary of the Reformed Churches contains information on the major personalities, events, facts, movements, and beliefs of the Reformed churches. This is done through a list of acronyms and abbreviations, a chronology, an introductory essay, appendixes, a bibliography, and over 800 cross-referenced dictionary entries on leaders, personalities, events, facts, movements, and beliefs of the Reformed churches.
In Art Matters, Robert Paul Lamb provides the definitive study of Ernest Hemingway's short story aesthetics. Lamb locates Hemingway's art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul Cézanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Examining how Hemingway developed this inheritance, Lamb insightfully charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction. Art Matters opens with an analysis of the authorial effacement Hemingway learned from Maupassant and Chekhov, followed by fresh perspectives on the author's famous use of concision and omission. Redefining literary impressionism and expressionism as alternative modes for depicting modern consciousness, Lamb demonstrates how Hemingway and Willa Cather learned these techniques from Crane and made them the foundation of their respective aesthetics. After examining the development of Hemingway's art of focalization, he clarifies what Hemingway really learned from Stein and delineates their different uses of repetition. Turning from techniques to formal elements, Art Matters anatomizes Hemingway's story openings and endings, analyzes how he created an entirely unprecedented role for fictional dialogue, explores his methods of characterization, and categorizes his settings in the fifty-three stories that comprise his most important work in the genre. A major contribution to Hemingway scholarship and to the study of modernist fiction, Art Matters shows exactly how Hemingway's craft functions and argues persuasively for the importance of studies of articulated technique to any meaningful understanding of fiction and literary history. The book also develops vital new ways of understanding the short story genre as Lamb constructs a critical apparatus for analyzing the short story, introduces to a larger audience ideas taken from practicing storywriters, theorists, and critics, and coins new terms and concepts that enrich our understanding of the field.
In The Hemingway Short Story: A Study in Craft for Writers and Readers, Robert Paul Lamb delivers a dazzling analysis of the craft of this influential writer. Lamb scrutinizes a selection of Hemingway's exemplary stories to illuminate the author's methods of construction and to show how craft criticism complements and enhances cultural literary studies. The Hemingway Short Story, the highly anticipated sequel to Lamb's critically acclaimed Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story, reconciles the creative writer's focus on art with the concerns of cultural critics, establishing the value that craft criticism holds for all readers. Beautifully written in clear and engaging prose, Lamb's study presents close readings of representative Hemingway stories such as "Soldier's Home," "A Canary for One," "God Rest You Merry, Gentlemen," and "Big Two-Hearted River." Lamb's examination of "Indian Camp," for instance, explores not only its biographical contexts -- showing how details, incidents, and characters developed in the writer's mind and notebook as he transmuted life into art -- but also its original, deleted opening and the final text of the story, uncovering otherwise unseen aspects of technique and new terrains of meaning. Lamb proves that a writer is not merely a site upon which cultural forces contend, but a professional in his or her craft who makes countless conscious decisions in creating a literary text. Revealing how the short story operates as a distinct literary genre, Lamb provides the meticulous readings that the form demands -- showing Hemingway practicing his craft, offering new inclusive interpretations of much debated stories, reevaluating critically neglected stories, analyzing how craft is inextricably entwined with a story's cultural representations, and demonstrating the many ways in which careful examinations of stories reward us.
A "look at the unsung men and women of the U.S. Foreign Service whose dedication and sacrifices have been a crucial part of our history for over two centuries. Fifteen years in the making, veteran journalist and historian Moskin has traveled the globe conducting hundreds of interviews both in and out of the State Department to look behind the scenes at America's 'militiamen of diplomacy'"--
A deep study on the doctrine of eternal security Does one moment of faith secure a person's eternal destiny with God--even if that person later stops following and trusting in Jesus? Or does a person have to keep on trusting and following Jesus to remain in a saving relationship with God? Now expanded with new chapters and research, this landmark book continues to offer one of the most penetrating studies on the controversial doctrine of eternal security, perseverance, and apostasy in the New Testament. Calling into question the popular "once saved, always saved" belief, internationally respected pastor and scholar Dr. Robert Shank reveals that the question we should be asking is not, "Is the believer secure?" but rather, "What does it mean to be a believer?" Straightforward, thorough, and grounded in biblical understanding, this book warns Christians about dangers that could potentially lead a believer to become an unbeliever (falling away from faith) and share in the unbeliever's eternal condemnation.
Why did New Mexico remain so long in political limbo before being admitted to the Union as a state? Combining extensive research and a clear and well-organized style, Robert W. Larson provides the answers to this question in a thorough and comprehensive account of the territory’s extraordinary six-decade struggle for statehood. This book is no mere chronology of political moves, however. It is the history of a turbulent frontier state, sweeping into the current almost every colorful character of the territory. Not only politicians but ranchers, outlaws, soldiers, newspapermen, Indians, merchants, lawyers, and people from every walk of life were involved. This is a book for the reader who is interested in any aspect of southwestern territorial history.
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