What does it take to be great? This story is a whimsical tale about an ambitious young prince seeking counsel from the one who rules the “Perfect Kingdom”. The prince searches for the King in all the right places, but he doesn’t see him. Where is the King? If only he could find him, then he too could become a great and wise King. But some things can only be “seen” with the heart, and greatness can be found in the small things.
Charles Westover grew up in a small midwestern town, learning guitar at an early age. After graduating high school, he joined the Army, married and shipped off to Europe where he honed his singing and guitar skills. Back home, Westover joined a local band while working at a carpet store.Soon he co-wrote, ""Runaway,"" one of the great rock and roll songs of the era and took on the stage name Del Shannon. Shannon went on to record many more hits and became a superb interpreter of the songs of other. He was the first American recording artist to cover a Beatles' tune, wrote Peter and Gordon's ""I Go to Pieces,"" and produced hit records for Brian Hyland and and the rock group, Smith. At a time when his career seemed to be on the upswing, Shannon's live ended tragically at his Southern California home. A rock legend himself, he would eventually be inducted into the Rock and Roll Hall of Fame. If you appreciate the great rock singers of the past, you will want to read The Music of Del Shannon.
Open Studio offers a window into the methods and unique culture of an architecture firm that has achieved international success. Curated illustrations of hand sketches, study models, design sessions, and site visits pull back the curtain on the creative collaboration behind the scenes at Robert A.M. Stern Architects. Nearly 100 pages of photographs of finished work, including academic buildings, museums, houses, apartment houses, and office towers, demonstrate the firm's ability to realize modern buildings in a wide variety of stylistic vocabularies through a commitment to fundamental principles of architecture and a respect for context and history. Founded in 1969, the 250-person New York-based Robert A.M. Stern Architects has received numerous awards for design excellence from the American Institute of Architects, the Congress for the New Urbanism, the Urban Land Institute, the Society for College and University Planning, and the Institute of Classical Architecture and Art.
A young man is called by his guiding spirit to return to the land of his parents to help his people with modernization and to establish order in the lives of several different groups living in a wide range of conditions. At first his past is unknown to him because he was deserted as a baby and raised by non-family members who were unaware of his origination.The main character, Harry Raven is guided by spiritual forces that are not always apparent, but seem to offer clues and help at the right time and place.Harry Raven leaves a wonderful job in a big city to become the leader of two different Indian tribes, one ancient and one modern. When his connection to the two tribes is revealed, he will bring the two together in a way that is beneficial to both.
Much of that which is ordinal is modeled as analog. Most computational engines on the other hand are dig- ital. Transforming from analog to digital is straightforward: we simply sample. Regaining the original signal from these samples or assessing the information lost in the sampling process are the fundamental questions addressed by sampling and interpolation theory. This book deals with understanding, generalizing, and extending the cardinal series of Shannon sampling theory. The fundamental form of this series states, remarkably, that a bandlimited signal is uniquely specified by its sufficiently close equally spaced samples. The contents of this book evolved from a set of lecture notes prepared for a graduate survey course on Shannon sampling and interpolation theory. The course was taught at the Department of Electrical Engineering at the University of Washington, Seattle. Each of the seven chapters in this book includes a list of references specific to that chapter. A sequel to this book will contain an extensive bibliography on the subject. The author has also opted to include solutions to selected exercises in the Appendix.
PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...
Moving to rural Virginia, at the foot of the Blue Ridge Mountains, after World War II, young Charlie Lewis, the only child of a frequently absent father and standoffish mother, has a natural affinity with the animals around him and sets out to learn their secrets, with the help of a group of older black men, farm workers and neighbors, who care for him.
With this issue we initiate the policy of expanding the scope of Tulane Studies in Philosophy to include, in addition to the work of members of the department, contributions from philosophers who have earned advanced degrees from Tulane and who are now teaching in other colleges and universities. The Editor THE LOGIC OF OUR LANGUAGE ROBERT L. ARRINGTON Wittgenstein wrote in the Tractatus that "logic is not a body of doctrine, but a mirror-image of the world. " 1 In line with his suggestion that a proposition is a 'picture', Wittgenstein argued that propositions 'show' the logical structure of the real. He was insistent, however, that "the apparent logical form of a proposition need not be its real one. " 2 As a result of this we can misunderstand the structure of fact. Philosophical problems arise just when "the logic of our language is mis understood. " 3 It is common knowledge that much of this view of logic was rejected by Wittgenstein himself in the Philosophical Investi gations. There we are told that language has no ideal or sublime 4 logic which mirrors the structure of the extra-linguistic world. Consequently, inferences from the structure of language to the structure of that extra-linguistic world are invalid. Reality can be 'cut up' in any of a number of ways by language. Wittgenstein adopted a view of philosophy which would render that discipline a non-explanatory, non-critical study of the multiple ways in which language can be used.
This book is an updated version of the information theory classic, first published in 1990. About one-third of the book is devoted to Shannon source and channel coding theorems; the remainder addresses sources, channels, and codes and on information and distortion measures and their properties. New in this edition: Expanded treatment of stationary or sliding-block codes and their relations to traditional block codes Expanded discussion of results from ergodic theory relevant to information theory Expanded treatment of B-processes -- processes formed by stationary coding memoryless sources New material on trading off information and distortion, including the Marton inequality New material on the properties of optimal and asymptotically optimal source codes New material on the relationships of source coding and rate-constrained simulation or modeling of random processes Significant material not covered in other information theory texts includes stationary/sliding-block codes, a geometric view of information theory provided by process distance measures, and general Shannon coding theorems for asymptotic mean stationary sources, which may be neither ergodic nor stationary, and d-bar continuous channels.
Robin Long Bird was born Robert Copeland, but extreme circumstances and devastating threats from several spy agencies throughout the world required a name change for his personal safety. Robert Copeland had been hired to take secret pictures for a cartel of international spy agencies linked by their need to share information without sharing their true identities. Robert Copeland failed to turn over this secret information to any of the agencies demanding it and not even to the covert American agency that authorized his service. He was treated badly by the agency that hired him, which also tried to prevent him from being paid for his summer of spy work. With the help of some special friends, he was able to get his payment and escape into an unknown and untraceable identity. His revenge for his poor treatment was in keeping the secret information. This story is about Robin's ability to hide from those who wanted the information that only he had access to. Robert Long Bird has one unique feature which is extremely rare and not known by many, and that is his ability to move between dimensions and to take objects and people with him. This may seem unlikely, but when the concept of dimensional travel is understood, the events in this book become a possibility.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.