FORD JONES INVESTIGATIONS The year is 1937 and the Ford Jones Detective Agency operates from a small second story office in Oakland, CA. Jones is a mousy, little man whose clothes are always a size too big. His assistant is a tall, muscular black man named Rufus. All of which is a sham used to trick white clients. Rufus is in fact the real Rutherford Jones, aka Ford Jones. Aware that his skin color would impede his chosen career, he convinces his young, alcoholic friend, Jimmy "Bottles" McGee to pose as Ford Jones. The ruse leads to all manner of com- plications for the pair. In this trio of stories by writer/creator Robert Ricci, Jones and McGee solve strange occurrences at a northern mine, deal with a power struggle within the Chinese community and assist a singing cowboy solidify his role as a new cinema star while running into a classic female pulp avenger along the way. Ricci has created a truly original pulp hero who, like his predecessors, uses both his fists and know-how to serve the cause of justice. Don't miss this, his slam-bang New Pulp debut!
Since its first edition over 60 years ago, Rockwood and Green’s Fractures in Adults has been the go-to reference for treating a wide range of fractures in adult patients. The landmark, two-volume tenth edition continues this tradition with two new international editors, a refreshed mix of contributors, and revised content throughout, bringing you fully up to date with today’s techniques and technologies for treating fractures in orthopaedics. Drs. Paul Tornetta III, William M. Ricci, Robert F. Ostrum, Michael D. McKee, Benjamin J. Ollivere, and Victor A. de Ridder lead a team of experts who ensure that the most up-to-date information is presented in a comprehensive yet easy to digest manner.
Orthopaedic Knowledge Update: Trauma 5 brings together relevant knowledge and new breakthroughs in orthopaedic trauma treatment and management. Developed in partnership with the Orthopaedic Trauma Association (OTA), this new edition features chapters on computer-assisted surgery, new technologies, and the diagnosis and management of infection associated with fractures and nonunions.
Exile was a potent form of punishment and a catalyst for change in colonial Asia between the seventeenth and early twentieth centuries. Vast networks of forced migration supplied laborers to emerging colonial settlements, while European powers banished rivals to faraway locations. Exile in Colonial Asia explores the phenomenon of exile in ten case studies by way of three categories: “kings,” royals banished as political exiles; “convicts,” the vast majority of those whose lives are explored in this volume, sent halfway across the world with often unexpected consequences; and “commemoration,” referring to the myriad ways in which the experience and its aftermath were remembered by those exiled, relatives left behind, colonial officials, and subsequent generations of descendants, devotees, historians, and politicians. Intended for a broad readership interested in the colonial period in Asia (South and Southeast Asia in particular), the volume encompasses a range of disciplinary perspectives: anthropology, gender studies, literature, history, and Asian, Australian, and Pacific studies. In addition to presenting fascinating, little-known, and varied case studies of exile in colonial Asia and Australia, the chapters collectively offer a sweeping, contextualized, comparative approach that links the narratives of diverse peoples and locales. Rather than confining research to the European colonial archives, whenever possible the authors put special emphasis on the use of indigenous primary sources hitherto little explored. Exile in Colonial Asia invites imaginative methodological innovation in exploring multiple archives and expands our theoretical frontiers in thinking about the interconnected histories of penal deportation, labor migration, political exile, colonial expansion, and individual destinies.
The Man in the Mask High atop the Clarion Tower, a blinking red light begins to pulse signaling one of New York City's most illustrious, vigilante heroes, the Phantom Detective. In reality, he is Curtis Van Loan, a debonair playboy millionaire well known in the society columns of all the major dailies. What is hidden from the public is Van Loan's dedication to law and order. A decorated combat pilot during World War I, he is an expert fencer, ju-jitsu master and speaks a dozen foreign tongues fluently. Hidden in his Park Avenue penthouse is a secret closet containing clothing of all descriptions and sizes. Along the wall are weapons; automatic rifles, sub-machine guns. There is also a miniature lab along with an extensive make-up kit that allows him to don different faces as his mission requires. Forget the silly Top Hat featured on the old pulp covers, while in action the Phantom Detective wore a belted topcoat, a fedora and black domino mask. He carried a .45 automatic and a hidden knife in his left sleeve. This popular pulp icon returns now to once more battle villainy and crime in five new cases by Gene Moyers, Whit Howland, Robert Ricci and two from Gary Lovisi. Each recaptures the fun, excitement and thrills of this classic hero from the past-the Phantom Detective!
Pulpdom's sexiest masked avenger returns in this second volume of her all new adventures. From a gang of corrupt policemen to secret Nazis saboteurs out to destroy the Los Angeles Olympics, the beautiful and wily crime-fighter has her hands full in this new quartet of tales by Gene Moyers, Brad Mengel, Robert Ricci and Paul Findley. As always, lovely socialite Ellen Patrick weaves her way in and out of trouble, donning her black silk domino mask whenever injustice rears its ugly head. From the time of her father's murder, Ellen has dedicated herself to righting wrongs. She just does it in a most peculiar fashion becoming the pulps' most alluring and deadly hero; the Domino Lady.
The Weimar Moment’s evocative assault on closure and political reaction, its offering of democracy against the politics of narrow self-interest cloaked in nationalist appeals to Volk and “community” – or, as would be the case in Nazi Germany, “race” – cannot but appeal to us today. This appeal –its historical grounding and content, its complexities and tensions, its variegated expressions across the networks of power and thought – is the essential context of the present volume, whose basic premise is unhappiness with Hegel’s remark that we learn no more from history than we cannot learn from it. The challenge of the papers in this volume is to provide the material to confront the present effectively drawing from what we can and do understand.
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