This edition contains Stevenson’s letters, beginning with his student days at Edinburgh to the four years he spent in Samoa. R.L.S. was a prolific mail writer and sent letters to all kind of people from towns like Paris, San Francisco, Marseilles, Bournemouth and many more. Originally published in two volumes, all letters can now be found in this single volume.
This is an assessment of the reluctance of American education institutions to undergo change and reform at a time when it is considered necessary. The lack of public confidence in educational institutions is discussed along with the subsequent consequences.
This volume explores the reception of the classical past in the works of twentieth-century American dramatist Robert E. Sherwood and his use of the ancient world to critique key events and trends in American history. It explores his comedies and the influence of both Greek Old and New Comedy, as well as his mediation of his experiences in World War I through Livy’s account of the war with Carthage. During the 1930s, Sherwood used the Peloponnesian War as a template for bringing to the attention of an unaware public the danger of an impending war between the forces of democracy and the totalitarianism represented by Nazi Germany, and post-war he raised awareness of the dangers of nuclear war through the lens of the Greek gods. As well as looking at his use of the classical past in his work, since Sherwood wrote drama deeply concerned with the major social and political events of his day, his plays open windows onto the major social and political challenges facing the United States and the world from the outbreak of World War I until the beginning of the nuclear age. This volume will be of interest to anyone working on the Classical Tradition and Classical Reception, as well as to students of twentieth-century American literature, drama, history, and politics.
In Double Ace, veteran biographer Robert Coram, himself a Georgia man, provides readers with an unprecedented look at the defining characteristics that made Robert Lee Scott a uniquely American hero. Robert Lee Scott ("Scotty") was larger than life. A decorated Eagle Scout who barely graduated from high school, the young man from Macon, Georgia, with an oversize personality used dogged determination to achieve his childhood dream of becoming a famed fighter pilot. First capturing national attention during World War II, Scott, a West Point graduate, flew missions in China alongside the legendary "Flying Tigers," where his reckless courage and victories against the enemy made headlines. Upon returning home, Scott's memoir, brashly titled God is My Co-Pilot, became an instant bestseller, a successful film, and one of the most important books of its time. Later in life, as a retired military general, Scott continued to add to his list of accomplishments. He traveled the entire length of China's Great Wall and helped found Georgia's Museum of Aviation, which still welcomes 400,000 annual visitors. Yet Scott's life was not without difficulty. His single-minded pursuit of greatness was offset by debilitating bouts of depression, and his brashness placed him at odds with superior officers, wreaking havoc on his career. What wealth he gained he squandered, and his numerous public affairs destroyed his relationships with his wife and child. Backed by meticulous research, Double Ace brings Scott's uniquely American character to life and captures his fascinating exploits as a national hero alongside his frustrating foibles.
This is the first published book-length treatment on Paul Tillich and Judaism, which is a neglected aspect of Tillich’s thought. It has three compelling features. First, pivotal biographical details show the importance of Judaism for Tillich, and that he ardently opposed anti-Semitism before WWII and after the Holocaust. Second, Tillich’s theological method is examined in key primary sources to show how he maintains continuity between Judaism and Christianity. The primary source analysis includes his 1910 and 1912 dissertations on Schelling, the 1933 The Socialist Decision, the 1952 Berlin lectures on “the Jewish Question,” and his final public lecture on the importance of the history of religion for systematic theology. Particular attention is paid to his dialectical and theological history of religion. Third, Tillich’s positive theology of Judaism contrasts sharply with the many complex, negative ways in which Judaism is portrayed in Western thought. This contributes significantly to our understanding the evolving history of Christian anti-Judaism.
Literacy can empower students, but it may also limit their understanding if taught without regard for the context of their lives. Using his encounters with students, in high school, college, and state prison classrooms, as well as his own experience, Robert Yagelski looks at the sometimes ambiguous role of literacy in our lives and examines the mismatch between conventional approaches to teaching literacy and the literacy needs of students in a rapidly changing, increasingly technological world. He asserts that ultimately, the most important job of the English teacher is to reveal to students ways they can participate in the discourse that shapes their lives, and he offers a timely look at how technology has influenced the way we write and read. The scope of this fascinating book reaches beyond the classroom and offers insight about what it means to be "literate" in an economically driven, dynamic society. Addressing earlier works on the subject of literacy, as well as the ideas of theorists such as Foucault, this perceptive work has much to offer educators and anyone seeking to understand the nature of literacy itself.
Exploring a critical lesson about our nation that is as timely today as ever, Decade of Disunion shows how the country came apart during the enveloping slavery crisis of the 1850s. The Mexican War brought vast new territories to the United States, which precipitated a growing crisis over slavery. The new territories seemed unsuitable for the type of agriculture that depended on slave labor, but they lay south of the line where slavery was permitted by the 1820 Missouri Compromise. The subject of expanding slavery to the new territories became a flash point between North and South. First came the 1850 compromise legislation, which strengthened the fugitive slave law and outraged the North. Then in 1854, Congress repealed the Missouri Compromise altogether, unleashing a violent conflict in “Bleeding Kansas” over whether that territory would become free or slave. The 1857 Dred Scott decision—abrogating any rights of African Americans, enslaved or free—further outraged the North. And John Brown’s ill-planned 1859 attack at the federal arsenal at Harpers Ferry stirred anger and fear throughout the South. Through a decade, South Carolina, whose economy depended heavily on slave labor, struggled over whether to secede in a stand-alone act of defiance or to do so only in conjunction with other states. Meanwhile, Massachusetts became the country’s antislavery epicenter but debated whether the Constitution was worth saving in the effort to abolish bondage. Both states widened the divide between North and South until disunion became inevitable. Then, in December 1860, in the wake of the Lincoln election, South Carolina finally seceded, leading the South out of the Union. Beginning with the deaths of the great second-generation figures of American history—Calhoun, Webster, and Clay—Decade of Disunion tells the story of this great American struggle through the aims, fears, and maneuvers of the subsequent prominent figures at the center of the drama, with particular attention to the key players from Massachusetts and South Carolina. This history is a sobering reminder that democracy is not self-sustaining—it must be constantly and carefully tended.
This book presents Cicero's natural law theory, including valuable definitions of the state, the ideal state, the ideal ruler, and the laws for the ideal state. Explanations are offered of the Greek sources of Cicero's republican philosophy, his influence on the Principate of Augustus, and his role in the development of modern political philosophy. As all the ages of the world have not produced a greater statesman and philosopher united than Cicero, his authority should have great weight (John Adams, 1787).
Exploring critical legal issues and cases of the period-from Oscar Wilde's prosecution for gross indecency to legal bans on such publications as D.H. Lawrence's Lady Chatterley's Lover, Radclyffe Hall's The Well of Loneliness, and James Joyce's Ulysses-Modernism and the Law is the first book to survey the legal contexts of transatlantic Anglo-American modernist culture. Written by one of the leading authorities on the subject, the book covers such topics as: · Obscenity laws and censorship · Copyrights, moral rights, and the public domain · Patronage and literary piracy · Privacy, defamation, publicity, and blackmail Including an annotated list of relevant statutes, treaties, and cases, this is an essential read for scholars and students coming to the subject for the first time as well as for experienced scholars.
Philosophy and Literary Modernism probes the relationship of authors with the thought of their time. The authors studied here include Conrad, Eliot, Faulkner, Forster, Hemingway, Hesse, Kafka, Joyce, Lawrence, Williams, and Woolf, among others. Literary modernism engaged with explorations of literary form, language, ways of knowing the world, identity, commitment, chance, truth, and beauty. The book considers how writers participated in the intellectual spirit of their time and with the thought of philosophers like Henri Bergson, G.E. Moore, Bertrand Russell, Alfred North Whitehead, and Ludwig Wittgenstein.
First published in 1886 as a “shilling shocker,” Dr Jekyll and Mr Hyde takes the basic struggle between good and evil and adds to the mix bourgeois respectability, urban violence, and class conflict. The result is a tale that has taken on the force of myth in the popular imagination. This Broadview edition provides a fascinating selection of contextual material, including contemporary reviews of the novel, Stevenson’s essay “A Chapter on Dreams,” and excerpts from the 1887 stage version of Dr Jekyll and Mr Hyde. Also included are historical documents on criminality and degeneracy, the “Jack the Ripper” murders, the “double brain,” and London in the 1880s. New to this third edition are an appendix on the figure of the Victorian gentleman and an expanded selection of letters related to the novel; the introduction and bibliography have also been updated to reflect recent criticism.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
F. Scott Fitzgerald published America’s favorite novel, The Great Gatsby, at the young age of twenty-eight. Despite this extraordinary early achievement, Fitzgerald finished just one novel in the next (and last) fifteen years of his life, ending as a mostly unemployed Hollywood screenwriter. Taking Things Hard reveals the story behind the now-iconic Gatsby, along with Fitzgerald’s struggle to write anything that matched its brilliance. Robert R. Garnett’s new biographical study of Fitzgerald’s life and work begins by constructing a portrait of the young man who would wholly and uniquely pour himself into writing Gatsby. In the years following its publication, Fitzgerald continued penning stories, some of them among his finest, yet it took him nine years to complete another novel. The downward trajectory of his career had interweaving causes, among them arrogance, irresponsibility, his troubled marriage to Zelda Sayre, financial improvidence, and a destructive alcoholism. At the root of it all, though, lingered the simple fact that Fitzgerald’s most intense and profound experiences had come early, during his truncated undergraduate years at Princeton and the months following his February 1919 discharge from the army. Taking Things Hard provides a fresh look at the imaginative sources of Fitzgerald’s fiction and considers the elements, drawn from the keen impressions and salient emotions of its author’s youth, that make Gatsby a book that still speaks powerfully to readers.
On the heels of the Great Depression and staring into the abyss of a global war, American writers took fiction and literature in a new direction that addressed the chaos that the nation—and the world—was facing. These authors spoke to the human condition in traumatic times, and their works reflected the dreams, aspirations, values, and hopes of people living in the World War II era. In FromNative Son to King’s Men: The Literary Landscape of 1940s America, Robert McParland examines notable works published throughout the decade. Among the authors covered are James Baldwin, Pearl S. Buck, James Gould Cozzens, William Faulkner, Ernest Hemingway, John Hersey, Norman Mailer, Ann Petry, Irwin Shaw, John Steinbeck, Robert Penn Warren, Eudora Welty, and Richard Wright. McParland explores how popular novels, literary fiction, and even short stories by these authors represented this pivotal period in American culture. By examining the creative output of these authors, this book reveals how the literature of the 1940s not only offered a pathway for that era’s readers but also provides a way of understanding the past and our own times. From Native Son to King’s Men will appeal to anyone interested in the cultural climate of the 1940s and how this period was depicted in American literature.
To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.
Before Bioethics narrates the history of American medical ethics from its colonial origins to current bioethical controversies over abortion, AIDS, animal rights, and physician-assisted suicide. This comprehensive history tracks the evolution of American medical ethics over four centuries, from colonial midwives and physicians' oaths to medical society codes, through the bioethics revolution. Applying the concept of "morally disruptive technologies," it analyzes the impact of the stethoscope on conceptions of fetal life and the criminalization of abortion, and the impact of the ventilator on our conception of death and the treatment of the dying. The narrative offers tales of those whose lives were affected by the medical ethics of their era: unwed mothers executed by puritans because midwives found them with stillborn babies; the unlikely trio-an Irishman, a Sephardic Jew and in-the-closet gay public health reformer-who drafted the American Medical Association's code of ethics but received no credit for their achievement, and the founder of American gynecology celebrated during his own era but condemned today because he perfected his surgical procedures on un-anesthetized African American slave women. The book concludes by exploring the reasons underlying American society's empowerment of a hodgepodge of ex-theologians, humanist clinicians and researchers, lawyers and philosophers-the bioethicists-as authorities able to address research ethics scandals and the ethical problems generated by morally disruptive technologies. To access the companion website for Before Bioethics: A History of American Medical Ethics from the Colonial Period to the Bioethics Revolution, please visit: http://global.oup.com/us/companion.websites/9780199774111/
A collection of Creeley's work gathered from obsolesced collections, small press booklets and little mags. Here one can trace the development of his poetry from its early break with the Eliot/Auden tradition to the development of his own distinct voice in the middle poems, such as Words and Pieces, known for their precise, terse and almost minimalist language, as well as his return to the more direct concern for love and humanity. Restores to print--For Love, The Charm, In London, His Idea, Thirty Things, Backwards, Away and previously uncollected poems.
Many Americans' first encounter with international modernism came, not on the page, but in person—through the widespread phenomenon of the US lecture tour. Attending to these encounters, Transatlantic Modernism and the US Lecture Tour reroutes our understanding of modernism away from the magazines and other mass media that have so far characterized its circulation and toward the unique form of cultural distribution that coalesced around the tour. Offering many new and compelling archival insights, this volume works across an admirably broad cultural landscape to reveal the US lecture tour as a primary mover of modernism. The study highlights the role this circuit played in the formation of transatlantic modernism by following a diverse group of authors—Oscar Wilde, W. B. Yeats, Rabindranath Tagore, Gertrude Stein, and W. H. Auden—on their whistle-stop tours across America, illuminating in the process how this extremely physical form of circulation transformed authors into object-like commodities to be sold in a variety of performance venues. Moreover, it shows how these writers responded to such wide-ranging distribution by stretching their own ideas about modernist authorship. In doing so, Transatlantic Modernism and the US Lecture Tour adds to a critical tradition of exposing those popular dimensions of modernism that far exceeded its standard coterie definition while also uncovering something else: how the circuit's particular diversity of social contexts forced modernists to take on a new authorial flexibility that would allow them to make in-roads with practically any audience—elite, popular, and everything in between.
Many of the authors Robert Clark discusses have yet to be recognized for their individual contributions to the emergence and continuing vitality of the movement. School of Images is organized based on chronology and lines of influence. In the introduction, Clark offers a definition of the mode and then describes its early stages. He then explores six works that reflect the core characteristics of the mode: Ernest Hemingway's In Our Time, Raymond Carver's Cathedral, Susan Minot's Monkeys, Jay McInerney's Bright Lights, Big City, Sandra Cisneros's Caramelo, and Cormac McCarthy's The Road. In the conclusion, he discusses contemporary authors and filmmakers whose work represents the ongoing evolution of the category"-- Provided by publisher.
Best remembered as an influential illustrator and teacher, Howard Pyle (1853-1911) produced magnificent artwork and engrossing books and magazine stories about King Arthur, Robin Hood, swashbuckling pirates, and the American Revolution. He also completed public murals and trained many famous artists and illustrators at the turn of the twentieth century, including N. C. Wyeth and Jessie Willcox Smith. This engaging portrait of the influential American artist, teacher, author, and muralist is the first fully documented treatment of Pyle's life and career. Drawing on numerous archival sources including Pyle's own letters to provide new perspectives on his life, Jill P. May and Robert E. May reveal Pyle to be a passionate believer that art should be understood and appreciated by the general public. His genteel values and artistic tastes shaped not only his own creative output but his influential work as a teacher, first at the Drexel Institute of Art, Science and Industry in Philadelphia and later at his own school in Delaware's Brandywine River Valley. May and May also show him to be far more supportive of women artists than is generally believed, explaining how he deployed club memberships and relationships with publishers and politicians to advance the prospects of his students. Duly measuring his influence on later artists, May and May detail his quest to lead a distinctively American school of art freed from European models. Amply illustrated with evocative photographs and color reproductions of his own and his students' work, this exceptional volume presents Howard Pyle's creative career and legacy for American popular culture as it has never been seen before.
This book is a study of pragmatic conservatism, an underappreciated tradition in modern American political thought, whose origins can be located in the ideas of Edmund Burke. Beginning with an exegesis of Burke's thought, it goes on to show how three twentieth-century thinkers who are not generally recognized as conservatives—Walter Lippmann, Reinhold Niebuhr, and Peter Viereck—carried on the Burkean tradition and adapted it to American democracy. Pragmatic conservatives posit that people, sinful by nature, require guidance from traditions that embody enduring truths wrought by past experience. Yet they also welcome incremental reform driven by established elites, judiciously departing from precedent when necessary. Mindful that truth is never absolute, they eschew ideology and caution against both bold political enterprises and stubborn apologies for the status quo. The book concludes by contrasting this more nuanced brand of conservatism with the radical version that emerged in the wake of the post-war Buckley revolution.
This is a story that no one else could tell. It tells how Thomas Wolfe and Robert Raynolds happened to meet, how they became friends, and how their friendship grew, survived a crisis, and continued until the death of Thomas Wolfe. "We met in the city," says Raynolds, "but Tom and I were both mountain-born and small-town bred; we were more at home with cows and rattlesnakes than with subways and city slickers, and we were very much at home with one another." The story is told with understanding, with humor, and with compassion. Robert Raynolds began writing it in 1942—four years after the death of his friend and companion novelist—and finished it twenty-three years later, in 1965. It is a responsible and considered memoir in honor of human friendship, and it brings the vivid character of Thomas Wolfe directly into the presence of the reader. The story is full of daily portraits of Thomas Wolfe. What did he look like in his room, pacing the floor, or writing? How did he appear on the streets of Brooklyn or Manhattan, day or night? Or walking in the morning in a pine forest, or running his hand gently over a block of marble in an abandoned quarry, or tramping fields of snow after midnight? What was it like to eat with him at night in New York, or at noon in a Vermont farmhouse, or at breakfast in a home made lively by the laughter and play of children? He was shy. "Why don't you find me a nice little wife?" he would ask Mrs. Raynolds. He was emotional, often speaking in the style of his writing: "And the whistle-wail of the great train. . ." He was profound, brooding after his break with his first publishers: could a man who had left a friend as he had left Maxwell Perkins ever be a "righteous man" again? This is a story of the plain and real Thomas Wolfe, of his human goodness, his bone-deep weariness in labor, his sudden joy in being understood and loved by a fellow man. And this is the story of how Robert Raynolds honored the grace of being a friend of Thomas Wolfe.
In Art Matters, Robert Paul Lamb provides the definitive study of Ernest Hemingway's short story aesthetics. Lamb locates Hemingway's art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul Cézanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Examining how Hemingway developed this inheritance, Lamb insightfully charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction. Art Matters opens with an analysis of the authorial effacement Hemingway learned from Maupassant and Chekhov, followed by fresh perspectives on the author's famous use of concision and omission. Redefining literary impressionism and expressionism as alternative modes for depicting modern consciousness, Lamb demonstrates how Hemingway and Willa Cather learned these techniques from Crane and made them the foundation of their respective aesthetics. After examining the development of Hemingway's art of focalization, he clarifies what Hemingway really learned from Stein and delineates their different uses of repetition. Turning from techniques to formal elements, Art Matters anatomizes Hemingway's story openings and endings, analyzes how he created an entirely unprecedented role for fictional dialogue, explores his methods of characterization, and categorizes his settings in the fifty-three stories that comprise his most important work in the genre. A major contribution to Hemingway scholarship and to the study of modernist fiction, Art Matters shows exactly how Hemingway's craft functions and argues persuasively for the importance of studies of articulated technique to any meaningful understanding of fiction and literary history. The book also develops vital new ways of understanding the short story genre as Lamb constructs a critical apparatus for analyzing the short story, introduces to a larger audience ideas taken from practicing storywriters, theorists, and critics, and coins new terms and concepts that enrich our understanding of the field.
Many of the heralded writers of the 20th century—including Ernest Hemingway, John Dos Passos, F. Scott Fitzgerald, and William Faulkner—first made their mark in the 1920s, while established authors like Willa Cather and Sinclair Lewis produced some of their most important works during this period. Classic novels such as The Sun Also Rises, The Great Gatsby, Elmer Gantry, and The Sound and the Fury not only mark prodigious advances in American fiction, they show us the wonder, the struggle, and the promise of the American dream. In Beyond Gatsby: How Fitzgerald, Hemingway, and Writers of the 1920s Shaped American Culture, Robert McParland looks at the key contributions of this fertile period in literature. Rather than provide a compendium of details about major American writers, this book explores the culture that created F. Scott Fitzgerald and his literary contemporaries. The source material ranges from the minutes of reading circles and critical commentary in periodicals to the archives of writers’ works—as well as the diaries, journals, and letters of common readers. This work reveals how the nation’s fiction stimulated conversations of shared images and stories among a growing reading public. Signifying a cultural shift in the aftermath of World War I, the collective works by these authors represent what many consider to be a golden age of American literature. By examining how these authors influenced the reading habits of a generation, Beyond Gatsby enables readers to gain a deeper comprehension of how literature shapes culture.
A deep study on the doctrine of eternal security Does one moment of faith secure a person's eternal destiny with God--even if that person later stops following and trusting in Jesus? Or does a person have to keep on trusting and following Jesus to remain in a saving relationship with God? Now expanded with new chapters and research, this landmark book continues to offer one of the most penetrating studies on the controversial doctrine of eternal security, perseverance, and apostasy in the New Testament. Calling into question the popular "once saved, always saved" belief, internationally respected pastor and scholar Dr. Robert Shank reveals that the question we should be asking is not, "Is the believer secure?" but rather, "What does it mean to be a believer?" Straightforward, thorough, and grounded in biblical understanding, this book warns Christians about dangers that could potentially lead a believer to become an unbeliever (falling away from faith) and share in the unbeliever's eternal condemnation.
In this work, not only the principles by which manual and automatic systems function are distinguished, but also the background to the invention is given. This is done from the perspective of an unbiased international observer.
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