The book concludes by showing how the influence of Merton and Nhat Hanh is reflected in the work of contemporaries such as Thomas Keating, David Steindl-Rast, A. T. Ariyaratne, and Joanna Macy."--BOOK JACKET.
From Simon & Schuster and the award winning author of Red Baker, Robert Ward delivers up a touching and comic romp. Told with candor and a poignant sense of lost innocence, The King of Cards is the story of Thomas Fallon, a successful novelist, who is treated to a homecoming that presents him with the pungent memories of his youth.
No attorney has played a greater role in the rise of the casino industry and how it is regulated than has Robert D. Faiss. In this oral memoir, Faiss gives an eloquent, eyewitness account of crucial events and moments in the history of gaming regulation and gaming law in Nevada. Two years after Democrat Grant Sawyer took office as governor in 1959, Bob Faiss became assistant executive secretary of the Nevada Gaming Commission, where he created the first state publication on the history, economics, and control of the gaming industry. In 1963, Sawyer brought Faiss to the governors office as executive assistant, with duties that included acting both as press secretary and chief speechwriteran appointment that began a relationship that shaped Faisss life. In a quest for respectability and economic development, Sawyer changed how the gaming industry was regulated. Faiss played a role in these changes, including the creation of the Nevada Gaming Commission and the List of Excluded Persons. He spent eight years working for the Nevada state government, and he later worked at the federal level, including service as White House staff assistant during President Johnsons last year in office. When Faiss completed his law degree from American University in Washington, D.C., he returned to Las Vegas as an attorney for Nevadas largest law firm, Lionel Sawyer & Collins. In his three decades as an administrative attorney, Bob Faiss represents gaming clients and deals with regulatory boardsmostly related to gaming, but also in other realms of business. More than anyone else in his profession, Faiss has made gaming law important and respected. He is responsible for many important parts of the Nevada Revised Statutes and the regulations that the Nevada Gaming Commission and the Nevada Gaming Control Board use. He also was a key attorney in the growth of several major Nevada gaming corporations. For three decades, Faiss has represented the gaming industry at the state legislature. From 1998 to 2003, he served on the U.S. Treasury Departments Bank Secrecy Act Advisory Board as the representative of the U.S. casino industry, and he was a charter trustee and president of the International Association of Gaming Attorneys. The state of Nevada and its most important industry are far better for Bob Faisss hard work and loyalty.
Not Like A River: The Memoir of an Activist Academic is the oral history of Elmer Rusco, a distinguished professor of political science at the University of Nevada in Reno. This memoir is the summation of Professor Rusco's life in civil liberties and civil rights and his pursuit of legal and historical truth. It provides insight into the exceptional scope of Professor Rusco's work and contributions, as well as the reasons for his extraordinary, lifelong commitment to advancing the cause of social justice. Originally from Kansas, Professor Rusco chose to spend more than four decades in Nevada. He was one of the founding group of faculty members of the University of Nevada's Department of Political Science when it separated from the History Department between 1958 and 1963; and he helped establish the reputation of that faculty for teaching, public service, and mentoring. Professor Rusco was one of the volunteer leaders of the American Civil Liberties Union of Nevada that sustained it from its founding in 1966 to 1985, and in the 1970s he served as its state president. Professor Rusco was active in community, state, and national organizations, including those committed to the environment (Friends of Rancho San Rafael and Friends of Pyramid Lake), religion (the Unitarian Universalists), civil rights (the ACLU Nevada and the Northern Nevada Black Cultural Awareness Society), political reform (Common Cause), legal aid (Washoe Legal Services), direct help for the poor (Community Services Agency and Habitat for Humanity), and much more. Professor Rusco's oral history also provides insight into how his religious, personal, and political philosophy was shaped. The sources were mostly rooted in rural Kansas but also involved a cattleboat excursion that spanned several continents and a Midwesterner's encounters with the Jim Crow South. For Elmer Rusco, ""retirement"" in 1986 added to his life the time to become the state's leading authority on Nevada's civil rights legacy and its struggle with racism. He was able to complete monumental studies on federal Indian policy and on Nevada's encounters with its Chinese residents, in addition to a myriad of published studies on poverty and the black experience in Nevada.
The New Orleans writer Grace King was an intensely loyal daughter of the South. Fostered by bitter memories of the Civil War, her loyalty was kept burning by her family’s struggle to regain its wealth and maintain its social position during the long agony of Reconstruction. In Grace King: A Southern Destiny, Robert Bush tells of King’s life and her art, both of which she enthusiastically dedicated to the memory and welfare of her region, her city, and her family. When she began writing in 1886, it was out of a sense of anger at what she saw as George Washington Cable’s disloyalty to the South, his deliberately false portrayal of New Orleans’ Creoles and blacks. King was herself a conservative in racial matters, and a number of her stories celebrate the loyalty that she has observed freed slaves showing their former masters. But Grace King was far from conservative in her determination to earn money as a writer and to master the ideas of her era—neither endeavor considered a particularly appropriate ambition for a patrician woman of her time. She was proud to be able to contribute to her family’s income, and she developed a sharp eye for the fluctuations in the literary marketplace. In the late 1880s King worked in the local-color genre that was then in vogue. When the demand for that school of regional writing declined in the 1890s, she turned to the shorter “balcony stories” in which the details of local background were minimized. Then later in the decade, she focused her talents on writing Louisiana history after she found that publishers wanted the kind of sound, colorful work she was capable of producing. Grace King’s major accomplishments in fiction are a small number of first-rate stories and a quiet, realistic novel about New Orleans during Reconstruction—The Pleasant Ways of St. Médard. Her best historical work is New Orleans, the Place and the People. However the significance and fascination of her life lies not just in the pages of the books she wrote but also in her role as a literary champion of the South, carrying her determined views from New Orleans to New York, New England, Canada, England, and France.
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