The name Tillman Franks is synonymous with Country Music. For more than 60 years, the Shreveport, La. Native had his finger on the pulse of the business. Now for the first time, he tells his story. Franks served as a star-maker, a songwriter, manager, comedian and musician. There were five artists that he took to No. I in the Country Music charts, including Webb pierce, the Carlisles, Johnny Horton, Claude King and David Houston. Franks relives the stressful times he endured while managing Horton's widow, Billie Jean Horton, and football great, Terry Bradshaw. In addition, he relates his disagreement to the story Tammy Wynette told about their conflict and publicly apologizes the Barbara Mandrell for a conflict they had. The Louisiana Hayride was one of the nation's top Country Music shows in the late 1940's through 1960. Franks was on the first Hayride and remained with it until the end. It was while he was associated with the hayride that he gave a helping hand to rising young stars Hank Williams Sr. and Elvis Presley. Franks describes in vivid detail how the "Angel of Mercy" cradled him in her hand during the tragic car wreck in Milano, Tx. in 1960 that took Johnny Horton's life. In addition, Franks writes chapters about his association with Jim Reeves, Slim Whitman, Gov. Jimmie Davis, Shoji Tabuchi, Kitty Wells, Tommy Sands, Billy Sherrill, Johnny and Jack, Roy Acuff, Glenn Sutton, Jerry Kennedy, Shelby singleton and many others. The reader will laugh and cry at Franks' life and experiences. It's a book that's gonna turn Nashville on its ear.
The book has a lot of historical content along with some poetry and humor. The main part is falily history including some of the sescenants of James Gram born in Scotland in 1670 along with documentation on the descendants
Few U.S. presidents have captured the imagination of the American people as has Harry S. Truman, “the man from Missouri.” In this major new biography, Robert H. Ferrell, widely regarded as an authority on the thirty-third president, challenges the popular characterization of Truman as a man who rarely sought the offices he received, revealing instead a man who—with modesty, commitment to service, and basic honesty—moved with method and system toward the presidency. Truman was ambitious in the best sense of the word. His powerful commitment to service was accompanied by a remarkable shrewdness and an exceptional ability to judge people. He regarded himself as a consummate politician, a designation of which he was proud. While in Washington, he never succumbed to the “Potomac fever” that swelled the heads of so many officials in that city. A scrupulously honest man, Truman exhibited only one lapse when, at the beginning of 1941, he padded his Senate payroll by adding his wife and later his sister. From his early years on the family farm through his pivotal decision to use the atomic bomb in World War II, Truman’s life was filled with fascinating events. Ferrell’s exhaustive research offers new perspectives on many key episodes in Truman’s career, including his first Senate term and the circumstances surrounding the Truman Doctrine and the Marshall Plan. In addition, Ferrell taps many little-known sources to relate the intriguing story of the machinations by which Truman gained the vice presidential nomination in 1944, a position which put him a heartbeat away from the presidency. No other historian has ever demonstrated such command over the vast amounts of material that Robert Ferrell brings to bear on the unforgettable story of Truman’s life. Based upon years of research in the Truman Library and the study of many never-before-used primary sources, Harry S. Truman is destined to become the authoritative account of the nation’s favorite president.
From 1837 to 1912, Charles Dickens was by far the most popular writer for American readers. Through several sources including statistics, literary biography, newspapers, memoirs, diaries, letters, and interviews, Robert McParland examines a historical time and an emerging national consciousness that defined the American identity before and after the Civil War. American voices present their views, tastes, emotional reactions and identifications, and deep attachment and love for Dickens's characters, stories, themes, and sensibilities as well as for the man himself. Bringing together contemporary reactions to Dickens and his works, this book paints a portrait of the American people and of American society and culture from 1837 to the turn of the twentieth century. It is in this view of nineteenth-century America--its people and their values, their reading habits and cultural views, the scenarios of their everyday lives even in the face of the drastic changes of the emerging nation--that Charles Dickens's American Audience makes its greatest impact.
Welcome to The 11th Science Fiction MEGAPACK®! We hope you will enjoy the stories we have selected for you this time. There's a greater emphasis than usual on Golden Age writers (just the way it came together) -- but we have one original story as well, a posthumous collaboration with H.B. Fyfe, finishing a really terrific but not-quite-done tale he had been working on before his death. It's a bit reminiscent of James Tiptree, Jr.'s best work -- but predates Tiptree by a couple of decades. And we have novels by Robert Silverberg, Frederik Pohl & C.M. Kornbluth, Murray Leinster, E. Everett Evans, and Donald Wollheim...not to mention part 2 of our serialization of Tony Rothman's mammoth 2013 novel, Firebird. And a ton of great short stories. 36 works in all, more than 1900 pages of great reading! ANGELS IN THE JETS, by Jerome Bixby A CODE FOR SAM, by Lester del Rey STAR SHIP, by Poul Anderson THE WELL-OILED MACHINE, by H.B. Fyfe JACK OF NO TRADES, by Evelyn E. Smith THE GRAVITY BUSINESS, by James E. Gunn DOOMSDAY EVE, by Robert Moore Williams MASTER OF LIFE AND DEATH, by Robert Silverberg FALCONS OF NARABEDLA, by Marion Zimmer Bradley NEW LAMPS, by Robert Moore Williams THE PIRATES OF ZAN, by Murray Leinster OUT OF THE IRON WOMB!, by Poul Anderson LATER THAN YOU THINK, by Fritz Leiber THE PLANET MAPPERS, by E. Everett Evans AFTERGLOW, by H.B. Fyfe and John Gregory Betancourt SHIPPING CLERK, by William Morrison CONTAGION, by Katherine MacLean THE LIGHT ON PRECIPICE PEAK, by Stephen Tall THE LUCKIEST MAN IN DENV, by Simon Eisner ON THE FOURTH PLANET, by J.F. Bone BIMMIE SAYS, by Sydney Van Scyoc SWEET TOOTH, by Robert F. Young SEARCH THE SKY, by Frederik Pohl and C. M. Kornbluth STAR, BRIGHT, by Mark Clifton HOT PLANET, by Hal Clement TWO WEEKS IN AUGUST, by Frank M. Robinson THE ALIEN, by Raymond F. Jones BODYGUARD, by Christopher Grimm JAYWALKER, by Ross Rocklynne SECOND CHILDHOOD, by Clifford D. Simak OF ALL POSSIBLE WORLDS, by William Tenn POLLONY UNDIVERTED, by Sydney Van Scyoc DELAY IN TRANSIT, by F. L. Wallace A GIFT FROM EARTH, by Manly Banister ONE AGAINST THE MOON, by Donald A. Wollheim Special Feature: FIREBIRD, by Tony Rothman [Part 2 of 3] If you enjoy this volume of classic stories, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 270+ other entries in this series, including science fiction, fantasy, mysteries, adventure, horror, westerns -- and much, much more!
Located at the confluence of three creeks, amid the rich agricultural soil of Eastern Washingtons Palouse region, Pullman seemed destined to flourish. From its founding in the 1880s, growth was spurred by the discovery of artesian wells, its selection as the location of the State Agricultural College, and the building of rail lines through the town. Pullman, named for railroad car manufacturer George Pullman, became a thriving center of commerce, agriculture, and education. Today Pullman remains a vibrant commercial agricultural center, built upon wheat, peas, and lentils, with a downtown nestled among four hills. Pullman is home to cutting edge technology companies and a major research institution, Washington State University. Its rich heritage in agriculture, education, and technology guarantees its future as a highly successful 21st century city.
The work of this institution has only begun.... I want to see this faculty continue to develop in not only teaching ability, but heart power—the ability to lead and inspire.... I want to see the fullest opportunities furnished to students.... I want to see young men and women who will become effective leaders.... I want to see all of these things and more.—John W. Carr, first president of Murray State University, April 1, 1926 When Murray State University was founded shortly after World War I, it was a modest, one-building teachers college with a mandate to prepare better-trained educators for schools in the Jackson Purchase area of western Kentucky. Now Murray State has grown to become a major university with nearly 10,000 students from all over the world. Over the past century, this institution has indelibly shaped the lives of generations of talented young people, some of whom went on to enjoy remarkable careers at NASA, on the Kentucky Supreme Court, in Hollywood, and with the NBA. In The Finest Place We Know, authors Robert L Jackson, Sean J. McLaughlin, and Sarah Marie Owens celebrate the one-hundred-year story of Murray State University by looking back on the people, places, and events that have shaped the institution's history. This comprehensive pictorial history features hundreds of images from the Pogue Special Collections Library as well as stories that explore everything from the school's first student-produced weekly newspaper, The College News, which began publication on June 24, 1927; to the hiring of Ernest T. Brooks, its first Black professor, in 1970; to the appointment of Dr. Kala Stroup, the first woman president of any Kentucky university. This work—equal parts history and celebration—presents an in-depth account of one of Kentucky's prosperous public universities.
Since its original publication in 1987, Like a Family has become a classic in the study of American labor history. Basing their research on a series of extraordinary interviews, letters, and articles from the trade press, the authors uncover the voices and experiences of workers in the Southern cotton mill industry during the 1920s and 1930s. Now with a new afterword, this edition stands as an invaluable contribution to American social history. "The genius of Like a Family lies in its effortless integration of the history of the family--particularly women--into the history of the cotton-mill world.--Ira Berlin, New York Times Book Review "Like a Family is history, folklore, and storytelling all rolled into one. It is a living, revelatory chronicle of life rarely observed by the academe. A powerhouse.--Studs Terkel "Here is labor history in intensely human terms. Neither great impersonal forces nor deadening statistics are allowed to get in the way of people. If students of the New South want both the dimensions and the feel of life and labor in the textile industry, this book will be immensely satisfying.--Choice
What is it like to do field biology in a world that exalts experiments and laboratories? How have field biologists assimilated laboratory values and practices, and crafted an exact, quantitative science without losing their naturalist souls? In Landscapes and Labscapes, Robert E. Kohler explores the people, places, and practices of field biology in the United States from the 1890s to the 1950s. He takes readers into the fields and forests where field biologists learned to count and measure nature and to read the imperfect records of "nature's experiments." He shows how field researchers use nature's particularities to develop "practices of place" that achieve in nature what laboratory researchers can only do with simplified experiments. Using historical frontiers as models, Kohler shows how biologists created vigorous new border sciences of ecology and evolutionary biology.
Your bed shall be the moorcock's, and your life shall be like the hunted deer's, and ye shall sleep with your hand upon your weapons.' Tricked out of his inheritance, shanghaied, shipwrecked off the west coast of Scotland, David Balfour finds himself fleeing for his life in the dangerous company of Jacobite outlaw and suspected assassin Alan Breck Stewart. Their unlikely friendship is put to the test as they dodge government troops across the Scottish Highlands. Set in the aftermath of the 1745 rebellion, Kidnapped transforms the Romantic historical novel into the modern thriller. Its heart-stopping scenes of cross-country pursuit, distilled to a pure intensity in Stevenson's prose, have become a staple of adventure stories from John Buchan to Alfred Hitchcock and Ian Fleming. Kidnapped remains as exhilarating today as when it was first published in 1886. This new edition is based on the 1895 text, incorporating Stevenson's last thoughts about the novel before his death. It includes Stevenson's 'Note to Kidnapped', reprinted for the first time since 1922. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
In this, the first comprehensive study of post-Reformation provincial English portraiture, Robert Tittler investigates the growing affinity for secular portraiture in Tudor and early Stuart England, a cultural and social phenomenon which can be said to have produced a 'public' for that genre. He breaks new ground in placing portrait patronage and production in this era in the broad social and cultural context of post-Reformation England, and in distinguishing between native English provincial portraiture, which was often highly vernacular, and foreign-influenced portraiture of the court and metropolis, which tended towards the formal and 'polite'. Tittler describes the burgeoning public for portraiture of this era as more than the familiar court-and-London based presence, but rather as a phenomenon which was surprisingly widespread, both socially and geographically, throughout the realm. He suggests that provincial portraiture differed from the 'mainstream', cosmopolitan portraiture of the day in its workmanship, materials, inspirations, and even vocabulary, showing how its native English roots continued to guide its production. Innovative chapters consider the aims and vocabulary of English provincial portraiture, the relationship of portraiture and heraldry, the painter's occupation in provincial (as opposed to metropolitan) England, and the contrasting availability of materials and training in both provincial and metropolitan areas. The work as a whole contributes to both art history and social history: it speaks to admirers and collectors of painting as well as to curators and academics.
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