A look at the wide-ranging work of the Golden Age genius who made The Ten Commandments and other blockbusters—and helped found the American film industry. Cecil B. DeMille’s Hollywood is a detailed and definitive chronicle of the director’s screen work that changed the course of film history—and a fascinating look at how movies were actually made in Hollywood’s Golden Age. Drawing extensively on DeMille’s personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of DeMille the filmmaker that goes behind studio gates and beyond DeMille’s legendary persona. In his forty-five-year career DeMille’s box-office record was unsurpassed, and his swaggering style established the public image for movie directors. He had a profound impact on the way movies tell stories, and brought greater attention to the elements of decor, lighting, and cinematography. Best remembered today for screen spectacles such as The Ten Commandments and Samson and Delilah, DeMille also created Westerns, realistic “chamber dramas,” and a series of daring and highly influential social comedies—while setting the standard for Hollywood filmmakers and demanding absolute devotion to his creative vision from his writers, artists, actors, and technicians. “Far and away the best film book published so far this year.” —National Board of Review
Known as much today for its theme park, Universal City is also the largest and the longest continuously operating movie studio in "Hollywood." The Universal Film Manufacturing Company was formed by a dozen independent producers in 1912, and Universal City was designed to provide a single facility in which to make their films. Since its official opening on March 15, 1915, Universal City has served as a training ground for great directors such as John Ford, William Wyler, and James Whale and as home to stars like Hoot Gibson, Deanna Durbin, Boris Karloff, Bela Lugosi, Lon Chaney Sr. and Jr., and Tom Mix. This evocative volume explores the studio that brought The Hunchback of Notre Dame (1923), The Phantom of the Opera (1925), All Quiet on the Western Front (1930), Dracula (1930), Frankenstein (1931), and 100 Men and a Girl (1936) to the screen.
As the state of Ohio prepares to celebrate its bicentennial in 2003, Andrew R. L. Cayton offers an account of ways in which diverse citizens have woven its history. Ohio: The History of a People, centers around the many stories Ohioans have told about life in their state. The founders of Ohio in 1803 believed that its success would depend on the development of a public culture that emphasized what its citizens had in common with each other. But for two centuries the remarkably diverse inhabitants of Ohio have repeatedly asserted their own ideas about how they and their children should lead their lives. The state's public culture has consisted of many voices, sometimes in conflict with each other. Using memoirs, diaries, letters, novels, and paintings, Cayton writes Ohio's history as a collective biography of its citizens. Ohio, he argues, lies at the intersection of the stories of James Rhodes and Toni Morrison, Charles Ruthenberg and Lucy Webb Hayes, Carl Stokes and Alice Cary, Sherwood Anderson and Pete Rose. It lies in the tales of German Jews in Cincinnati, Italian and Polish immigrants in Cleveland, Southern blacks and white Appalachians in Youngstown. Ohio is the mingled voices of farm families, steelworkers, ministers, writers, schoolteachers, reformers, and football coaches. Ohio, in short, is whatever its citizens have imagined it to be.
Drawing extensively on DeMille's personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of the film-maker that goes behind studio gates and beyond DeMille's legendary persona. Cecil B. DeMille's Hollywood is a detailed and definitive chronicle of cinematic work that changed the course of film history and a look at how movies were made during Hollywood's golden age."--BOOK JACKET.
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