Critical Essays on William Faulkner compiles scholarship by noted Faulkner studies scholar Robert W. Hamblin. Ranging from 1980 to 2020, the twenty-one essays present a variety of approaches to Faulkner’s work. While acknowledging Faulkner as the quintessential southern writer—particularly in his treatment of race—the essays examine his work in relation to American and even international contexts. The volume includes discussions of Faulkner’s techniques and the psychological underpinnings of both the origin and the form of his art; explores how his writing is a means of “saying 'no' to death"; examines the intertextual linkages of his fiction with that of other writers like Shakespeare, Twain, Steinbeck, Warren, and Salinger; treats Faulkner’s use of myth and his fondness for the initiation motif; and argues that Faulkner’s film work in Hollywood is much better and of far greater value than most scholars have acknowledged. Taken as a whole, Hamblin’s essays suggest that Faulkner’s overarching themes relate to time and consequent change. The history of Faulkner’s Yoknapatawpha stretches from the arrival of the white settlers on the Mississippi frontier in the early 1800s to the beginnings of the civil rights movement in the 1940s. Caught in this world of continual change that produces a great degree of uncertainty and ambivalence, the Faulkner character (and reader) must weigh the traditions of the past with the demands of the present and the future. As Faulkner acknowledges, this process of discovery and growth is a difficult and sometimes painful one; yet, as Hamblin attests, to engage in that quest is to realize the very essence of what it means to be human.
Sometimes called the American Shakespeare, William Faulkner is known for providing poignant and accurate renderings of the human condition, creating a world of colorful characters in his fictional Yoknapatawpha County, and writing in a style that is both distinct and demanding. Though he is known as a Southern writer, his appeal transcends regional and even national boundaries. Since winning the Nobel Prize for Literature in 1950, he has been the subject of more than 5,000 scholarly books and articles. Academic interest in his career has been matched by popular acclaim, with some of his works adapted for the cinema. This reference is an authoritative guide to Faulkner's life, literature, and legacy. The encyclopedia includes nearly 500 alphabetically arranged entries for topics related to Faulkner and his world. Included are entries for his works and major characters and themes, as well as the literary and cultural contexts in which his texts were conceived, written, and published. There are also entries for relatives, friends, and other persons important to Faulkner's biography; historical events, persons, and places; social and cultural developments; and literary and philosophical terms and movements. The entries are written by expert contributors who bring a broad range of perspectives and experience to their analysis of his work. Entries typically conclude with suggestions for further reading, and the volume closes with a bibliography and detailed index.
William Faulkner (1897–1962) once said of his novels and stories, “I am telling the same story over and over, which is myself and the world.” This biography provides an overview of the life and career of the famous author, demonstrating the interrelationships of that life, centered in Oxford, Mississippi, with the characters and events of his fictional world. The book begins with a chapter on Faulkner's most famous ancestor, W. C. Falkner, “the Old Colonel,” who greatly influenced both the content and the form of Faulkner's fiction. Robert W. Hamblin then proceeds to examine the highlights of Faulkner's biography, from his childhood to his youthful days as a fledgling poet, through his time in New Orleans, the creation of Yoknapatawpha, the years of struggle and his season of prolific genius, and through his time in Hollywood and his winning of the Nobel Prize. The book concludes with a description of his last years as a revered author, cultural ambassador, and university writer-in-residence. In his Nobel Prize acceptance speech, Faulkner spoke of “the agony and sweat of the human spirit” that goes into artistic creation. For Faulkner, that struggle was especially acute. Poor and neglected for much of his life, suffering from chronic depression and alcoholism, and unhappy in his personal life, Faulkner overcame tremendous obstacles to achieve literary success. One of the major themes of his novels and stories remains endurance, and his biography exhibits that quality in abundance. Faulkner the man endured and ultimately prevailed.
In the 1949 classic Killers of the Dream, Lillian Smith described three racial "ghosts" haunting the mind of the white South: the black woman with whom the white man often had sexual relations, the rejected child from a mixed-race coupling, and the black mammy whom the white southern child first loves but then must reject. In this groundbreaking work, Robert H. Brinkmeyer, Jr., extends Smith's work by adding a fourth "ghost" lurking in the psyche of the white South -- the specter of European Fascism. He explores how southern writers of the 1930s and 1940s responded to Fascism, and most tellingly to the suggestion that the racial politics of Nazi Germany had a special, problematic relevance to the South and its segregated social system. As Brinkmeyer shows, nearly all white southern writers in these decades felt impelled to deal with this specter and with the implications for southern identity of the issues raised by Nazism and Fascism. Their responses varied widely, ranging from repression and denial to the repulsion of self-recognition. With penetrating insight, Brinkmeyer examines the work of writers who contemplated the connection between the authoritarianism and racial politics of Nazi Germany and southern culture. He shows how white southern writers -- both those writing cultural criticism and those writing imaginative literature -- turned to Fascist Europe for images, analogies, and metaphors for representing and understanding the conflict between traditional and modern cultures that they were witnessing in Dixie. Brinkmeyer considers the works of a wide range of authors of varying political stripes: the Nashville Agrarians, W. J. Cash, Lillian Smith, William Alexander Percy, Thomas Wolfe, William Faulkner, Katherine Anne Porter, Carson McCullers, Robert Penn Warren, and Lillian Hellman. He argues persuasively that by engaging in their works the vital contemporary debates about totalitarianism and democracy, these writers reconfigured their understanding not only of the South but also of themselves as southerners, and of the nature and significance of their art. The magnum opus of a distinguished scholar, The Fourth Ghost offers a stunning reassessment of the cultural and political orientation of southern literature by examining a major and heretofore unexplored influence on its development.
Robert W. Hamblin elevates Evans Harrington (1925–1997), as well as his remarkable achievements and writings, introducing his legacy to a new generation. Harrington continually found himself in conflict with the conservative, and often reactionary, institutions of his society—be they educational, political, or religious. Yet unlike many Mississippi liberals and moderates of his day—white as well as black—Harrington did not leave the state for a freer environment or better opportunities elsewhere. Except for his military service, he stayed in Mississippi his entire life, and his presence made a difference. In 1962, Harrington openly supported the enrollment of James Meredith, the first African American student to attend Ole Miss. In 1965, he invited African American students from Tougaloo College to attend the Southern Literary Festival hosted by Ole Miss—the first meeting of that organization to be integrated. In 1972, as faculty sponsor of Images, the Ole Miss literary journal, he joined his student writers in a successful suit against the university's attempt to suppress an issue of the magazine that contained controversial content. In 1996, Harrington united with other ACLU members to support the cause of Lisa Herdahl, who had brought suit against the North Pontotoc, Mississippi, School Board for allowing sectarian prayers and devotionals in public school classrooms. Hamblin presents these and other examples, showing Harrington both as an exception to and as a representative figure of his time and place. This biography also explores Harrington and his writings, which include “Living in Mississippi,” a personal essay about being a white liberal in segregated Mississippi; several short stories; a novel, The Prisoners; and three popular novels issued under the pseudonym Gilbert Terrell: Willa, Missy, and Lily, as well as a number of unpublished manuscripts. Harrington also coedited, with Ann J. Abadie, four volumes of papers presented at the annual Faulkner and Yoknapatawpha Conference, which he cofounded.
The definitive life of one of America's most important writers--for the first time, here are the connections between Faulkner's private life and public work, his influence on other writers, and the effect of America on his themes and preoccupations. Here, too, are the riveting details about his alcoholism, his troubled marriage, and stint as a Hollywood writer.
Critical Essays on William Faulkner compiles scholarship by noted Faulkner studies scholar Robert W. Hamblin. Ranging from 1980 to 2020, the twenty-one essays present a variety of approaches to Faulkner’s work. While acknowledging Faulkner as the quintessential southern writer—particularly in his treatment of race—the essays examine his work in relation to American and even international contexts. The volume includes discussions of Faulkner’s techniques and the psychological underpinnings of both the origin and the form of his art; explores how his writing is a means of “saying 'no' to death"; examines the intertextual linkages of his fiction with that of other writers like Shakespeare, Twain, Steinbeck, Warren, and Salinger; treats Faulkner’s use of myth and his fondness for the initiation motif; and argues that Faulkner’s film work in Hollywood is much better and of far greater value than most scholars have acknowledged. Taken as a whole, Hamblin’s essays suggest that Faulkner’s overarching themes relate to time and consequent change. The history of Faulkner’s Yoknapatawpha stretches from the arrival of the white settlers on the Mississippi frontier in the early 1800s to the beginnings of the civil rights movement in the 1940s. Caught in this world of continual change that produces a great degree of uncertainty and ambivalence, the Faulkner character (and reader) must weigh the traditions of the past with the demands of the present and the future. As Faulkner acknowledges, this process of discovery and growth is a difficult and sometimes painful one; yet, as Hamblin attests, to engage in that quest is to realize the very essence of what it means to be human.
Volume four of the Selected Letters of Robert Penn Warren covers a crucial time of personal and professional rejuvenation in Warren's life. During the fifteen-year period spanned by this correspondence, he completed Brother to Dragons; Segregation: The Inner Conflict in the South; and Who Speaks for the Negro? As these titles suggest, these years were marked by Warren's immersion in American history and his maturing interest in race relations. They also saw his return to lyric poetry, after a ten-year hiatus, with the publication of the Pulitzer Prize--winning collection Promises. Along with seeing the completion of some of his most successful work, this period was a time of momentous change in Warren's life, including his move to Yale University; his marriage to his second wife, Eleanor; and the birth of his two children. As a chronicle of Warren's thoughts on his family, his work, his friends, the state of literary studies, and the culture at large, these letters are invaluable.Unlike many writers, Warren rarely drafted his correspondence with future readers and scholars in mind; he typically saved his prepared statements about the human condition and the state of the world for his poetry, fiction, and social commentary. His letters offer a candid and personal glimpse of Warren's relationships as well as his personal views on literature, politics, and social trends. Their recipients include Ralph Ellison, Allen Tate, Saul Bellow, Robert Lowell, Eudora Welty, and Louis Rubin, as well as Warren's editors, reviewers, collaborators, and other friends.Providing an unusually vivid and personal account of Warren's rich and fully realized life, these missives are equally revealing of his thoughts on the state of contemporary American culture during this dynamic time in American history.
Robert W. Hamblin elevates Evans Harrington (1925–1997), as well as his remarkable achievements and writings, introducing his legacy to a new generation. Harrington continually found himself in conflict with the conservative, and often reactionary, institutions of his society—be they educational, political, or religious. Yet unlike many Mississippi liberals and moderates of his day—white as well as black—Harrington did not leave the state for a freer environment or better opportunities elsewhere. Except for his military service, he stayed in Mississippi his entire life, and his presence made a difference. In 1962, Harrington openly supported the enrollment of James Meredith, the first African American student to attend Ole Miss. In 1965, he invited African American students from Tougaloo College to attend the Southern Literary Festival hosted by Ole Miss—the first meeting of that organization to be integrated. In 1972, as faculty sponsor of Images, the Ole Miss literary journal, he joined his student writers in a successful suit against the university's attempt to suppress an issue of the magazine that contained controversial content. In 1996, Harrington united with other ACLU members to support the cause of Lisa Herdahl, who had brought suit against the North Pontotoc, Mississippi, School Board for allowing sectarian prayers and devotionals in public school classrooms. Hamblin presents these and other examples, showing Harrington both as an exception to and as a representative figure of his time and place. This biography also explores Harrington and his writings, which include “Living in Mississippi,” a personal essay about being a white liberal in segregated Mississippi; several short stories; a novel, The Prisoners; and three popular novels issued under the pseudonym Gilbert Terrell: Willa, Missy, and Lily, as well as a number of unpublished manuscripts. Harrington also coedited, with Ann J. Abadie, four volumes of papers presented at the annual Faulkner and Yoknapatawpha Conference, which he cofounded.
William Faulkner (1897–1962) once said of his novels and stories, “I am telling the same story over and over, which is myself and the world.” This biography provides an overview of the life and career of the famous author, demonstrating the interrelationships of that life, centered in Oxford, Mississippi, with the characters and events of his fictional world. The book begins with a chapter on Faulkner's most famous ancestor, W. C. Falkner, “the Old Colonel,” who greatly influenced both the content and the form of Faulkner's fiction. Robert W. Hamblin then proceeds to examine the highlights of Faulkner's biography, from his childhood to his youthful days as a fledgling poet, through his time in New Orleans, the creation of Yoknapatawpha, the years of struggle and his season of prolific genius, and through his time in Hollywood and his winning of the Nobel Prize. The book concludes with a description of his last years as a revered author, cultural ambassador, and university writer-in-residence. In his Nobel Prize acceptance speech, Faulkner spoke of “the agony and sweat of the human spirit” that goes into artistic creation. For Faulkner, that struggle was especially acute. Poor and neglected for much of his life, suffering from chronic depression and alcoholism, and unhappy in his personal life, Faulkner overcame tremendous obstacles to achieve literary success. One of the major themes of his novels and stories remains endurance, and his biography exhibits that quality in abundance. Faulkner the man endured and ultimately prevailed.
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