This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Photographer Robert Adams (b. 1937) is widely regarded as one of the most significant and influential chroniclers of the American West, renowned for his austere views of a landscape profoundly changed by human development. This stunning three-volume set--printed with an unprecedented fidelity to the photographer's master prints--accompanies a major traveling exhibition and is the first publication to comprehensively survey Adams's 45-year career. Presenting an epic sequence of nearly 400 tritone plates, this volume features selections from all of Adams's major projects, including his seminal work in the suburbs of Colorado Springs and Denver and his most recent, elegiac portrayals of trees in the Pacific Northwest. Also included is an anthology of texts by the photographer, a series of critical essays on Adams's life and work, and an illustrated bibliography and chronology that will shed new light on one of the central American artists of our time."--Publisher.
Photographer Robert Adams (b. 1937) is widely regarded as one of the most significant and influential chroniclers of the American West, renowned for his austere views of a landscape profoundly changed by human development. This stunning three-volume set--printed with an unprecedented fidelity to the photographer's master prints--accompanies a major traveling exhibition and is the first publication to comprehensively survey Adams's 45-year career. Presenting an epic sequence of nearly 400 tritone plates, this volume features selections from all of Adams's major projects, including his seminal work in the suburbs of Colorado Springs and Denver and his most recent, elegiac portrayals of trees in the Pacific Northwest. Also included is an anthology of texts by the photographer, a series of critical essays on Adams's life and work, and an illustrated bibliography and chronology that will shed new light on one of the central American artists of our time."--Publisher.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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