In Double Ace, veteran biographer Robert Coram, himself a Georgia man, provides readers with an unprecedented look at the defining characteristics that made Robert Lee Scott a uniquely American hero. Robert Lee Scott ("Scotty") was larger than life. A decorated Eagle Scout who barely graduated from high school, the young man from Macon, Georgia, with an oversize personality used dogged determination to achieve his childhood dream of becoming a famed fighter pilot. First capturing national attention during World War II, Scott, a West Point graduate, flew missions in China alongside the legendary "Flying Tigers," where his reckless courage and victories against the enemy made headlines. Upon returning home, Scott's memoir, brashly titled God is My Co-Pilot, became an instant bestseller, a successful film, and one of the most important books of its time. Later in life, as a retired military general, Scott continued to add to his list of accomplishments. He traveled the entire length of China's Great Wall and helped found Georgia's Museum of Aviation, which still welcomes 400,000 annual visitors. Yet Scott's life was not without difficulty. His single-minded pursuit of greatness was offset by debilitating bouts of depression, and his brashness placed him at odds with superior officers, wreaking havoc on his career. What wealth he gained he squandered, and his numerous public affairs destroyed his relationships with his wife and child. Backed by meticulous research, Double Ace brings Scott's uniquely American character to life and captures his fascinating exploits as a national hero alongside his frustrating foibles.
For four hundred years, Norse settlers battled to make southern Greenland a new, sustainable home. They strove against gales and winter cold, food shortages and in the end a shifting climate. The remnants they left behind speak of their determination to wrest an existence at the foot of this vast, icy and challenging wilderness. Yet finally, seemingly suddenly, they vanished; and their mysterious disappearance in the fifteenth century has posed a riddle to scholars ever since. What happened to the lost Viking colonists? For centuries people assumed their descendants could still be living, so expeditions went to find them: to no avail. Robert Rix tells the gripping story of the missing pioneers, placing their poignant history in the context of cultural discourse and imperial politics. Ranging across fiction, poetry, navigation, reception and tales of exploration, he expertly delves into one of the most contested questions in the annals of colonization.
This study traces the links between William Blake's ideas and radical Christian cultures in late eighteenth-century England. A detailed and historically-grounded study of a key literary figure, this book should appeal to Blake scholars and historians with an interest in the radical and religious culture of late eighteenth and early nineteenth century England. New research on Blake's links to, and reaction against, the Swedenborg New Church make this study a valuable addition to scholarship in this area.
This book examines the sustained interest in legends of the pagan and peripheral North, tracing and analyzing the use of an ‘out-of-Scandinavia’ legend (Scandinavia as an ancestral homeland) in a wide range of medieval texts from all over Europe, with a focus on the Anglo-Saxon tradition. The pagan North was an imaginative region, which attracted a number of conflicting interpretations. To Christian Europe, the pagan North was an abject Other, but it also symbolized a place from which ancestral strength and energy derived. Rix maps how these discourses informed ‘national’ legends of ancestral origins, showing how an ‘out-of-Scandinavia’ legend can be found in works by several familiar writers including Jordanes, Bede, ‘Fredegar’, Paul the Deacon, Freculph, and Æthelweard. The book investigates how legends of northern warriors were first created in classical texts and since re-calibrated to fit different medieval understandings of identity and ethnicity. Among other things, the ‘out-of-Scandinavia’ tale was exploited to promote a legacy of ‘barbarian’ vigor that could withstand the negative cultural effects of Roman civilization. This volume employs a variety of perspectives cutting across the disciplines of poetry, history, rhetoric, linguistics, and archaeology. After years of intense critical interest in medieval attitudes towards the classical world, Africa, and the East, this first book-length study of ‘the North’ will inspire new debates and repositionings in medieval studies.
A sequel better than any[one] could have anticipated . . . even readers who've never heard of Evans will find this to be both entertaining and inspiring." —Publishers Weekly (starred review) In this innovative digital edition, legendary Hollywood producer Robert Evans’s story is brought to life like never before. The Robert Evans Collection includes the full texts of his two memoirs, the classic The Kid Stays in the Picture and The Fat Lady Sang, along with rare and exclusive video and audio clips, and never-before-seen photos and memorabilia from Evans’s personal collection.
In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain’s northern heritage. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, runic spells, incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. Yet Nordic lore did more than merely supplant hackneyed Gothic formulas; it presented readers with an alternative conception of ‘Otherness’. Nordic texts—chiefly based on the Edda and the supernatural Scandinavian ballad tradition—were seen as pre-Christian beliefs of the Gothic (i.e., Germanic) peoples, including the Anglo-Saxons. The book traces the development of this Nordic Gothic, situating it within wider literary, historical, political, and cultural contexts.
Poe’s classic tale lives on in this gothic novel of ancestral madness in the mountains of modern-day North Carolina, from a New York Times–bestselling author. Ever since Edgar Allan Poe looted a family’s ignoble secret history for his classic story “The Fall of the House of Usher,” living in the shadow of that sick dynasty has been an inescapable scourge for generations of Usher descendants. But not for horror novelist Rix Usher. Years ago, he fled the isolated family estate of Usherland in the menacing North Carolina hills to pursue his writing career. He promised never to return. But his father’s impending death has brought Rix back home to assume the role of Usher patriarch—and face his worst fears. His arrival forces him to confront a devious and impassive family and his vulnerable sister’s slow descent into insanity. Stirring memories of the grim folktales born out of the surrounding Briartop Mountains and the terrifying legends of missing children, Rix knows that in the dark, twisted corridors of Usherland, that dreadful something he saw as a young boy is still there. It’s waiting for him, as decayed and undying as the Usher heritage, and more depraved than anything Poe could have imagined. This eerie novel by the Bram Stoker Award–winning author of Swan Song and Boy’s Life is “a frightening pleasure” and a worthy tribute to the master who inspired it (St. Louis Post-Dispatch).
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.