But soon, seduced by the myth of Hollywood and the reality of Warner Brothers, he made his movie debut, in 1938, in Four Daughters and immediately established himself as an earthy, rebellious and electrifying presence on the screen - in retrospect, the James Dean of the Depression era.
A Darkly Comic and Deeply Moving Memoir of a New York City Lost to Time, from the Author of the Bestselling John Lennon Bio Nowhere Man From the final days of the Brooklyn Dodgers in the mid-1950s to the arrival of the Beatles in 1964, Bobby in Naziland is an unsentimental journey through one Brooklyn neighborhood. Though a 20 minute and 15-cent subway ride from the skyscrapers of Manhattan, Flatbush remained provincial and working-class?a place where Auschwitz survivors and WWII vets lived side by side and the war lingered like a mass hallucination. Meet Bobby, a local kid who shares a shabby apartment with his status-conscious mother and bigoted father, a soda jerk haunted by memories of the Nazi death camp he helped liberate. Flatbush, to Bobby, is a world of brawls with neighborhood "punks," Hebrew-school tales of Adolf Eichmann's daring capture, and grade-school duck-and-cover drills. Drawn to images of mushroom clouds and books about executions, Bobby ultimately turns the seething hatred he senses everywhere against himself. From a perch in his father's candy store, Bobby provides a child's-eye view of the mid-20th-century American experience?a poignant intertwining of the personal and historical.
Philip Larkin is widely regarded as one of the greatest English poets of the 20th century. As such, there is a vast amount of literary criticism surrounding his work. This Readers' Guide provides a comprehensive and accessible overview of the key reactions to Larkin's poetry. Using a chronological structure, Robert C. Evans charts critical responses to Larkin's work from his arrival on the British literary scene in the 1950s to the decades after his death. This includes analyses of critical material from around the world, making this an excellent guide for all students of Larkin.
The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.
Synonymous with the golden age of Broadway, the dazzling lights of Hollywood, and the rise of television arts, Farley Granger's charm and talent captivated the acting community and audiences alike. Working with creative visionaries like Alfred Hitchcock, Luchino Visconti, and Nick Ray, Granger was a celebrated figure in films like Strangers on a Train, Rope, Senso, and They Live by Night, bringing to the big screen a stunningly memorable presence. But behind his characters, he was an intensely complex man. In his richly told memoir, Granger details his life with disarming candor. Rich in personal insight, he describes his relationships with both men and women and reminisces about screen legends he knew with private familiarity—from Shelley Winters to Joan Crawford to Leonard Bernstein. Recreating not only his personal struggles but his legendary struggle to free himself of his contract with Sam Goldwyn, Granger reveals none so elegantly as he does himself. Include Me Out is as much a story of classic Hollywood glamour as it is a collection of iconic theatrical portraits, all from the man who knew them all.
Selected Letters of Robert Penn Warren, Volume three, provides an indispensable glimpse of Warren the writer and the man, covering a crucial decade in his life. Edited by Randy Hendricks and James A. Perkins, and introduced by William Bedford Clark, this collection of largely previously unpublished letters and newly discovered material documents Warren's time at the University of Minnesota, his writing and publication of the Pulitzer Prize–winning novel All the King's Men, his appointment as Consultant in Poetry at the Library of Congress, and his divorce from Emma “Cinina” Brescia and subsequent marriage to the writer Eleanor Clark. The period 1943–1952 also saw the publication of “A Poem of Pure Imagination”; World Enough and Time; The Ballad of Billie Potts; At Heaven's Gate; and Selected Poems, 1923–1943. Warren's letters shed new light on those works and on his close relationship with his editors Lambert Davis and Albert Erskine. Included too is correspondence concerning Warren's collaboration with Robert Rossen on the movie production of All the King's Men, which received the Academy Award for best picture in 1949. The list of friends and colleagues with whom Warren communicated reads like a roll call of major twentieth-century literary figures and clearly shows his ever-widening influence on the world of letters. Spanning a remarkable range in both style and tone, the letters disclose Warren's attitudes toward his work as a teacher and his thoughts on the events of World War II, the Korean War, and the political conflicts in postwar Europe. Thoroughly annotated and scrupulously researched, Volume Three captures Warren in an extraordinary phase in his life and career, reaching his maturity and making many commitments at once yet pursuing them all with a seemingly boundless energy.
À la rencontre du cinéma français: analyse, genre, histoire is intended to serve as the core textbook in a wide variety of upper-level undergraduate and graduate French cinema courses. In contrast to content-, theme-, or issue-based approaches to film, Professor Berg stresses “the cinematically specific, the warp and fabric of the film itself, the stuff of which it is made.' Sufficient proficiency in French is the sole prerequisite: “No previous background in film studies is assumed, nor is any prior acquaintance with French cinema. It will help, of course, to like movies, and to have seen quite a few…' (from the preface).
Praise for Sundays Child Carter has written a memoir that captures the quintessential America that now seems to be slipping away from us. A real treat. --John Tebbel, author and Journalist Deeply moving...the book is a delight and of course you write like a dream...Congratulations on what I believe we used to call a great read, and more than that, a deeply affecting record. --Ellen Feldman, author of Lucy and The Scottsboro Boys Praise for Nobody Yet Knows Who I Am In volume two of Robert Carters memoirs, the reader is again treated to the authors ruthlessly stark self-appraisal. Through the extraordinarily clarity of prose, the reader seems to share his experiences immediately rather than through the medium of words. His descriptions of his lovers, friends, and passing acquaintances drive the reader along. --James Scanlon, Professor Emeritus of History, Randolph-Macon College
This volume discusses the physics and physical processes of foam and foaming. It delineates various measurement techniques for characterizing foams and foam properties as well as the chemistry and application of foams. The use of foams in the textile industry, personal care products, enhanced oil recovery, firefighting and mineral floatation are highlighted, and the connection between the microstructure and physical properties of foam are detailed. Coverage includes nonaqueous foams and silicone antifoams, and more.
This entertaining and useful book provides a comprehensive survey of films about the ancient world, from The Last Days of Pompeii to Gladiator. Jon Solomon catalogues, describes, and evaluates films set in ancient Greece and Rome, films about Greek and Roman history and mythology, films of the Old and New Testaments, films set in ancient Egypt, Babylon, and Persia, films of ancient tragedies, comic films set in the ancient world, and more. The book has been updated to include feature films and made-for-television movies produced in the past two decades. More than two hundred photographs illustrate both the films themselves and the ancient sources from which their imagery derives.
Mutilated animals. Defaced tombstones. Sexual abuse in daycare centers. Is America threatened by a satanic conspiracy? In this book, Robert D. Hicks exposes law enforcement''s obsessive preoccupation with satanism as a model for criminal behavior. While satanic belief has played a part in crimes ranging from petty vandalism to serial murders, Hicks avows that there is no substantial evidence for the existence of a nationwide satanic crime continuum.Hicks points out that the satanic criminal model is expedient largely due to its simplicity and economy, reducing to simple formulas such complex problems as drug abuse, teen suicide, and sexual molestation. His research utilizes a unique blend of law-enforcement methodology, anthropology, folklore, history, sociology, psychology and psychiatry. He attributes the cult conspiracy theory to beliefs fueled by Christian fundamentalist sects and to the ungovernable mechanisms of rumor-panics, subversive mythology, and urban legend.In Pursuit of Satan documents examples of rumor-panics in which the police have fomented fear by attributing crimes to satanists, indulging in sheer speculation and promulgating misinformation through the sensationalist news media. Hicks examines the construction of the satanic ideology among law enforcement officials, focusing on the exploitation of satanism as a new scapegoat for public fears and addressing the phenomenon of credulity among police forces and allied professionals in social work, psychiatry, and psychology.
This book serves as a fascinating guide to 100 war films from 1930 to the present. Readers interested in war movies will learn surprising anecdotes about these films and will have all their questions about the films' historical accuracy answered. This cinematic guide to war movies spans 800 years in its analysis of films from those set in the 13th century Scottish Wars of Independence (Braveheart) to those taking place during the 21st-century war in Afghanistan (Lone Survivor). World War II has produced the largest number of war movies and continues to spawn recently released films such as Dunkirk. This book explores those, but also examines films set during such conflicts as the Napoleonic Wars, the American Civil War, World War I, the Vietnam War, and the wars in Afghanistan and Iraq. The book is organized alphabetically by film title, making it easy to navigate. Each entry is divided into five sections: Background (a brief discussion of the film's genesis and financing); Production (information about how, where, and when the film was shot); Synopsis (a detailed plot summary); Reception (how the film did in terms of box office, awards, and reviews) and "Reel History vs. Real History" (a brief analysis of the film's historical accuracy). This book is ideal for readers looking to get a vivid behind-the-scenes look at the greatest war movies ever made.
The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences. Triumph Over Containment offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture. This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.
Coinciding with the 50th anniversary of The Way We Were, this intriguing and impeccably researched book is the first ever account of the making of the classic film starring Barbara Streisand and Robert Redford, revealing the full story behind its genesis and continued controversies, its many deleted scenes, its much-anticipated but never-filmed sequel, and the real-life romance that inspired this groundbreaking love story . . . It’s one of the greatest movie romances of all time. Fifty years on, the chemistry between Barbra Streisand as Jewish working-class firebrand Katie Morosky and Robert Redford as all-American golden boy Hubbell Gardiner remains potent. Yet the friction and controversy surrounding The Way We Were were so enormous, the movie was nearly never made at all. Impeccably researched and eye-opening, here is the full story behind the challenges, rivalries, and real-life romance surrounding the movie. Even the iconic casting was fraught. Screenwriter Arthur Laurents wrote the role of Katie with Streisand in mind, but finding Hubbell was another matter. Redford was reluctant to play what he perceived as the “Ken doll” to Streisand’s lead, resulting in ten writers—among them Francis Ford Coppola—being called in to rework the script. The first preview was disastrous. Several scenes were cut, angering Streisand and Laurents, yet the new version was a resounding success, and its appeal endures, earning it a regular spot in the AFI’s annual Top 10 movie romances. The Way They Were also explores the deep, surprising love story that inspired the screenplay—the relationship between Laurents, a Jewish Brooklyn-born college leftist, and his longtime partner, Tom Hatcher. Drawing on Laurents’s unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and has defined romance ever since. “A spellbinding behind-the-scenes look at the seminal 1973 film The Way We Were. Hofler’s prose sparkles, and he successfully blends histrionics with on-screen magic. The captivating result makes clear that the drama happening behind the camera can be just as gripping as what’s in front of it.” —Publishers Weekly, Starred Review
Journey back fifty years to explore the decade of baby boomers, the Red scare, and the birth of rock and roll with Robert Rodriguez’s The 1950s’ Most Wanted: The Top 10 Book of Rock & Roll Rebels, Cold War Crises, and All-American Oddities. America was revving its engines when the fifties came along, and its citizens more than ready for everything the historic decade had to offer. Rodriguez takes you on a spin down memory lane with dozens of top-ten lists filled with amazing, amusing, and even astonishing trivia from the 1950s. Television exploded into the mainstream in the 1950s, and in this book you’ll find kids’ television, shows that were immensely popular then but forgotten now, and potential series that never got off the ground. Film and music history are also well represented, with lists highlighting the fathers of rock and roll and some unlikely recording artists, plus catchphrases from contemporary films and first roles of future stars. Relive the most notorious crimes of the decade, such as the one that inspired the TV show and film The Fugitive, and its big scandals, such as the quiz show debacle and the deportation of Charlie Chaplin. You’ll read about politicians, celebrities, fashion, toys, fads, and disasters. Relearn the hip slang of the time while finding out which tales from the fifties were really tall tales or urban legends that are now debunked. Rodriguez gives you a whole decade’s worth of fun, facts, and all-important memories. It may have been half a century ago, but with The 1950s’ Most Wanted™, it’ll seem like just yesterday.
In a dramatic change of role, the noted television and film star has written a vivid and incisive account of the House Committee on Un-American Activities' probe of the entertainment industry from 1938 to 1958. Formed to investigate alleged subversives, by the late fifties the committee had succeeded in ruining the careers and sometimes the lives of many of Hollywood and Broadway's top writers and performers. Quoting generously from transcripts of its hearings, Vaughn shows how the committee's primary purpose was punitive rather than legislative, and concludes that its most serious damage to American theatre and film is not easily documented: the loss of all the words never written or spoken because of the impact - and the fear - of the committee's misdeeds.
On the heels of the Great Depression and staring into the abyss of a global war, American writers took fiction and literature in a new direction that addressed the chaos that the nation—and the world—was facing. These authors spoke to the human condition in traumatic times, and their works reflected the dreams, aspirations, values, and hopes of people living in the World War II era. In FromNative Son to King’s Men: The Literary Landscape of 1940s America, Robert McParland examines notable works published throughout the decade. Among the authors covered are James Baldwin, Pearl S. Buck, James Gould Cozzens, William Faulkner, Ernest Hemingway, John Hersey, Norman Mailer, Ann Petry, Irwin Shaw, John Steinbeck, Robert Penn Warren, Eudora Welty, and Richard Wright. McParland explores how popular novels, literary fiction, and even short stories by these authors represented this pivotal period in American culture. By examining the creative output of these authors, this book reveals how the literature of the 1940s not only offered a pathway for that era’s readers but also provides a way of understanding the past and our own times. From Native Son to King’s Men will appeal to anyone interested in the cultural climate of the 1940s and how this period was depicted in American literature.
Handbook of Neural Computing Applications is a collection of articles that deals with neural networks. Some papers review the biology of neural networks, their type and function (structure, dynamics, and learning) and compare a back-propagating perceptron with a Boltzmann machine, or a Hopfield network with a Brain-State-in-a-Box network. Other papers deal with specific neural network types, and also on selecting, configuring, and implementing neural networks. Other papers address specific applications including neurocontrol for the benefit of control engineers and for neural networks researchers. Other applications involve signal processing, spatio-temporal pattern recognition, medical diagnoses, fault diagnoses, robotics, business, data communications, data compression, and adaptive man-machine systems. One paper describes data compression and dimensionality reduction methods that have characteristics, such as high compression ratios to facilitate data storage, strong discrimination of novel data from baseline, rapid operation for software and hardware, as well as the ability to recognized loss of data during compression or reconstruction. The collection can prove helpful for programmers, computer engineers, computer technicians, and computer instructors dealing with many aspects of computers related to programming, hardware interface, networking, engineering or design.
It has become popular to blame the American obesity epidemic and many other health-related problems on processed food. Many of these criticisms are valid for some processed-food items, but many statements are overgeneralizations that unfairly target a wide range products that contribute to our health and well-being. In addition, many of the proposed dangers allegedly posed by eating processed food are exaggerations based on highly selective views of experimental studies. We crave simple answers to our questions about food, but the science behind the proclamations of food pundits is not nearly as clear as they would have you believe. This book presents a more nuanced view of the benefits and limitations of food processing and exposes some of the tricks both Big Food and its critics use to manipulate us to adopt their point of view. Food is a source of enjoyment, a part of our cultural heritage, a vital ingredient in maintaining health, and an expression of personal choice. We need to make those choices based on credible information and not be beguiled by the sophisticated marketing tools of Big Food nor the ideological appeals and gut feelings of self-appointed food gurus who have little or no background in nutrition.
Written by one of the most prolific and respected researchers in food safety, this volume describes molecular techniques for the detection and discrimination of major infectious bacteria associated with foods. Each chapter deals with a specific organism and techniques applied to that organism. Particular focus is placed on genes associated with pathogenicity used in the polymerase chain reaction (PCR) including real-time PCR for specific detection of pathogenic bacteria and the inherent limitations of such methodology with certain pathogens. Methods for extracting microorganisms from complex food matrices andDNA purification techniques are also emphasized.
In his follow-up to the acclaimed "Hellraisers," Sellers traces the intertwining lives and careers of four outrageous Hollywood movie mavericks: Marlon Brando, Dennis Hopper, Warren Beatty, and Jack Nicholson.
Why the irrational exuberance of investors hasn't disappeared since the financial crisis In this revised, updated, and expanded edition of his New York Times bestseller, Nobel Prize–winning economist Robert Shiller, who warned of both the tech and housing bubbles, cautions that signs of irrational exuberance among investors have only increased since the 2008–9 financial crisis. With high stock and bond prices and the rising cost of housing, the post-subprime boom may well turn out to be another illustration of Shiller's influential argument that psychologically driven volatility is an inherent characteristic of all asset markets. In other words, Irrational Exuberance is as relevant as ever. Previous editions covered the stock and housing markets—and famously predicted their crashes. This edition expands its coverage to include the bond market, so that the book now addresses all of the major investment markets. It also includes updated data throughout, as well as Shiller's 2013 Nobel Prize lecture, which places the book in broader context. In addition to diagnosing the causes of asset bubbles, Irrational Exuberance recommends urgent policy changes to lessen their likelihood and severity—and suggests ways that individuals can decrease their risk before the next bubble bursts. No one whose future depends on a retirement account, a house, or other investments can afford not to read this book.
A buoyant, creative economy can be seen as the saviour of many cities, but behind such 'urban makeovers' lie serious problems such as widening inequalities and gentrification. Blending lively city case studies with broader theoretical debates, this book explores the opportunities for a more just and sustainable urban future.
A reader-friendly overview of geropsychology based on a wealth of evidence-based research Written by a renowned scholar and practitioner of gerontology and aging, this is a concise, reader-friendly overview of key concepts of geropsychology, the psychology of aging. Grounded in positive psychology, the text dispels common myths about the aging population with a wealth of evidence-based research. It encompasses a foundational knowledge base regarding issues unique to older adults, information that is essential for mental health providers, who already see an unprecedented growth in the number of older adults in their practices--a trend that is expected to continue for years to come. The text discusses theoretical models underlying geropsychology, and examines common difficulties that affect older adults along with the most effective treatment approaches for this population. With a focus on the strengths and functions of older adults, the text examines the unique psychological problems of later life and conflicts caused by retirement, living longer, financial stressors, and chronic illness. It discusses the complications of changing family systems, coping with cognitive impairments, how psychologists understand and treat Alzheimer’s and dementia patients, older adult sexuality including the unique sexual problems confronting LGBT individuals, elder abuse, ageism, substance abuse, and issues surrounding death and dying. A chapter on future directions for psychological research and practice highlights the many opportunities available in this field. The text will be of value for upper-level undergraduate courses on the psychology of aging, as a supplement to developmental and clinical psychology courses, and as a resource for interdisciplinary studies with a focus on gerontology. . Key Features: Provides a concise overview of one of the largest growing segments of our population Written by a prominent expert in gerontology and psychology Offers a wealth of evidence-based research that informs clinical issues Grounded in a positive psychology approach Integrates theory with human rights and social justice
Certain lines define a movie. Marlene Dietrich in Morocco: “Anyone who has faith in me is a sucker.” Too, there are lines that fit actor and character. Mae West in I’m No Angel: “I’m very quick in a slow way.” Jane Fonda in California Suite: “Fit? You think I look fit? What an awful shit you are. I look gorgeous.” From the classics to the grade–B slasher movies, over 11,000 quotes are arranged by over 900 subjects, like accidents, double entendres, eyes (and other body parts!), ice cream, luggage, parasites, and ugliness. Each quote gives the movie title, production company, year of release, speaker of the line, and, when appropriate, a comment putting the quote in context.
In 1899, when film projection was barely three years old, Herbert Beerbohm Tree was filmed as King John. In his highly entertaining history, Robert Hamilton Ball traces in detail the fate of Shakespeare on silent films from Tree’s first effort until the establishment of sound in 1929. The silent films brought Shakespeare to a wide public who had never had the chance to see his plays in the theatre. And Shakespeare gave the film makers an air of respectability that was badly needed by a medium with a reputation for frivolity. This work, first published in 1968, brings history to life with excerpts from scenarios, from reviews and from contemporary film journals, and with reproduction of stills and frames from the films themselves, including unusual shots of leading screen actors. This is a valuable source book for film experts, enhanced by full notes, bibliography and indexes; a fresh approach for Shakespeareans; and a vivid sketch of a world that has passed for all.
This book provides a comprehensive review of the theory, research, and applications in Industrial and Organizational (I/O) Psychology. Analyzing three primary objectives of I/O psychology: improving the effectiveness of employees and organizations, enhancing employee well-being, and gaining an understanding of human behavior in organizations.
Rocco Fumento and Tony Williams present the final version of Robert Rossen's screenplay for Jack London's The Sea Wolf. Released in 1941, this classic film was directed by Michael Curtiz and starred Edward G. Robinson as Wolf Larsen, John Garfield as George Leach, Ida Lupino as fugitive Ruth Webster, Alexander Knox as writer Humphrey Van Weyden, and Howard da Silva as Harrison. Both the novel and the film feature a hard-luck assemblage condemned either by savage coercion or pure evil fortune to sail aboard the Ghost, a seal-harvesting vessel commanded by a power-mad tyrant--the aptly named Wolf Larsen. Discussing the process of turning literature into film, Fumento and Williams analyze in detail the differences between London's Sea Wolf and Rossen's screenplay. Re-creating the world into which the movie emerged, each editor provides a separate introduction. Fumento analyzes the role of Warner Brothers in determining relevant production and allegorical features of the final film version. Williams describes London's reasons for writing the original novel in 1903, its appeal for the cinema, the different film versions--at least eight-that have appeared, and the social and historical context influencing Rossen's screenplay.
A darkly comic and deeply moving story of a New York City lost to time. From the final days of the Brooklyn Dodgers in the mid-1950s to the arrival of the Beatles in 1964, A Brooklyn Memoir is an unsentimental journey through one rough-and-tumble working-class neighborhood. Though only a 20-minute and 15-cent subway ride from the gleaming towers of Manhattan across the East River, Flatbush remained insular and provincial—a place where Auschwitz survivors and WWII vets lived side by side and the war lingered like a mass hallucination. Meet Bobby, a local kid who shares a shabby apartment with his status-conscious mother and bigoted father, a soda jerk haunted by memories of the Nazi death camp he helped liberate. Flatbush, to Bobby, is a world of brawls with neighborhood “punks,” Hebrew school tales of Adolf Eichmann’s daring capture, and grade school duck-and-cover drills. Drawn to images of mushroom clouds and books about executions, Bobby ultimately turns the seething hatred he senses everywhere against himself. From the bestselling author of Nowhere Man: The Final Days of John Lennon. Formerly published under the title Bobby in Naziland.
The notion that fundamental equations governing the motions of physical systems are invariant under the time reversal transformation (T) has been an important, but often subliminal, element in the development of theoretical physics. It serves as a powerful and useful tool in analyzing the structure of matter at all scales, from gases and condensed matter to subnuclear physics and the quantum theory of fields. The assumption of invariance under T was called into question, however, by the 1964 discovery that a closely related assumption, that of CP invariance (where C is charge conjugation and P is space inversion), is violated in the decay of neutral K mesons. In The Physics of Time Reversal, Robert G. Sachs comprehensively treats the role of the transformation T, both as a tool for analyzing the structure of matter and as a field of fundamental research relating to CP violation. For this purpose he reformulates the definitions of T, P, and C so as to avoid subliminal assumptions of invariance. He summarizes the standard phenomenology of CP violation in the K-meson system and addresses the question of the mysterious origin of CP violation. Using simple examples based on the standard quark model, Sachs summarizes and illustrates how these phenomenological methods can be extended to analysis of future experiments on heavy mesons. He notes that his reformulated approach to conventional quantum field theory leads to new questions about the meaning of the transformations in the context of recent theoretical developments such as non-Abelian gauge theories, and he suggests ways in which these questions may lead to new directions of research.
We'll Always Have the Movies explores how movies made in Hollywood during World War II were vehicles for helping Americans understand the war. Far from being simplistic, flag-waving propaganda designed to evoke emotional reactions, these films offered audiences narrative structures that formed a foundation for grasping the nuances of war. These films asked audiences to consider the implications of the Nazi threat, they put a face on both our enemies and allies, and they explored changing wartime gender roles. We'll Always Have the Movies reveals how film after film repeated the narratives, character types, and rhetoric that made the war and each American's role in it comprehensible. Robert L. McLaughlin and Sally E. Parry have screened more than 600 movies made between 1937 and 1946—including many never before discussed in this context—and have analyzed the cultural and historical importance of these films in explaining the war to moviegoers. Pre-Pearl Harbor films such as Sergeant York, Foreign Correspondent, and The Great Dictator established the rationale for the war in Europe. After the United States entered the war, films such as Air Force, So Proudly We Hail! and Back to Bataan conveyed reasons for U.S. involvement in the Pacific. The Hitler Gang, Sahara, and Bataan defined our enemies; and Mrs. Miniver, Mission to Moscow, and Dragon Seed defined our allies. Some movies—The Miracle of Morgan's Creek, Hail the Conquering Hero, and Lifeboat among them—explored homefront anxieties about the war's effects on American society. Of the many films that sought to explain the politics behind and the social impact of the war—and why it concerned Americans—Casablanca is perhaps one of the most widely recognized. McLaughlin and Parry argue that Rick's Café Américain serves as a United Nations, sheltering characters who represent countries being oppressed by Germany. At Rick's, these characters learn that they share a common love of freedom, which is embodied in patriotism; from this commonality, they overcome their differences and work together to solve a conflict that affects them all. As the representative American, Rick Blain (Humphrey Bogart) cannot idly stand by in the face of injustice, and he ultimately sides with those being oppressed. Bogart's character is a metaphor for America, which could also come out of its isolationism to be a true world leader and unite with its allies to defeat a common enemy. Collectively, Hollywood's war-era films created a mythic history of the war that, even today, has more currency than the actual events of World War II.
James A. Grimshaw, Jr., brings together for the first time more than 350 letters exchanged by two scholars who altered the way literature is taught in this country. The selected letters focus on the development of their five major textbooks--the rationale for selections, the details involved in obtaining permissions and preparing indexes, and the demands of meeting deadlines. More important, these letters reveal their attitudes toward literature, teaching, and scholarship. Providing insight into two of the most influential literary minds of this century, these letters show two men who were deeply involved in research and writing, and who were committed to a life of travel, conversation, and learning. Their zest for life and their love of literature explain, in part, their uncanny ability to persevere and to succeed. Yet their human qualities are also present in the letters, which bring Brooks and Warren to life as rare individuals able to sustain a deep, lifelong friendship. Cleanth Brooks and Robert Penn Warren will help readers better understand the critical work of Brooks and the creative work of Warren. Students and teachers of American literature will find this book indispensable.
“A meditation on the human condition in an age when the old aspire to be young” from the author of Forests: The Shadow of Civilization (Children’s Literature). How old are you? The more thought you bring to bear on the question, the harder it is to answer. For we age simultaneously in different ways: biologically, psychologically, socially. And we age within the larger framework of a culture, in the midst of a history that predates us and will outlast us. Looked at through that lens, many aspects of late modernity would suggest that we are older than ever, but Robert Pogue Harrison argues that we are also getting startlingly younger—in looks, mentality, and behavior. We live, he says, in an age of juvenescence. Like all of Robert Pogue Harrison's books, Juvenescence ranges brilliantly across cultures and history, tracing the ways that the spirits of youth and age have inflected each other from antiquity to the present. Drawing on the scientific concept of neotony, or the retention of juvenile characteristics through adulthood, and extending it into the cultural realm, Harrison argues that youth is essential for culture’s innovative drive and flashes of genius. At the same time, however, youth—which Harrison sees as more protracted than ever—is a luxury that requires the stability and wisdom of our elders and the institutions. A heady, deeply learned excursion, rich with ideas and insights, Juvenescence could only have been written by Robert Pogue Harrison. No reader who has wondered at our culture’s obsession with youth should miss it. “Harrison explores our culture’s understanding of age, youth, and aging . . . his book will provide mature wisdom indeed.” —Publishers Weekly
For more than 30 years, Practical Management of Pain has offered expert guidance to both clinicians and trainees, covering every aspect of acute and chronic pain medicine for adult and pediatric patients. The fully revised 6th Edition brings you fully up to date with new developments in patient evaluation, diagnosis of pain syndromes, rationales for management, treatment modalities, and much more. Edited by a team of renowned pain clinicians led by Dr. Honorio Benzon, this authoritative reference is a comprehensive, practical resource for pain diagnosis and treatment using a variety of pharmacologic and physical modalities. - Presents a wealth of information in a clearly written, easily accessible manner, enabling you to effectively assess and draw up an optimal treatment plan for patients with acute or chronic pain. - Takes a practical, multidisciplinary approach, making key concepts and techniques easier to apply to everyday practice. - Shares the knowledge and expertise of global contributors on all facets of pain management, from general principles to specific management techniques. - Discusses the latest, best management techniques, including joint injections, ultrasound-guided therapies, and new pharmacologic agents such as topical analgesics. - Covers recent global developments regarding opioid induced hyperalgesia, neuromodulation and pain management, and identification of specific targets for molecular based pain. - Includes current information on the use of cannabinoids in pain management and related regulatory, professional, and legal considerations. - Includes the latest guidelines on facet injections and safety of contrast agents. - Provides new, evidence-based critical analysis on treatment modality outcomes and the latest information on chronic pain as a result of surgical interventions. - Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures, and references from the book on a variety of devices.
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