Broadcaster, writer and actor Robert Rietti recounts the extraordinary stories of individual survivors of the Holocaust, whether from Jewish or other persecuted communities.
Comprehensive in scope and thoroughly up to date, Wintrobe’s Clinical Hematology, 15th Edition, combines the biology and pathophysiology of hematology as well as the diagnosis and treatment of commonly encountered hematological disorders. Editor-in-chief Dr. Robert T. Means, Jr., along with a team of expert section editors and contributing authors, provide authoritative, in-depth information on the biology and pathophysiology of lymphomas, leukemias, platelet destruction, and other hematological disorders as well as the procedures for diagnosing and treating them. Packed with more than 1,500 tables and figures throughout, this trusted text is an indispensable reference for hematologists, oncologists, residents, nurse practitioners, and pathologists.
With the 13th edition, Wintrobe’s Clinical Hematology once again bridges the gap between the clinical practice of hematology and the basic foundations of science. Broken down into eight parts, this book provides readers with a comprehensive overview of: Laboratory Hematology, The Normal Hematologic System, Transfusion Medicine, Disorders of Red Cells, Hemostasis and Coagulation; Benign Disorders of Leukocytes, The Spleen and/or Immunoglobulins; Hematologic Malignancies, and Transplantation. Within these sections, there is a heavy focus on the morphological exam of the peripheral blood smear, bone marrow, lymph nodes, and other tissues. With the knowledge about gene therapy and immunotherapy expanding, new, up-to-date information about the process and application of these therapies is included. Likewise, the editors have completely revised material on stem cell transplantation in regards to both malignant and benign disorders, graft versus host disease, and the importance of long-term follow-up of transplantation survivors.
The first life of the man who was Lord Peter Wimsey, Bertie Wooster and starred in I’m Alright, Jack! With the death of Ian Carmichael in 2010 one of the last links was lost with the golden age of British cinema. Carmichael starred alongside Terry-Thomas and Peter Sellers in the Boulting brothers’ classic satirical comedies I’m Alright, Jack! Private’s Progress and School for Scoundrels. He summed up, on screen and in life, the kind of Englishman who was beginning to emerge after the war – educated, not necessarily upper class, upwardly mobile and a study in good manners and a sense of fair play – and thus played the straight-man foil to the distracted ravings of his wilder co-stars. Subsequently, he became Bertie Wooster in a highly successful television series based on P.G. Wodehouse’s Jeeves stories. He also made the part of Lord Peter Wimsey his own in another long-running adaptation of Dorothy L. Sayers’ famous detective novels, and was still acting on television well into his eighties alongside Susan Hampshire in ITV’s drama series The Royal.
This volume raises central theoretical issues regarding behavioural reconstruction in human osteological research. Because behavioural reconstructions have become increasingly common, especially within paleopathology, it is time to review the scientific basis for such an approach. For example, osteological scenarios seeking to link the onset of such skeletal conditions as osteoarthritis, dental disease, and trauma with specific behaviours in past populations are critically examined. Questions are also raised as to the scientific rigor of such hypotheses, the ethnohistorical (or other) evidence used to support them and, ultimately, the soundness of such claims. In addition, commentary is included that broadens the scope to include anthropology and explains the utility (and limitations) of behavioural reconstructions in paleoanthropology and the biocultural perspective as it is used in contemporary anthropology.
This book offers a critical edition of the petitions in their original Italian language that (Catholic) Jews residing in Italy submitted to the Fascist General Administration for Demography and Race (Demorazza) in order either to be “discriminated,” i.e., not subjected to various provisions of Mussolini’s racial laws.
Presents a look at the world of dance; an analysis of ballet movement, music, and history; a close-up look at popular ballets; and a host of performance tips.
Germain Grisez has been a leading voice in moral philosophy and theology since the Second Vatican Council. In this book, such major thinkers as John Finnis, Ralph McInerny, and William E. May consider issues in ethics, metaphysics, and politics that have been central to Grisez's work. Grisez's reconsideration of the philosophical foundations of Christian moral teaching, seeking to eliminate both legalistic interpretation and theological dissent, has won the support of a number of leading Catholic moralists. In the past decade, moreover, many philosophers outside of Catholicism have weighed carefully Grisez's alternatives to theories that have long dominated secular moral philosophy. This book presents a broad spectrum of viewpoints on subjects ranging from contraception to capital punishment and considers such controversies as the scriptural basis of Grisez's work his interpretations of Aquinas, and his new natural law theory. The collection includes not only contributions from Grisez's supporters but also from critics of his thought, from proportionalist Edward Collins Vacek, SJ, to the neo-Thomist Ralph McInerny. A reply by Grisez, written with Joseph M. Boyle Jr., addresses the issues and viewpoints expressed, while an afterword by Russell Shaw reviews Grisez's pioneering work and conveys a vivid sense of the philosopher's personality. As Grisez's influence grows, this volume will serve as an important touchstone on his contributions to moral and political philosophy and theology.
Although some scholars credit Shakespeare with creating in Henry IV's Falstaff the first "second banana" character (reviving him for Henry IV Part Two), most television historians agree that the popular co-star was born in 1955 when Art Carney, as Ed Norton, first addressed Jackie Gleason with a "Hey, Ralphie-boy," on The Honeymooners. The phenomenon has proved to be one of the most enduring achievements of the American sitcom, and oftentimes so popular that the co-star becomes the star. Twenty-nine of those popular co-stars get all of the attention in this work. Each chapter focuses on one television character and the actor or actress who brought him or her to life, and provides critical analysis, biographical information and, in several instances, interviews with the actors and actresses themselves. It includes people like Art Carney of The Honeymooners, Don Knotts of The Andy Griffith Show, Ted Knight of The Mary Tyler Moore Show, Max Baer of The Beverly Hillbillies, Vivian Vance and William Frawley of I Love Lucy, Ann B. Davis of The Brady Bunch, Jamie Farr of M*A*S*H, Ron Palillo of Welcome Back, Kotter, Jimmie Walker of Good Times, Tom Poston of Newhart and Michael Richards of Seinfeld, to name just a few.
No military unit in all the annals of American history exceeds in reputation Robert E. Lee’s illustrious Army of Northern Virginia. In ten chapters based on exhaustive research, esteemed Civil War scholar Robert K. Krick gives eloquent examination to aspects of this army ranging from biographical sketches and the best and worst books on the subject to Confederate troop strengths and locating soldier records. The Smoothbore Volley That Doomed the Confederacy gleams with Krick’s usual superior research, skilled writing, and sound analysis and sheds new light on one of the most popular Civil War subjects.
One of the most important series of drawings in late-sixteenth-century Italian art--the twenty large sheets by Federico Zuccaro (ca. 1541-1609) showing the early life of his older brother, Taddeo (1529-1566)--was acquired by the J. Paul Getty Museum in 1999. Never fully published, the series shows Taddeo's trials and tribulations as a young artist trying to achieve success in Renaissance Rome, and his eventual triumph. The drawings contain charming details of the life of a struggling artist and reveal much about the younger brother, Federico, a successful artist in his own right. This volume--published to coincide with an exhibition at the J. Paul Getty Museum to be held from October 1, 2007, to January 6, 2008--presents Federico Zuccaro's twenty drawings and accompanying poems in their historical and artistic context and will be of interest to art historians and general readers alike. Of particular importance is its examination of the role of the copying of masterworks in the training of young Renaissance artists.
There is an old Jewish saying that when disasters occur this too is for the best. Robert Rietti has brought together a selection of tales that are either true incidents that he has gleaned from others or events that he has experienced. They express his hope and trust and belief that we are not alone: that a hand other than our own often intervenes in moments of danger or despair and shapes our actions, and often our destiny.
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